Smith and the Pharaohs, and other Tales. Генри Райдер Хаггард

a happy man. Also he wondered whether the statuette was also this master’s work. He thought so, but he wished to make sure.

      Near to the end of the room he stopped and looked about him like a thief. He was alone in the place; not a single student or tourist could be seen, and its guardian was somewhere else. He drew out the box that contained the hand. From the hand he slipped the ring which the Director-General had left there as a gift to himself. He would much have preferred the other with the signet, but how could he say so, especially after the episode of the statuette?

      Replacing the hand in his pocket without looking at the ring—for his eyes were watching to see whether he was observed—he set it upon his little finger, which it exactly fitted. (Ma-Mee had worn both of them upon the third finger of her left hand, the Bes ring as a guard to the signet.) He had the fancy to approach the effigy of Ma-Mee wearing a ring which she had worn and that came straight from her finger to his own.

      Smith found the head in its accustomed place. Weeks had gone by since he looked upon it, and now, to his eyes, it had grown more beautiful than ever, and its smile was more mystical and living. He drew out the statuette and began to compare them point by point. Oh, no doubt was possible! Both were likenesses of the same woman, though the statuette might have been executed two or three years later than the statue. To him the face of it looked a little older and more spiritual. Perhaps illness, or some premonition of her end had then thrown its shadow on the queen. He compared and compared. He made some rough measurements and sketches in his pocket-book, and set himself to work out a canon of proportions.

      So hard and earnestly did he work, so lost was his mind that he never heard the accustomed warning sound which announces that the Museum is about to close. Hidden behind an altar as he was, in his distant, shadowed corner, the guardian of the room never saw him as he cast a last perfunctory glance about the place before departing till the Saturday morning; for the morrow was Friday, the Mohammedan Sabbath, on which the Museum remains shut, and he would not be called upon to attend. So he went. Everybody went. The great doors clanged, were locked and bolted, and, save for a watchman outside, no one was left in all that vast place except Smith in his corner, engaged in sketching and in measurements.

      The difficulty of seeing, owing to the increase of shadow, first called his attention to the fact that time was slipping away. He glanced at his watch and saw that it was ten minutes to the hour.

      “Soon be time to go,” he thought to himself, and resumed his work.

      How strangely silent the place seemed! Not a footstep to be heard or the sound of a human voice. He looked at his watch again, and saw that it was six o’clock, not five, or so the thing said. But that was impossible, for the Museum shut at five; evidently the desert sand had got into the works. The room in which he stood was that known as Room I, and he had noticed that its Arab custodian often frequented Room K or the gallery outside. He would find him and ask what was the real time.

      Passing round the effigy of the wonderful Hathor cow, perhaps the finest example of an ancient sculpture of a beast in the whole world, Smith came to the doorway and looked up and down the gallery. Not a soul to be seen. He ran to Room K, to Room H, and others. Still not a soul to be seen. Then he made his way as fast as he could go to the great entrance. The doors were locked and bolted.

      “Watch must be right after all. I’m shut in,” he said to himself. “However, there’s sure to be someone about somewhere. Probably the salle des ventes is still open. Shops don’t shut till they are obliged.”

      Thither he went, to find its door as firmly closed as a door can be. He knocked on it, but a sepulchral echo was the only answer.

      “I know,” he reflected. “The Director must still be in his room. It will take him a long while to examine all that jewellery and put it away.”

      So for the room he headed, and, after losing his path twice, found it by help of the sarcophagus that the Arabs had been dragging, which now stood as deserted as it had done in the tomb, a lonesome and impressive object in the gathering shadows. The Director’s door was shut, and again his knockings produced nothing but an echo. He started on a tour round the Museum, and, having searched the ground floors, ascended to the upper galleries by the great stairway.

      Presently he found himself in that devoted to the royal mummies, and, being tired, rested there a while. Opposite to him, in a glass case in the middle of the gallery, reposed Rameses II. Near to, on shelves in a side case, were Rameses’ son, Meneptah, and above, his son, Seti II, while in other cases were the mortal remains of many more of the royalties of Egypt. He looked at the proud face of Rameses and at the little fringe of white locks turned yellow by the embalmer’s spices, also at the raised left arm. He remembered how the Director had told him that when they were unrolling this mighty monarch they went away to lunch, and that presently the man who had been left in charge of the body rushed into the room with his hair on end, and said that the dead king had lifted his arm and pointed at him.

      Back they went, and there, true enough, was the arm lifted; nor were they ever able to get it quite into its place again. The explanation given was that the warmth of the sun had contracted the withered muscles, a very natural and correct explanation.

      Still, Smith wished that he had not recollected the story just at this moment, especially as the arm seemed to move while he contemplated it —a very little, but still to move.

      He turned round and gazed at Meneptah, whose hollow eyes stared at him from between the wrappings carelessly thrown across the parchment-like and ashen face. There, probably, lay the countenance that had frowned on Moses. There was the heart which God had hardened. Well, it was hard enough now, for the doctors said he died of ossification of the arteries, and that the vessels of the heart were full of lime!

      Smith stood upon a chair and peeped at Seti II. above. His weaker countenance was very peaceful, but it seemed to wear an air of reproach. In getting down Smith managed to upset the heavy chair. The noise it made was terrific. He would not have thought it possible that the fall of such an article could produce so much sound. Satisfied with his inspection of these particular kings, who somehow looked quite different now from what they had ever done before—more real and imminent, so to speak—he renewed his search for a living man.

      On he went, mummies to his right, mummies to his left, of every style and period, till he began to feel as though he never wished to see another dried remnant of mortality. He peeped into the room where lay the relics of Iouiya and Touiyou, the father and mother of the great Queen Taia. Cloths had been drawn over these, and really they looked worse and more suggestive thus draped than in their frigid and unadorned blackness. He came to the coffins of the priest-kings of the twentieth dynasty, formidable painted coffins with human faces. There seemed to be a vast number of these priest-kings, but perhaps they were better than the gold masks of the great Ptolemaic ladies which glinted at him through the gathering gloom.

      Really, he had seen enough of the upper floors. The statues downstairs were better than all these dead, although it was true that, according to the Egyptian faith, every one of those statues was haunted eternally by the Ka, or Double, of the person whom it represented. He descended the great stairway. Was it fancy, or did something run across the bottom step in front of him—an animal of some kind, followed by a swift-moving and indefinite shadow? If so, it must have been the Museum cat hunting a Museum mouse. Only then what on earth was that very peculiar and unpleasant shadow?

      He called, “Puss! puss! puss!” for he would have been quite glad of its company; but there came no friendly “miau” in response. Perhaps it was only the Ka of a cat and the shadow was—oh! never mind what. The Egyptians worshipped cats, and there were plenty of their mummies about on the shelves. But the shadow!

      Once he shouted in the hope of attracting attention, for there were no windows to which he could climb. He did not repeat the experiment, for it seemed as though a thousand voices were answering him from every corner and roof of the gigantic edifice.

      Well, he must face the thing out. He was shut in a museum, and the question was in what part of it he should camp for the night. Moreover, as it was growing rapidly dark, the problem must be solved at once. He thought with affection of the lavatory, where,