Poor Miss Finch. Wilkie Collins Collins

in the frail embraces of the rope that held it. Twenty times did I confidently expect to see baggage, chaise, pony, boy, all rolling down into the bottom of a valley together. But no! Not the least little accident happened to spoil my enjoyment of the day. Politically contemptible, Finch's boy had his merit—he was master of his subject as guide and pony-leader among the South Down Hills.

      Arrived at the top of (as it seemed to me) our fiftieth grassy summit, I began to look about for signs of the village.

      Behind me, rolled back the long undulations of the hills, with the cloud-shadows moving over the solitudes that we had left. Before me, at a break in the purple distance, I saw the soft white line of the sea. Beneath me, at my feet, opened the deepest valley I had noticed yet—with one first sign of the presence of Man scored hideously on the face of Nature, in the shape of a square brown patch of cleared and ploughed land on the grassy slope. I asked if we were getting near the village now. Finch's boy winked, and answered, "Yes, we be."

      Astonishing Finch's boy! Ask him what questions I might, the resources of his vocabulary remained invariably the same. Still this youthful Oracle answered always in three monosyllabic words!

      We plunged into the valley.

      Arrived at the bottom, I discovered another sign of Man. Behold the first road I had seen yet—a rough wagon-road ploughed deep in the chalky soil! We crossed this, and turned a corner of a hill. More signs of human life. Two small boys started up out of a ditch—apparently posted as scouts to give notice of our approach. They yelled, and set off running before us, by some short cut, known only to themselves. We turned again, round another winding of the valley, and crossed a brook. I considered it my duty to make myself acquainted with the local names. What was the brook called? It was called "The Cockshoot"! And the great hill, here, on my right? It was called "The Overblow"! Five minutes more, and we saw our first house—lonely and little—built of mortar and flint from the hills. A name to this also? Certainly. Name of "Browndown." Another ten minutes of walking, involving us more and more deeply in the mysterious green windings of the valley—and the great event of the day happened at last. Finch's boy pointed before him with his whip, and said (even at this supreme moment, still in three monosyllabic words):—

      "Here we be!"

      So this is Dimchurch! I shake out the chalk-dust from the skirts of my dress. I long (quite vainly) for the least bit of looking-glass to see myself in. Here is the population (to the number of at least five or six), gathered together, informed by the scouts—and it is my woman's business to produce the best impression of myself that I can. We advance along the little road. I smile upon the population. The population stares at me in return. On one side, I remark three or four cottages, and a bit of open ground; also an inn named "The Cross-Hands," and a bit more of open ground; also a tiny, tiny butcher's shop, with sanguinary insides of sheep on one blue pie-dish in the window, and no other meat than that, and nothing to see beyond, but again the open ground, and again the hills; indicating the end of the village this side. On the other side there appears, for some distance, nothing but a long flint wall guarding the outhouses of a farm. Beyond this, comes another little group of cottages, with the seal of civilization set on them, in the form of a post-office. The post-office deals in general commodities—in boots and bacon, biscuits and flannel, crinoline petticoats and religious tracts. Farther on, behold another flint wall, a garden, and a private dwelling-house; proclaiming itself as the rectory. Farther yet, on rising ground, a little desolate church, with a tiny white circular steeple, topped by an extinguisher in red tiles. Beyond this, the hills and the heavens once more. And there is Dimchurch!

      As for the inhabitants—what am I to say? I suppose I must tell the truth.

      I remarked one born gentleman among the inhabitants, and he was a sheep-dog. He alone did the honors of the place. He had a stump of a tail, which he wagged at me with extreme difficulty, and a good honest white and black face which he poked companionably into my hand. "Welcome, Madame Pratolungo, to Dimchurch; and excuse these male and female laborers who stand and stare at you. The good God who makes us all has made them too, but has not succeeded so well as with you and me." I happen to be one of the few people who can read dogs' language as written in dogs' faces. I correctly report the language of the gentleman sheep-dog on this occasion.

      We opened the gate of the rectory, and passed in. So my Land-Voyage over the South Down Hills came prosperously to its end.

CHAPTER THE THIRD

      Poor Miss Finch

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      THE rectory resembled, in one respect, this narrative that I am now writing. It was in Two Parts. Part the First, in front, composed of the everlasting flint and mortar of the neighborhood, failed to interest me. Part the Second, running back at a right angle, asserted itself as ancient. It had been, in its time, as I afterwards heard, a convent of nuns. Here were snug little Gothic windows, and dark ivy-covered walls of venerable stone: repaired in places, at some past period, with quaint red bricks. I had hoped that I should enter the house by this side of it. But no. The boy—after appearing to be at a loss what to do with me—led the way to a door on the modern side of the building, and rang the bell.

      A slovenly young maid-servant admitted me to the house.

      Possibly, this person was new to the duty of receiving visitors. Possibly, she was bewildered by a sudden invasion of children in dirty frocks, darting out on us in the hall, and then darting away again into invisible back regions, screeching at the sight of a stranger. At any rate, she too appeared to be at a loss what to do with me. After staring hard at my foreign face, she suddenly opened a door in the wall of the passage, and admitted me into a small room. Two more children in dirty frocks darted, screaming, out of the asylum thus offered to me. I mentioned my name, as soon as I could make myself heard. The maid appeared to be terrified at the length of it. I gave her my card. The maid took it between a dirty finger and thumb—looked at it as if it was some extraordinary natural curiosity—turned it round, exhibiting correct black impressions in various parts of it of her finger and thumb—gave up understanding it in despair, and left the room. She was stopped outside (as I gathered from the sounds) by a returning invasion of children in the hall. There was whispering; there was giggling; there was, every now and then, a loud thump on the door. Prompted by the children, as I suppose—pushed in by them, certainly—the maid suddenly reappeared with a jerk, "Oh, if you please, come this way," she said. The invasion of children retreated again up the stairs—one of them in possession of my card, and waving it in triumph on the first landing. We penetrated to the other end of the passage. Again, a door was opened. Unannounced, I entered another, and a larger room. What did I see?

      Fortune had favored me at last. My lucky star had led me to the mistress of the house.

      I made my best curtsey, and found myself confronting a large, light-haired, languid, lymphatic lady—who had evidently been amusing herself by walking up and down the room, at the moment when I appeared. If there can be such a thing as a damp woman—this was one. There was a humid shine on her colorless white face, and an overflow of water in her pale blue eyes. Her hair was not dressed; and her lace cap was all on one side. The upper part of her was clothed in a loose jacket of blue merino; the lower part was robed in a dimity dressing gown of doubtful white. In one hand, she held a dirty dogs'-eared book, which I at once detected to be a Circulating Library novel. Her other hand supported a baby enveloped in flannel, sucking at her breast. Such was my first experience of Reverend Finch's Wife—destined to be also the experience of all aftertime. Never completely dressed; never completely dry; always with a baby in one hand and a novel in the other—such was Finch's wife.

      "Oh! Madame Pratolungo? Yes. I hope somebody has told Miss Finch you are here. She has her own establishment, and manages everything herself. Have you had a pleasant journey?" (These words were spoken vacantly, as if her mind was occupied with something else. My first impression of her suggested that she was a weak, good-natured woman, and that she must have originally occupied a station in the humbler ranks of life.)

      "Thank