The Sorrows of Satan (Horror Classic). Marie Corelli

they be taught, I wonder, the lesson I have learned? In the same bitter school, under the same formidable taskmaster? Will they realize as I have been forced to do,—aye, to the very fibres of my intellectual perception,—the vast, individual, active Mind, which behind all matter, works unceasingly, though silently, a very eternal and positive God? If so, then dark problems will become clear to them, and what seems injustice in the world will prove pure equity! But I do not write with any hope of either persuading or enlightening my fellow-men. I know their obstinacy too well;—I can gauge it by my own. My proud belief in myself was, at one time, not to be outdone by any human unit on the face of the globe. And I am aware that others are in similar case. I merely intend to relate the various incidents of my career in due order exactly as they happened,—leaving to more confident heads the business of propounding and answering the riddles of human existence as best they may.

      During a certain bitter winter, long remembered for its arctic severity, when a great wave of intense cold spread freezing influences not alone over the happy isles of Britain, but throughout all Europe, I, Geoffrey Tempest, was alone in London and well-nigh starving. Now a starving man seldom gets the sympathy he merits,—so few can be persuaded to believe in him. Worthy folks who have just fed to repletion are the most incredulous, some of them being even moved to smile when told of existing hungry people, much as if these were occasional jests invented for after-dinner amusement. Or, with that irritating vagueness of attention which characterizes fashionable folk to such an extent that when asking a question they neither wait for the answer nor understand it when given, the well-dined groups, hearing of some one starved to death, will idly murmur ‘How dreadful!’ and at once turn to the discussion of the latest ‘fad’ for killing time, ere it takes to killing them with sheer ennui. The pronounced fact of being hungry sounds coarse and common, and is not a topic for polite society, which always eats more than sufficient for its needs. At the period I am speaking of however, I, who have since been one of the most envied of men, knew the cruel meaning of the word hunger, too well,—the gnawing pain, the sick faintness, the deadly stupor, the insatiable animal craving for mere food, all of which sensations are frightful enough to those who are, unhappily, daily inured to them, but which when they afflict one who has been tenderly reared and brought up to consider himself a ‘gentleman,’—God save the mark! are perhaps still more painful to bear. And I felt that I had not deserved to suffer the wretchedness in which I found myself. I had worked hard. From the time my father died, leaving me to discover that every penny of the fortune I imagined he possessed was due to swarming creditors, and that nothing of all our house and estate was left to me except a jewelled miniature of my mother who had lost her own life in giving me birth,—from that time I say, I had put my shoulder to the wheel and toiled late and early. I had turned my University education to the only use for which it or I seemed fitted,—literature. I had sought for employment on almost every journal in London,—refused by many, taken on trial by some, but getting steady pay from none. Whoever seeks to live by brain and pen alone is, at the beginning of such a career, treated as a sort of social pariah. Nobody wants him,—everybody despises him. His efforts are derided, his manuscripts are flung back to him unread, and he is less cared for than the condemned murderer in gaol. The murderer is at least fed and clothed,—a worthy clergyman visits him, and his gaoler will occasionally condescend to play cards with him. But a man gifted with original thoughts and the power of expressing them, appears to be regarded by everyone in authority as much worse than the worst criminal, and all the ‘jacks-in-office’ unite to kick him to death if they can. I took both kicks and blows in sullen silence and lived on,—not for the love of life, but simply because I scorned the cowardice of self-destruction. I was young enough not to part with hope too easily;—the vague idea I had that my turn would come,—that the ever-circling wheel of Fortune would perchance lift me up some day as it now crushed me down, kept me just wearily capable of continuing existence,—though it was merely a continuance and no more. For about six months I got some reviewing work on a well-known literary journal. Thirty novels a week were sent to me to ‘criticise,’—I made a habit of glancing hastily at about eight or ten of them, and writing one column of rattling abuse concerning these thus casually selected,—the remainder were never noticed at all. I found that this mode of action was considered ‘smart,’ and I managed for a time to please my editor who paid me the munificent sum of fifteen shillings for my weekly labour. But on one fatal occasion I happened to change my tactics and warmly praised a work which my own conscience told me was both original and excellent. The author of it happened to be an old enemy of the proprietor of the journal on which I was employed;—my eulogistic review of the hated individual, unfortunately for me, appeared, with the result that private spite outweighed public justice, and I was immediately dismissed.

      After this I dragged on in a sufficiently miserable way, doing ‘hack work’ for the dailies, and living on promises that never became realities, till, as I have said, in the early January of the bitter winter alluded to, I found myself literally penniless and face to face with starvation, owing a month’s rent besides for the poor lodging I occupied in a back street not far from the British Museum. I had been out all day trudging from one newspaper office to another, seeking for work and finding none. Every available post was filled. I had also tried, unsuccessfully, to dispose of a manuscript of my own,—a work of fiction which I knew had some merit, but which all the ‘readers’ in the publishing offices appeared to find exceptionally worthless. These ‘readers’ I learned, were most of them novelists themselves, who read other people’s productions in their spare moments and passed judgment on them. I have always failed to see the justice of this arrangement; to me it seems merely the way to foster mediocrities and suppress originality. Common sense points out the fact that the novelist ‘reader’ who has a place to maintain for himself in literature would naturally rather encourage work that is likely to prove ephemeral, than that which might possibly take a higher footing than his own. Be this as it may, and however good or bad the system, it was entirely prejudicial to me and my literary offspring. The last publisher I tried was a kindly man who looked at my shabby clothes and gaunt face with some commiseration.

      “I’m sorry,” said he, “very sorry, but my readers are quite unanimous. From what I can learn, it seems to me you have been too earnest. And also, rather sarcastic in certain strictures against society. My dear fellow, that won’t do. Never blame society,—it buys books! Now if you could write a smart love-story, slightly risqué,—even a little more than risqué for that matter; that is the sort of thing that suits the present age.”

      “Pardon me,” I interposed somewhat wearily—“but are you sure you judge the public taste correctly?”

      He smiled a bland smile of indulgent amusement at what he no doubt considered my ignorance in putting such a query. “Of course I am sure,”—he replied—“It is my business to know the public taste as thoroughly as I know my own pocket. Understand me,—I don’t suggest that you should write a book on any positively indecent subject,—that can be safely left to the ‘New’ woman,”—and he laughed,—“but I assure you high-class fiction doesn’t sell. The critics don’t like it, to begin with. What goes down with them and with the public is a bit of sensational realism told in terse newspaper English. Literary English,—Addisonian English,—is a mistake.”

      “And I am also a mistake I think,” I said with a forced smile—“At any rate if what you say be true, I must lay down the pen and try another trade. I am old-fashioned enough to consider Literature as the highest of all professions, and I would rather not join in with those who voluntarily degrade it.”

      He gave me a quick side-glance of mingled incredulity and depreciation.

      “Well, well!” he finally observed—“you are a little quixotic. That will wear off. Will you come on to my club and dine with me?”

      I refused this invitation promptly. I knew the man saw and recognised my wretched plight,—and pride—false pride if you will—rose up to my rescue. I bade him a hurried good-day, and started back to my lodging, carrying my rejected manuscript with me. Arrived there, my landlady met me as I was about to ascend the stairs, and asked me whether I would ‘kindly settle accounts’ the next day. She spoke civilly enough, poor soul, and not without a certain compassionate hesitation in her manner. Her evident pity for me galled my spirit as much as the publisher’s offer