Rudyard Kipling For Children - 7 Books in One Edition (Illustrated Edition). Rudyard Kipling

be other calls upon his time than loafing across the Park in the forenoon.

      "There's a good working light now," he said, watching his shadow placidly. "Some poor devil ought to be grateful for this. And there's Maisie."

      She was walking towards him from the Marble Arch, and he saw that no mannerism of her gait had been changed. It was good to find her still Maisie, and, so to speak, his next-door neighbour. No greeting passed between them, because there had been none in the old days.

      "What are you doing out of your studio at this hour?" said Dick, as one who was entitled to ask.

      "Idling. Just idling. I got angry with a chin and scraped it out. Then I left it in a little heap of paint-chips and came away."

      "I know what palette-knifing means. What was the piccy?"

      "A fancy head that wouldn't come right,—horrid thing!"

      "I don't like working over scraped paint when I'm doing flesh. The grain comes up woolly as the paint dries."

      "Not if you scrape properly." Maisie waved her hand to illustrate her methods. There was a dab of paint on the white cuff. Dick laughed.

      "You're as untidy as ever."

      "That comes well from you. Look at your own cuff."

      "By Jove, yes! It's worse than yours. I don't think we've much altered in anything. Let's see, though." He looked at Maisie critically. The pale blue haze of an autumn day crept between the tree-trunks of the Park and made a background for the gray dress, the black velvet toque above the black hair, and the resolute profile.

      "No, there's nothing changed. How good it is! D'you remember when I fastened your hair into the snap of a hand-bag?"

      Maisie nodded, with a twinkle in her eyes, and turned her full face to Dick.

      "Wait a minute," said he. "That mouth is down at the corners a little. Who's been worrying you, Maisie?"

      "No one but myself. I never seem to get on with my work, and yet I try hard enough, and Kami says——"

      "'Continuez, mesdemoiselles. Continuez toujours, mes enfants.' Kami is depressing. I beg your pardon."

      "Yes, that's what he says. He told me last summer that I was doing better and he'd let me exhibit this year."

      "Not in this place, surely?"

      "Of course not. The Salon."

      "You fly high."

      "I've been beating my wings long enough. Where do you exhibit, Dick?"

      "I don't exhibit. I sell."

      "What is your line, then?"

      "Haven't you heard?" Dick's eyes opened. Was this thing possible? He cast about for some means of conviction. They were not far from the Marble Arch. "Come up Oxford Street a little and I'll show you."

      A small knot of people stood round a print-shop that Dick knew well.

      "Some reproduction of my work inside," he said, with suppressed triumph. Never before had success tasted so sweet upon the tongue. "You see the sort of things I paint. D'you like it?"

      Maisie looked at the wild whirling rush of a field-battery going into action under fire. Two artillery-men stood behind her in the crowd.

      "They've chucked the off lead-'orse" said one to the other. "'E's tore up awful, but they're makin' good time with the others. That lead-driver drives better nor you, Tom. See 'ow cunnin' 'e's nursin' 'is 'orse."

      "Number Three'll be off the limber, next jolt," was the answer.

      "No, 'e won't. See 'ow 'is foot's braced against the iron? 'E's all right."

      Dick watched Maisie's face and swelled with joy—fine, rank, vulgar triumph. She was more interested in the little crowd than in the picture.

      That was something that she could understand.

      "And I wanted it so! Oh, I did want it so!" she said at last, under her breath.

      "Me,—all me!" said Dick, placidly. "Look at their faces. It hits 'em. They don't know what makes their eyes and mouths open; but I know. And I know my work's right."

      "Yes. I see. Oh, what a thing to have come to one!"

      "Come to one, indeed! I had to go out and look for it. What do you think?"

      "I call it success. Tell me how you got it."

      They returned to the Park, and Dick delivered himself of the saga of his own doings, with all the arrogance of a young man speaking to a woman.

      From the beginning he told the tale, the I—I—I's flashing through the records as telegraph-poles fly past the traveller. Maisie listened and nodded her head. The histories of strife and privation did not move her a hair's-breadth. At the end of each canto he would conclude, "And that gave me some notion of handling colour," or light, or whatever it might be that he had set out to pursue and understand. He led her breathless across half the world, speaking as he had never spoken in his life before.

      And in the flood-tide of his exaltation there came upon him a great desire to pick up this maiden who nodded her head and said, "I understand. Go on,"—to pick her up and carry her away with him, because she was Maisie, and because she understood, and because she was his right, and a woman to be desired above all women.

      Then he checked himself abruptly. "And so I took all I wanted," he said, "and I had to fight for it. Now you tell."

      Maisie's tale was almost as gray as her dress. It covered years of patient toil backed by savage pride that would not be broken though dealers laughed, and fogs delayed work, and Kami was unkind and even sarcastic, and girls in other studios were painfully polite. It had a few bright spots, in pictures accepted at provincial exhibitions, but it wound up with the oft repeated wail, "And so you see, Dick, I had no success, though I worked so hard."

      Then pity filled Dick. Even thus had Maisie spoken when she could not hit the breakwater, half an hour before she had kissed him. And that had happened yesterday.

      "Never mind," he said. "I'll tell you something, if you'll believe it." The words were shaping themselves of their own accord. "The whole thing, lock, stock, and barrel, isn't worth one big yellow sea-poppy below Fort Keeling."

      Maisie flushed a little. "It's all very well for you to talk, but you've had the success and I haven't."

      "Let me talk, then. I know you'll understand. Maisie, dear, it sounds a bit absurd, but those ten years never existed, and I've come back again. It really is just the same. Can't you see? You're alone now and I'm alone. What's the use of worrying? Come to me instead, darling."

      Maisie poked the gravel with her parasol. They were sitting on a bench.

      "I understand," she said slowly. "But I've got my work to do, and I must do it."

      "Do it with me, then, dear. I won't interrupt."

      "No, I couldn't. It's my work,—mine,—mine,—mine! I've been alone all my life in myself, and I'm not going to belong to anybody except myself. I remember things as well as you do, but that doesn't count. We were babies then, and we didn't know what was before us. Dick, don't be selfish. I think I see my way to a little success next year. Don't take it away from me."

      "I beg your pardon, darling. It's my fault for speaking stupidly. I can't expect you to throw up all your life just because I'm back. I'll go to my own place and wait a little."

      "But, Dick, I don't want you to—go—out of—my life, now you've just come back."

      "I'm at your orders; forgive me." Dick devoured the troubled little face with his eyes. There was triumph in them, because he could not conceive that Maisie should refuse sooner or later to love him, since he loved her.

      "It's wrong of me," said Maisie, more slowly than before; "it's wrong and selfish; but, oh, I've been