Название | The Master-Christian |
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Автор произведения | Marie Corelli |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664592996 |
"WHEN THE SON OF MAN COMETH, THINK YE HE SHALL FIND FAITH ON EARTH?"
Again that searching question repeated itself in his mind so distinctly as to be echoed in his ears,—the deep silence around him seemed waiting expectantly for some reply, and moved by a strange spirit of exaltation within him, he answered half aloud—
"Yes! Surely He will find faith,—if only in the few! There are 'a few names, even in Sardis!' In the sorrowful and meek,—in the poor and patient and downtrodden martyrs of humanity, He will find faith;—in the very people He died to save He will discover that most precious and inspiring of all virtues! But in the so-called wise and brilliant favourites of the world He will not find it,—in the teachers of the people He will search for it in vain. By the writers of many books He shall find Himself scorned and rejected,—in the cheap and spurious philosophy of modern egotists He will see His doctrines mocked at and denounced as futile. Few men there are in these days who would deny themselves for His sake, or sacrifice a personal passion for the purer honouring of His name. Inasmuch as the pride of great learning breeds arrogance, so the more the wonder of God's work is displayed to us, the more are we dazzled and confounded; and so in our blindness we turn from the worship of the Creator to that of His creation, forgetting that all the visible universe is but the outcome or expression of the hidden Divine Intelligence behind it. What of the marvels of the age!—the results of science!—the strange psychic prescience and knowledge of things more miraculous yet to be!—these are but hints and warnings of the approach of God himself—'coming in a cloud with power and great glory'!"
As he thus spoke, he raised his hand out of old habit acquired in preaching, and a ray from the after-glow of the sunken sun lit up the jewel in the apostolic ring he wore, warming its pale green lustre to a dim violet spark as of living fire. His fine features were for a moment warm with fervour and feeling,—then,—suddenly, he thought of the great world outside all creeds,—of the millions and millions of human beings who neither know nor accept Christ,—of the Oriental races with their intricate and beautiful systems of philosophy,—of savage tribes, conquered and unconquered,—of fierce yet brave Turkish warriors who are, with all their faults, at any rate true to the faith they profess—and lastly—more than all—of the thousands upon thousands of Christians in Christian lands, who no more believe in Him whose holy name they take in vain, than in any Mumbo-Jumbo fetish of untaught barbarians. Were these to perish utterly? Had THEY no immortal souls to save? Had the churches been at work for eighteen hundred years and more, to bring about no better results than this,—namely that there were only "A FEW NAMES IN SARDIS"? If so, were not the churches criminally to blame? Yea, even holy Mother-Church, whose foundation rested on the memory of the Lying Apostle? Rapidly, and as if suggested by some tormenting devil, these thoughts possessed the Cardinal's brain, burning into it and teasing and agonising the tender fibres of his conscience and his soul. Could God, the great loving Creator of countless universes, be so cruel as to wantonly destroy millions of helpless creatures in one small planet, because through ignorance or want of proper teaching they had failed to find Christ?—was it possible that he could only extend his mercy and forgiveness to the "few names in Sardis"?
"Yet our world is but a pin's point in the eternal immensities," argued the Cardinal almost wistfully—"Only a few can expect to be saved."
Nevertheless, this reasoning did not satisfy him. Again, what of these millions? Were they to be forever lost? Then why so much waste of life? Waste of life! There is no such thing as waste of life—this much modern science the venerable Felix knew. Nothing can be wasted,—not a breath, not a scene, not a sound. All is treasured up in Nature's store-house and can be eternally reproduced at Nature's will. Then what was to become of the myriads of human beings and immortal souls whom the Church had failed to rescue? THE CHURCH HAD FAILED! Why had it failed? Whose the fault?—whose the weakness?—for fault and weakness were existent somewhere.
"WHEN THE SON OF MAN COMETH, THINK YE HE SHALL FIND FAITH ON EARTH?"
"No!" whispered the Cardinal, suddenly forced, as it were in his own despite, to contradict his former assertion—"No!" He paused, and mechanically making his way towards the door of the Cathedral, he dipped his fingers into the holy water that glistened dimly in its marble basin near the black oak portal, and made the sign of the cross on brow and breast;—"He will not find faith where faith should be pre-eminent. It must be openly confessed—repentingly admitted,—He will NOT find faith even in the Church He founded,—I say it to our shame!"
His head drooped, as though his own words had wounded him, and with an air of deep dejection he slowly passed out. The huge iron-bound door swung noiselessly to and fro behind him,—the grave-toned bell in the tower struck seven. Outside, a tender twilight mellowed the atmosphere and gave brightness to approaching evening; inside, the long shadows, gathering heavily in the aisles and richly sculptured hollows of the side-chapels, brought night before its time. The last votive candle at the Virgin's shrine flickered down and disappeared like a firefly in dense blackness,—the last echo of the bell died in a tremulous vibration up among the high-springing roof-arches, and away into the solemn corners where the nameless dead reposed,—the last impression of life and feeling vanished with the retreating figure of the Cardinal—and the great Cathedral, the Sanctuary and House of God, took upon itself the semblance of a funeral vault,—a dark, Void, wherein but one red star, the lamp before the Altar, burned.
II.
Lovely to a poet or an artist's eye is the unevenly-built and picturesque square of Rouen in which the Cathedral stands,—lovely, and suggestive of historical romance in all its remote corners, its oddly-shaped houses, its by-ways and crooked little flights of steps leading to nowhere, its gables and slanting roofs, and its utter absence of all structural proportion. A shrine here, a broken statue there,—a half-obliterated coat-of-arms over an old gateway,—a rusty sconce fitted fast into the wall to support a lantern no longer needed in these days of gas and electricity,—an ancient fountain overgrown with weed, or a projecting vessel of stone for holy water, in which small birds bathe and disport themselves after a shower of rain,—those are but a few of the curious fragments of a past time which make the old place interesting to the student, and more than fascinating to the thinker and dreamer. The wonderful "Hotel Bourgtheroulde," dating from the time of Francis the First, and bearing on its sculptured walls the story of the Field of the Cloth of Gold, in company with the strangely-contrasting "Allegories", from Petrarch's "Triumphs", is enough in itself to keep the mind engrossed with fanciful musings for an hour. How did Petrarch and the Field of the Cloth of Gold come together in the brain of the sculptor who long ago worked at these ancient bas-reliefs? One wonders, but the wonder is in vain,—there is no explanation;—and the "Bourgtheroulde" remains a pleasing and fantastic architectural mystery. Close by, through the quaint old streets of the Epicerie and "Gross Horloge", walked no doubt in their young days the brothers Corneille, before they evolved from their meditative souls the sombre and heavy genius of French tragedy,—and not very far away, up one of those little shadowy winding streets and out at the corner, stands the restored house of Diane de Poitiers, so sentient and alive in its very look that one almost expects to see at the quaint windows the beautiful wicked face of the woman who swayed the humours of a king by her smile or her frown.
Cardinal Bonpre, walking past the stately fourteenth-century Gothic pile of the Palais de Justice, thought half-vaguely of some of these things,—but they affected him less than they might have done had his mind not been full of the grand music he had just heard in the Cathedral, and of the darkness that had slowly gathered there, as though in solemn commingling with the darkness which had at the same time settled over his soul. A great oppression weighed upon him;—almost he judged himself guilty of mortal sin, for had he not said aloud and boldly, while facing the High Altar of the Lord, that even in the Church itself faith was lacking? Yes,