Reminiscences of Peace and War. Sara Agnes Rice Pryor

for these people to talk. The men made little effort. It was well known what they had said yesterday in the House or the Senate Chamber; but we dared not express opinions in public (and not freely in private), such was the tense feeling at that time. Conversation had been always, at the South, an art carefully cultivated. Conversation suffered at a time when we were forced to ignore subjects that possessed us with absorbing interest and to confine ourselves to trivialities.

      Excusing the silence of one famous man, somebody remarked: "Oh, well, you know brilliant men do not of necessity talk well. Thrilled by their utterances in their speeches and writings, we are surprised, when we meet them, at their silence." A "famous man's" eye twinkled. "Ask Galt," he said, "why he doesn't give away his gems. Probably he might answer that he proposes to sell them," an ingenious way of avoiding the remotest hint that silence was the result of preoccupied thought on the grave questions of the hour.

      For some inexplicable reason the wives of great men are apt to be quiet and non-committal — little moons revolving around a great luminary. Moon-like, one side only is turned to the world. How is it on the other side? We have a glimpse of it over the demi-tasse in the drawing-room after dinner, or at our informal "at homes" in our own houses.

      At these times of unbending in Washington we were wont to begin in a rather stilted manner, sipping our coffee and liqueurs in a leisurely way, and steering widely clear of politics and politicians. We talked of art and artists, galleries in Europe, shops in Paris, — anything except what we were all thinking about. The art of conversation suffered under such circumstances. But some interesting books were just out in England, and everybody was discussing them. Thackeray had recently given "The Virginians" to the world. Tennyson was turning all the girls' heads with "Elaine." A new star was rising — George Eliot. Dickens, we were, at the moment, cordially hating because of his "American Notes." Bulwer was well to the fore. Two valued members of our own special coterie were Randolph Rogers and Thomas Crawford the sculptor, whose genius, differently expressed, lives to-day in his gifted son, Marion Crawford. Thomas Crawford had been commissioned by the state of Virginia to execute a colossal statue of Washington for the Capitol Square in Richmond, a great work, — including statues of Virginia's statesmen, — which was happily completed in 1861, and from which I heard Jefferson Davis's inaugural address, February 22, 1862, upon his taking the oath as permanent President of the Confederacy. It was a black day of rain and snow; the new government, destined never to flourish in sunshine, was born in storm and tempest.

      Thomas Crawford, born in New York in 1814, was now at the height of his fame. He had studied and worked with Thorwaldsen. Apart from his peculiar genius he was a charming companion, full of versatile talk. The younger man, Randolph Rogers, was also most interesting. He brought to us his sketches and drawings for the bronze doors of the Capitol before they were submitted to the committee, and came again when they were accepted, to tell us of his good fortune.

      The army and navy people were especially interesting. They never discussed politics. Their positions were assured and there were consequently no feverish society strugglers among them. They had no vulgar respect for wealth, entertaining charmingly within their means. Admiral Porter and his family were there, General Winfield Scott was there, the admiral (then commander) forty-four years old, and the noble old veteran nearer seventy-four. Both were delightful members of Washington society. Nobody esteemed wealth or spoke of it or thought of it. Office, position, talent, beauty, and charm were the requisites for men and women.

      On one day, I remember, I had gone the rounds of Cabinet receptions, had taken my chocolate from the generous urn of the Secretary of State, and had dutifully looked in upon all the other Secretaries. I knew a dear little lady, foreign, attached to one of the legations (I really never knew whether she was Russian or Hungarian), who had invited me for the "end of the afternoon." Her husband had not a prominent place in the embassy, nor she in society, but she knew how to gather around her tea-kettle a choice little company, every one of whom felt honored to be included. I found her seated at a small round table, and she welcomed me in the English that gained from a musical voice, and the deliberate enunciation of syllable which always seems to me so complimentary and respectful in foreigners.

      The fashion of the low tea-table had just been introduced. One could have tea, nothing else. One could always find behind the silver urns "'igh and 'aughty" butlers serving chocolate, wine, and every conceivable dainty at the houses of the great Senators, Ministers, and Cabinet officers. Things were much more distingué at this lady's tea-table. A few early spring flowers, crocuses, hyacinths, or purple heather, were blooming here and there about the room. Our hostess was gowned in some white stuff, and there was a bit of classic suggestion in her attire, in the jewelled girdle, and an order or medal tucked under a ribbon. A little white-capped maid welcomed and ushered us, and managed to hover about for all the service we were likely to require. The impression grew upon me that all this had been done for me especially, and I found myself thinking how fortunate it was I had happened to come. That lovely woman would have been so sorely disappointed had I stayed away!

      But presently other guests arrived. They were all foreigners, but perceiving the American presence they spoke only English. The hostess put into motion the most musical conversation. How has she done it? She has made no effort "to entertain." Conversation had come unbidden. Russian tea? Why, certainly! Do we ever care for other than Russian tea? She was deliberate. We forgot we were sorely pressed this day with seventeen names on our list. We gave ourselves up to the pleasure of observing her.

      She lighted her silver lamp; and, although she wished us to see the great shining samovar which descended to her from her grandmother, she said it was good, very good indeed, in the camp or on journeys when one had only charcoal; but here in America the fairy lamp to light the wax taper and the alcohol burner beneath the kettle are best. She poured the water, which had bubbled, but not boiled (boiling water would make the tea flat), over delicious tea, paused a moment only, then poured the steaming amber upon two lumps of sugar, two slices of lemon, and one teaspoonful of rum, and we pronounced it a perfect cup of tea. But our enchantress said No, that some day ladies will grow tea in their own conservatories, and then only will it be perfect in this country; for the ocean voyage spoils the delicacy of the sensitive herb.

      Glancing around the table, our hostess grasped the situation. Here was a Russian lady with a proud head, there two dark-eyed Bohemians, one Greek beauty, an English woman, and our own stiff, heavy, uncompromising American self!

      She is to make these people happy for the five minutes they are around her little board. How does it come to pass that these strangers find a common ground upon which they can hold animated conversation?

      They talked of genius and geniuses, — how they are not created by opportunity or culture, but are inspired; how that, apart from their gifts, they are quite like other people, not even cleverer always. "Yes," said the Greek girl, with an exalted look in her dark eyes, "they are chosen, like the prophets, to speak great words or compose immortal music, or build symphonies in stone; and what they do is outside themselves altogether." "It is literally true," said the Englishwoman, "that people have 'a gift' apart from their ordinary selves. Does not George Eliot say that his novels grow in him like a plant. No amount of work and study can create a genius!" And then everybody marvels at the wonderful young man (for nobody knows it is a woman) who has just written "Adam Bede" and "The Mill on the Floss."

      Or perhaps the hostess has bribed some one of the foreign legation to come to her "at home." Novels on Washington life hint of such a possibility. Or perhaps some prince of good talkers among our own Ministers is home for a brief holiday, or returned from a mission, and a circle gathers around him.

      Our Minister, sent to France by Mr. Pierce, once honored me by his presence and told us the following story. Everybody who remembers the genial John Y. Mason will easily imagine how he told it, and how his own magnetism possessed his listeners. Not a tea-cup rattled during the narration. "I lived," said Mr. Mason, "at a hotel for a few weeks after receiving my appointment as Minister Plenipotentiary — while my house was being made ready to bring my family. The house was crowded, and my landlord was forced to divide one of his offices by a thin partition to receive me at all.

      "One night I was awakened by a stifled sob on the other side of the partition. Rising on my elbow, I listened. The sob was repeated