Menotah: A Tale of the Riel Rebellion. Trevena John

       CHAPTER XI

       THE HEART'S PEACE

PREFATORY NOTE

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      In the following story of the Canadian North-West Rebellion, Louis Riel—leader of a hopeless enterprise—has not been introduced as an active character. He was himself so colourless, so commonplace, that a true picture must have been uninteresting, while a fictitious drawing would have been unsatisfactory and out of place with the plan of this story. He was much like his brother, who lives to-day on an unpretentious farm in the Red River Valley, dull-witted, heavy-featured and obtuse—in fact, a French half-breed of the ordinary stamp.

      So the plot of this work tends more towards the study of passion, and dwells upon what was undoubtedly one of the principal reasons for the revolt, viz., the unscrupulous treatment of the Indian women by the white invaders. The 'Governor and Company of Adventurers of England trading into Hudson's Bay,' generally and more commonly known by the simpler title of the 'Hudson's Bay Company,' had well paved the way for this miserable laxity in matters of morality.

      The mighty shadow which looms behind this tale of the Rebellion is that of the loyal Archbishop Taché. He it was, though the fact has not been recognised generally, who, almost unaided, crushed the rising spirit of independence in half-breeds and Indians, and brought the insurrection to a close. Surely it is not too late to do justice to the memory of this truly unselfish prelate.

      The writer was present in the riverside town of St. Boniface on a certain still evening during the August of 1894. There all the houses, and even the trees that lined the streets, were heavily draped in black; men and women passed slowly with heads uncovered and attitude of grief; it was as though each had lost his or her nearest and dearest relative. There was not a sound along that little town of mourning.

      For the Archbishop lay dead in the Cathedral. Later, when the sun was setting over this place of universal grief, the writer came within the dark building, crept up a winding stairway, to find himself confronted suddenly by a singularly solemn spectacle. Before the altar, robed in full pontificals, sat in State the dead Archbishop, while lamps flickered solemnly, and muttered intercessions arose from the trembling lips of a ring of kneeling priests.

This strange silence, broken only by the whisperings, or occasional deep gasps of breath; the feeble glimmerings of lights along the rapidly darkening scene; the presence of the mighty dead still presiding in the second Cathedral that his efforts had raised[1]—all this made up a spectacle dramatically impressive, and one not readily to be forgotten.

      The writer came at length to the side of the dead prelate, and bent to reverently kiss the cold gloved hand of the mighty dead. Then he departed, with a silent resolve to do such justice as he could to the memory of this beloved Father and Pastor, who had worked so nobly for the welfare of the country of his adoption.

      Menotah's story is a sad one, yet, for purposes of truth, not sad enough. The colours might well be painted with a far darker brush, but the book would then probably be deemed too ghastly and too realistic. The steady march of civilisation is pushing farther north each year, while Menotah's history is repeated daily. The only thing which can free that wonderful land from the vice and oppression of its masters is the building of the Hudson's Bay Railway. About forty miles of the track (from Winnipeg to St. Laurent on Lake Manitoba) have been constructed, but the rails lie rotting in the prairie grass. This line would open up a country of boundless timber and mineral resources, and might well create many a fresh industry.

      The characters in this work are for the most part actual life studies. None are overdrawn, not even Peter Denton, least of all McAuliffe.

      The local colour is simply so much word photography. The particular fort on the Great Saskatchewan has been described with absolute accuracy of detail. The river pool (Chap. II.) is there; also the island in mid-stream, where the fight actually occurred; the great rapids, the oil swamp, the log wharf—all are there. In fact, description and dialogue has entailed upon the writer rather an effort of memory than any strain upon the imagination.

[1] The first Cathedral was destroyed by fire immediately after completion, when all the parish records were destroyed.

PART I

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THE HEART'S JOY

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CHAPTER I

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THE FOREST

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      'There will be full moon to-night, and a south wind. Then the evil one will steal from the marshes. For there will be war and fire. War and Fire!'

      Within that deep green shade of the forest, amidst the picturesque sweepings of the foliage, the heat rays of the sun could scarcely be felt, for odorous firs overspread their thick tresses above. Here, in this strange, peaceful retreat, active squirrels leapt with mathematical accuracy from bough to bough; mosquito hawks, in their green and gold glories, cut through the slanting beams of light with a sharp hissing of wings; erratic locusts, on a lower plane, hurled their aimless bodies clumsily into space, falling wherever destiny might direct.

      The speaker remained invisible, while the lingering sounds of the joyous voice died slowly away. A young man, who heard the sudden cry from the heart of the surrounding silence, started and listened eagerly for an approaching footstep, which came not. Only the happy echo broke upon the calm in a full tide of harmony; this merged into a half gasp of musical laughter; then came peace again as the last vibration settled into silence.

      The listener wondered, then became interested. There had been no flaw in the musical cadence of that cry. The fiery utterance—bearing a latent warning—proceeded surely from the heart of one who found life a time of joy, who gloried in the exultation of overflowing vitality, who was also intoxicated by an over-gift of health. This passing sound, like the flitting shadow cast by an invisible presence, contained a message of youth's hot passion, of a self-conscious rapture of beauty. Those words fell from the lips of one who had made no acquaintance with sorrow.

      The expectant, yet disappointed, listener shifted the rifle to his shoulder and rubbed his hands, which were hot and moist, upon a bunch of flowering moss. He seemed uneasy, if his feelings might be judged by the anxious attention he gave to each slight movement in the adjoining bush. But after a period of waiting he drew himself up, inclined his head forward, and listened attentively. Then he nodded and smiled in self-satisfied manner, listened again, and finally began to work his way through the thick undergrowth with the subtle motions of the practised bushman. Perhaps a rippling echo of that musical voice had travelled faintly down the wind and touched his ear.

      He disappeared, while the boundless forest of the Great Saskatchewan whispered drearily beneath the soft-stirring breeze of evening.

      Lonely, somewhat wild, yet certainly there was a rough grandeur in this particular arrangement of nature's handiwork; a stern beauty, which must have fascinated