Rambles Beyond Railways; or, Notes in Cornwall taken A-foot. Wilkie Collins Collins

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Название Rambles Beyond Railways; or, Notes in Cornwall taken A-foot
Автор произведения Wilkie Collins Collins
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isbn 4057664611307



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if he turned his face towards it for a moment—the forked lightning shooting from pitch-dark clouds, leaping and running fearfully over the level ground, blackening, splitting, tearing from their places the stoutest rocks on the moor. Three masses of granite lay heaped together near the spot where we had halted—the furze-cutter pointed to them with his bill-hook, and told us that what we now looked on was once one great rock, which he had seen riven in an instant by the lightning into the fragmentary form that it now presented. If we mounted the highest of these three masses, he declared that we might find out our own way to St. Cleer's Well by merely looking around us. We followed his directions. Towards the east, far away over the magnificent sweep of moorland, and on the slope of the hill that bounded it, appeared the tall chimneys and engine-houses of the Great Caraton Copper Mine—the only objects raised by the hand of man that were to be seen on this part of the view. Towards the west, much nearer at hand, four grey turrets were just visible beyond some rising ground. These turrets belonged to the tower of St. Cleer's Church, and the Well was close by it.

      Taking leave of the furze-cutter, we followed the path at once that led to St. Cleer's. Half an hour's walking brought us to the village, a straggling, picturesque place, hidden in so deep a hollow as to be quite invisible from any distance. All the little cottage-girls whom we met, carrying their jugs and pitchers of water, curtseyed and wished us good morning with the prettiest air of bashfulness and good humour imaginable. One of them, a rosy, beautiful child, who proudly informed us that she was six years old, put down her jug at a cottage-gate and ran on before to show us the way, delighted to be singled out from her companions for so important an office. We passed the grey walls of the old church, walked down a lane, and soon came in sight of the Well, the position of which was marked by a ruined Oratory, situated on some open ground close at the side of the public pathway.

      St. Cleer, or—as the name is generally spelt out of Cornwall—St. Clare, the patron saint of the Well, was born in Italy, in the twelfth century—and born to a fair heritage of this world's honours and this world's possessions. But she voluntarily abandoned, at an early age, all that was alluring in the earthly career awaiting her, to devote herself entirely to the interests of her religion and the service of Heaven. She was the first woman who sat at the feet of St. Francis as his disciple, who humbly practised the self-mortification, and resolutely performed the vow of perpetual poverty, which her preceptor's harshest doctrines imposed on his followers. She soon became Abbess of the Benedictine Nuns with whom she was associated by the saint; and afterwards founded an order of her own—the order of "Poor Clares." The fame of her piety and humility, of her devotion to the cause of the sick, the afflicted, and the poor, spread far and wide. The most illustrious of the ecclesiastics of her time attended at her convent as at a holy shrine. Pope Innocent the Fourth visited her, as a testimony of his respect for her virtues; and paid homage to her memory when her blameless existence had closed, by making one among the mourners who followed her to the grave. Her name had been derived from the Latin word that signifies purity; and from first to last, her life had kept the promise of her name.

      Poor St. Clare! If she could look back, with the thoughts and interests of the days of her mortality, to the world that she has quitted for ever, how sadly would she now contemplate the Holy Well which was once hallowed in her name and for her sake! But one arched wall, thickly overgrown with ivy, still remains erect in the place that the old Oratory occupied. Fragments of its roof, its cornices, and the mouldings of its windows lie scattered on the ground, half hidden by the grasses and ferns twining prettily around them. A double cross of stone stands, sloping towards the earth, at a little distance off—soon perhaps to share the fate of the prostrate ruins about it. How changed the scene here, since the time when the rural christening procession left the church, to proceed down the quiet pathway to the Holy Well—when children were baptized in the pure spring; and vows were offered up under the roof of the Oratory, and prayers were repeated before the sacred cross! These were the pious usages of a past age; these were the ceremonies of an ancient church, whose innocent and reverent custom it was to connect closer together the beauty of Nature and the beauty of Religion, by such means as the consecration of a spring, or the erection of a roadside cross. There has been something of sacrifice as well as of glory, in the effort by which we, in our time, have freed ourselves from what was superstitious and tyrannical in the faith of the times of old—it has cost us the loss of much of the better part of that faith which was not superstition, and of more which was not tyranny. The spring of St. Clare is nothing to the cottager of our day but a place to draw water from; the village lads now lounge whistling on the fallen stones, once the consecrated arches under which their humble ancestors paused on the pilgrimage, or knelt in prayer. Wherever the eye turns, all around it speaks the melancholy language of desolation and decay—all but the water of the Holy Well. Still the little pool remains the fitting type of its patron saint—pure and tranquil as in the bygone days, when the name of St. Clare was something more than the title to a village legend, and the spring of St. Clare something better than a sight for the passing tourist among the Cornish moors.[1]

      We happened to arrive at the well at the period when the villagers were going home to dinner. After the first quarter of an hour, we were left almost alone among the ruins. The only person who approached to speak to us was a poor old woman, bent and tottering with age, who lived in a little cottage hard by. She brought us a glass, thinking we might wish to taste the water of the spring; and presented me with a rose out of her garden. Such small scraps of information as she had gathered together about the well, she repeated to us in low, reverential tones, as if its former religious uses still made it an object of veneration in her eyes. After a time, she too quitted us; and we were then left quite alone by the side of the spring.

      It was a bright, sunshiny day; a pure air was abroad; nothing sounded audibly but the singing of birds at some distance, and the rustling of the few leaves that clothed one or two young trees in a neighbouring garden. Unoccupied though I was, the minutes passed away as quickly and as unheeded with me, as with my companion who was busily engaged in sketching. The ruins of the ancient Oratory, viewed amid the pastoral repose of all things around them, began imperceptibly to exert over me that mysterious power of mingling the impressions of the present with the memories of the past, which all ruins possess. While I sat looking idly into the water of the well, and thinking of the groups that had gathered round it in years long gone by, recollections began to rise vividly on my mind of other ruins that I had seen in other countries, with friends, some scattered, some gone now—of pleasant pilgrimages, in boyish days, along the storied shores of Baiæ, or through the desolate streets of the Dead City under Vesuvius—of happy sketching excursions to the aqueducts on the plains of Rome, or to the temples and villas of Tivoli; during which, I had first learned to appreciate the beauties of Nature under guidance which, in this world, I can never resume; and had seen the lovely prospects of Italian landscape pictured by a hand now powerless in death. Remembrances such as these, of pleasures which remembrance only can recall as they were, made time fly fast for me by the brink of the holy well. I could have sat there all day, and should not have felt, at night, that the day had been ill spent.

      But the sunlight began to warn us that noon was long past. We had some distance yet to walk, and many things more to see. Shortly after my friend had completed his sketch, therefore, we reluctantly left St. Clare's Well, and went on our way briskly, up the little valley, and out again on the wide surface of the moor.

      It was now our object to steer a course over the wide plain around us, leading directly to the "Cheese-Wring" rocks (so called from their supposed resemblance to a Cornish cheese-press or "wring"). On our road to this curiosity, about a mile and a half from St. Clare's Well, we stopped to look at one of the most perfect and remarkable of the ancient British monuments in Cornwall. It is called Trevethey Stone, and consists of six large upright slabs of granite, overlaid by a seventh, which covers them in the form of a rude, slanting roof. These slabs are so irregular in form as to look quite unhewn. They all vary in size and thickness. The whole structure rises to a height, probably, of fourteen feet; and, standing as it does on elevated ground, in a barren country, with no stones of a similar kind erected near it, presents an appearance of rugged grandeur and aboriginal simplicity, which renders it an impressive, almost a startling object to look on. Antiquaries have discovered that its name signifies The Place of Graves; and have discovered no more.