The Fairy Mythology. Thomas Keightley

       The Daughter of Peter De Cabinam.

       Origin of the House of Haro.

       La Infantine.

       Pepito el Corcovado.

       FRANCE.

       Legend of Melusina.

       EASTERN EUROPE.

       FINNS.

       SLAVES.

       Vilas

       Deer and Vila.

       AFRICANS, JEWS, Etc.

       AFRICANS.

       JEWS.

       The Broken Oaths.

       The Moohel.

       The Mazik-Ass.

       CONCLUSION.

       APPENDIX.

       The Harvest Dinner.

       The Young Piper.

       The Soul Cages.

       Barry of Cairn Thierna.

       Aileen a Roon,

       Rousseau's Dream.

       Alexander Selkirk's Dream.

       A Moonlight Scene,

       Lines Written in a Lady's Album.

       To Amanda.

       Lines,

       A Farewell.

       Verses,

       Father Cuddy's Song.

       The Praises of Mazenderân.

       INDEX.

THE FAIRY MYTHOLOGY

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INTRODUCTION.

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      In oldè dayès of the King Artoúr,

       Of which that Bretons spoken gret honoúr,

       All was this lond fulfilled of faërie;

       The elf-qrene with hir jolie companie

       Danced full oft in many a grenè mede.

       Chaucer.

ORIGIN OF THE BELIEF IN FAIRIES.

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      According to a well-known law of our nature, effects suggest causes; and another law, perhaps equally general, impels us to ascribe to the actual and efficient cause the attribute of intelligence. The mind of the deepest philosopher is thus acted upon equally with that of the peasant or the savage; the only difference lies in the nature of the intelligent cause at which they respectively stop. The one pursues the chain of cause and effect, and traces out its various links till he arrives at the great intelligent cause of all, however he may designate him; the other, when unusual phenomena excite his attention, ascribes their production to the immediate agency of some of the inferior beings recognised by his legendary creed.

      The action of this latter principle must forcibly strike the minds of those who disdain not to bestow a portion of their attention on the popular legends and traditions of different countries. Every extraordinary appearance is found to have its extraordinary cause assigned; a cause always connected with the history or religion, ancient or modern, of the country, and not unfrequently varying with a change of faith.[1]

      The noises and eruptions of Ætna and Stromboli were, in ancient times, ascribed to Typhon or Vulcan, and at this day the popular belief connects them with the infernal regions. The sounds resembling the clanking of chains, hammering of iron, and blowing of bellows, once to be heard in the island of Barrie, were made by the fiends whom Merlin had set to work to frame the wall of brass to surround Caermarthen.[2] The marks which natural causes have impressed on the solid and unyielding granite rock were produced, according to the popular creed, by the contact of the hero, the saint, or the god: masses of stone, resembling domestic implements in form, were the toys, or the corresponding implements of the heroes and giants of old. Grecian imagination ascribed to the galaxy or milky way an origin in the teeming breast of the queen of heaven: marks appeared in the petals of flowers on the occasion of a youth's or a hero's untimely death: the rose derived its present hue from the blood of Venus, as she hurried barefoot through the woods and lawns; while the professors of Islâm, less fancifully, refer the origin of this flower to the moisture that exuded from the sacred person of their prophet. Under a purer form of religion, the cruciform stripes which mark the back and shoulders of the patient ass first appeared, according to the popular tradition, when the Son of God