THE COLLECTED WORKS OF RUDYARD KIPLING (Illustrated Edition). Rudyard Kipling

Wild outlanders from the desert, who had never seen a white man before, caught his horse by the bridle, examined him curiously, and with a grunt let him pass. The many-coloured turbans showed under the flickering light like the jewels of a broken necklace, and all the white housetops were crowded with the veiled figures of women. In half an hour the Maharaj Kunwar would make his way from the royal temple to the banqueting-tent at the head of a procession of caparisoned elephants.

      Tarvin forced his way inch by inch through the dense crowd that waited at the foot of the temple steps. He merely wished to satisfy himself that the child was well; he wanted to see him come from the temple. As he looked about him he saw that he was the only white man in the crowd, and pitied his jaded acquaintances, who could find no pleasure in the wild scene under his eyes.

      The temple doors were closed, and the torchlight flashed back from the ivory and silver with which they were inlaid. Somewhere out of sight stood the elephants, for Tarvin could hear their deep breathing and an occasional squeal above the hum of the crowd. Half a troop of cavalry, very worn and dusty with the day's labours, were trying to clear an open space before the temple, but they might as well have tried to divide a rainbow. From the roofs of the houses the women were throwing flowers, sweetmeats, and coloured rice into the crowd, while small bards, not yet attached to the house of any prince, chanted aloud in praise of the Maharajah, the Maharaj Kunwar, the Viceroy, the agent of the Governor-General, Colonel Nolan, and any one else who might possibly reward praise with pence. One of these men, recognising Tarvin, struck up a chant in his honour. He had come, said the song, from a far country to dam an ungovernable river, and fill the country-side with gold; his step was like the step of a dromedary in the spring; his eye terrible as that of an elephant; and the graces of his person such that the hearts of all the women of Rhatore turned to water when he rode upon the public way. Lastly, he would reward the singer of this poor song with untold generosity, and his name and fame should endure in the land so long as the flag of Gokral Seetarun had five colours, or as long as the Naulahka adorned the throat of kings.

      Then, with an ear-splitting shriek of conchs, the temple doors opened inward, and the voices of the crowd were hushed into a whisper of awe. Tarvin's hands tightened on the reins of his horse, and he leaned forward to stare. The opened doors of the temples framed a square of utter darkness, and to the screeching of the conchs was added a throbbing of innumerable drums. A breath of incense, strong enough to make him cough, drifted across the crowd, which was absolutely silent now.

      The next moment the Maharaj Kunwar, alone and unattended, came out of the darkness, and stood in the torchlight with his hands on the hilt of his sword. The face beneath the turban, draped with loops of diamonds under an emerald aigrette, was absolutely colourless. There were purple circles about his eyes, and his mouth was half open; but the pity Tarvin felt for the child's weariness was silenced by a sudden thrill and leap of his heart, for on the gold cloth of the Maharaj Kunwar's breast lay the Naulahka.

      There was no need, this time, to ask any questions. It was not he who saw it; its great deep eyes seemed to fall on him. It blazed with the dull red of the ruby, the angry green of the emerald, the cold blue of the sapphire, and the white-hot glory of the diamond. But dulling all these glories was the superb radiance of one gem that lay above the great carved emerald on the central clasp. It was the black diamond--black as the pitch of the infernal lake, and lighted from below with the fires of hell.

      The thing lay on the boy's shoulders, a yoke of flame. It outshone the silent Indian stars above, turned the tossing torches to smears of dull yellow, and sucked the glitter from the cloth of gold on which it lay.

      There was no time to think, to estimate, to appraise, scarcely a moment even to realise, for the conchs suddenly wailed again, the Maharaj stepped back into the darkness, and the doors of the temple were shut.

XV

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      From small-pox and the Evil Eye, a wasteful marriagefeast, and the

       kindness of my co-wife, may the Gods protect my son.

      —Hindu Proverb.

      Tarvin made his way to the banquet with his face aflame and his tongue dry between his teeth. He had seen it. It existed. It was not a myth. And he would have it; he would take it back with him. Mrs. Mutrie should hang it about the sculptured neck that looked so well when she laughed; and the Three C.'s should come to Topaz. He would be the saviour of his town; the boys at home would take the horses out of his carriage and drag him up Pennsylvania Avenue with their own hands; and town lots would sell next year in Topaz by the running inch.

      It was worth all the waiting, worth the damming of a hundred rivers, worth a century of pachisi playing, and a thousand miles of bullock-cart. As he drained a glass to the health of the young Maharaj Kunwar at the banquet that evening, he renewed his pledge to himself to fight it out on this line if it took all summer. His pride of success had lain low of late, and taken many hurts; but now that he had seen his prize he esteemed it already within his grasp, as he had argued at Topaz that Kate must be his because he loved her.

      Next morning he woke with a confused notion that he stood on the threshold of great deeds; and then, in his bath, he wondered whence he had plucked the certainty and exultation of the night before. He had, indeed, seen the Naulahka. But the temple doors had closed on the vision. He found himself asking whether either temple or necklace had been real, and in the midst of his wonder and excitement was half way to the city before he knew that he had left the rest-house. When he came to himself, however, he knew well whither he was going and what he was going for. If he had seen the Naulahka, he meant to keep it in sight. It had disappeared into the temple. To the temple, therefore, he would go.

      Fragments of burnt-out torches lay on the temple steps among trampled flowers and spilt oil, and the marigold garlands hung limp and wilted on the fat shoulders of the black stone bulls that guarded the inner court. Tarvin took off his white pith helmet (it was very hot, though it was only two hours after dawn), pushed back the scanty hair from his high forehead, and surveyed the remnants of yesterday's feast. The city was still asleep after its holiday. The doors of the building were wide open, and he ascended the steps and walked in, with none to hinder.

      The formless, four-faced god Iswara, standing in the centre of the temple, was smeared and discoloured with stains of melted butter, and the black smoke of exhausted incense. Tarvin looked at the figure curiously, half expecting to find the Naulahka hung about one of its four necks. Behind him, in the deeper gloom of the temple, stood other divinities, many-handed and many-headed, tossing their arms aloft, protruding their tongues, and grinning at one another. The remains of many sacrifices lay about them, and in the half light Tarvin could see that the knees of one were dark with dried blood. Overhead the dark roof ran up into a Hindu dome, and there was a soft rustle and scratching of nesting bats.

      Tarvin, with his hat on the back of his head and his hands in his pockets, gazed at the image, looking about him and whistling softly. He had been a month in India, but he had not yet penetrated to the interior of a temple. Standing there, he recognised with fresh force how entirely the life, habits, and traditions of this strange people alienated them from all that seemed good and right to him; and he was vaguely angered to know that it was the servants of these horrors who possessed a necklace which had power to change the destiny of a Christian and civilised town like Topaz.

      He knew that he would be expelled without ceremony for profanation, if discovered, and made haste to finish his investigations, with a half-formed belief that the slovenliness of the race might have caused them to leave the Naulahka about somewhere, as a woman might leave her jewels on her dressing-table after a late return from a ball the night before. He peered about and under the gods, one by one, while the bats squeaked above him. Then he returned to the central image of Iswara, and in his former attitude regarded the idol.

      It occurred to him that, though he was on level ground, most of his weight was resting on his toes, and he stepped back to recover his balance. The slab of sandstone he had just quitted rolled over slowly, as a porpoise rolls in the still sea, revealing for an instant a black chasm below.