The Cathedral. Hugh Walpole

amused that he should have difficulty, there in the rain, in finding his key. "Pah!" they heard him mutter, and then, perhaps, something worse. The key was found, and he had then to bend his great height to squeeze through the little door. Once inside, he was at the corner of the Saint Margaret Chapel and could see, in the faint half-light, the rosy colours of the beautiful Saint Margaret window that glimmered ever so dimly upon the rows of cane-bottomed chairs, the dingy red hassocks, and the brass tablets upon the grey stone walls. He walked through, picking his way carefully in the dusk, saw for an instant the high, vast expanse of the nave with its few twinkling lights that blew in the windy air, then turned to the left into the Vestry, closing the door behind him. Even as he closed the door he could hear high, high up above him the ringing of the bell for Evensong.

      In the Vestry he found Canon Dobell and Canon Rogers. Dobell, the Minor Canon who was singing the service, was a short, round, chubby clergyman, thirty-eight years of age, whose great aim in life was to have an easy time and agree with every one. He lived with a sister in a little house in the Precincts and gave excellent dinners. Very different was Canon Rogers, a thin esthetic man with black bushy eyebrows, a slight stoop and thin brown hair. He took life with grim seriousness. He was a stupid man but obstinate, dogmatic, and given to the condemnation of his fellow-men. He hated innovations as strongly as the Archdeacon himself, but with his clinging to old forms and rituals there went no self-exaltation. He was a cold-blooded man, although his obstinacy seemed sometimes to point to a fiery fanaticism. But he was not a fanatic any more than a mule is one when he plants his feet four-square and refuses to go forward. No compliments nor threats could move him; he would have lived, had he had a spark of asceticism, a hermit far from the haunts of men, but even that withdrawal would have implied devotion. He was devoted to no one, to no cause, to no religion, to no ambition. He spent his days in maintaining things as they were, not because he loved them, simply because he was obstinate. Brandon quite frankly hated him.

      In the farther room the choir-boys were standing in their surplices, whispering and giggling. The sound of the bell was suddenly emphatic. Canon Rogers stood, his hands folded motionless, gazing in front of him. Dobell, smiling so that a dimple appeared in each cheek, said in his chuckling whisper to Brandon:

      "Ronder comes to-day, doesn't he?"

      "Ronder?" Brandon repeated, coming abruptly out of his secret exultation.

      "Yes … Hart-Smith's successor."

      "Oh, yes--I believe he does. … "

      Cobbett, the Verger, with his gold staff, appeared in the Vestry door. A tall handsome man, he had been in the service of the Cathedral as man and boy for fifty years. He had his private ambitions, the main one being that old Lawrence, the head Verger, in his opinion a silly old fool, should die and permit his own legitimate succession. Another ambition was that he should save enough money to buy another three cottages down in Seatown. He owned already six there. But no one observing his magnificent impassivity (he was famous for this throughout ecclesiastical Glebeshire) would have supposed that he had any thought other than those connected with ceremony. As he appeared the organ began its voluntary, the music stealing through the thick grey walls, creeping past the stout grey pillars that had listened, with so impervious an immobility, to an endless succession of voluntaries. The Archdeacon prayed, the choir responded with a long Amen, and the procession filed out, the boys with faces pious and wistful, the choir-men moving with nonchalance, their restless eyes wandering over the scene so absolutely known to them. Then came Rogers like a martyr; Dobell gaily as though he were enjoying some little joke of his own; last of all, Brandon, superb in carriage, in dignity, in his magnificent recognition of the value of ceremony.

      Because to-day was simply an ordinary afternoon with an ordinary Anthem and an ordinary service (Martin in F) the congregation was small, the gates of the great screen closed with a clang behind the choir, and the nave, purple grey under the soft light of the candle-lit choir, was shut out into twilight. In the high carved seats behind and beyond the choir the congregation was sitting; Miss Dobell, who never missed a service that her brother was singing, with her pinched white face and funny old- fashioned bonnet, lost between the huge arms of her seat; Mrs. Combermere, with a friend, stiff and majestic; Mrs. Cole and her sister-in-law, Amy Cole; a few tourists; a man or two; Major Drake, who liked to join in the psalms with his deep bass; and little Mr. Thompson, one of the masters at the School who loved music and always came to Evensong when he could.

      There they were then, and the Archdeacon, looking at them from his stall, could not but feel that they were rather a poor lot. Not that he exactly despised them; he felt kindly towards them and would have done no single one of them an injury, but he knew them all so well--Mrs. Combermere, Miss Dobell, Mrs. Cole, Drake, Thompson. They were shadows before him. If he looked hard at them, they seemed to disappear. …

      The exultation that he had felt as he stood outside his house-door increased with every moment that passed. It was strange, but he had never, perhaps, in all his life been so happy as he was at that hour. He was driven by the sense of it to that, with him, rarest of all things, introspection. Why should he feel like this? Why did his heart beat thickly, why were his cheeks flushed with a triumphant heat? It could not but be that he was realising to-day how everything was well with him. And why should he not realise it? Looking up to the high vaulted roofs above him, he greeted God, greeted Him as an equal, and thanked Him as a fellow- companion who had helped him through a difficult and dusty journey. He thanked Him for his health, for his bodily vigour and strength, for his beauty, for his good brain, for his successful married life, for his wife (poor Amy), for his house and furniture, for his garden and tennis-lawn, for his carriage and horses, for his son, for his position in the town, his dominance in the Chapter, his authority on the School Council, his importance in the district. … For all these things he thanked God, and he greeted Him with an outstretched hand.

      "As one power to another," his soul cried, "greetings! You have been a true and loyal friend to me. Anything that I can do for You I will do. … "

      The time came for him to read the First Lesson. He crossed to the Lectern and was conscious that the tourists were whispering together about him. He read aloud, in his splendid voice, something about battles and vengeance, plagues and punishment, God's anger and the trembling Israelites. He might himself have been an avenging God as he read. He was uplifted with the glory of power and the exultation of personal dominion …

      He crossed back to his seat, and, as they began the "Magnificat," his eye alighted on the tomb of the Black Bishop. In the volume on Polchester in Chimes' Cathedral Series (4th edition, 1910), page 52, you will find this description of the Black Bishop's Tomb: "It stands between the pillars at the far east end of the choir in the eighth bay from the choir screen. The stone screen which surrounds the tomb is of most elaborate workmanship, and it has, in certain lights, the effect of delicate lace; the canopy over the tomb has pinnacles which rise high above the level of the choir- stalls. The tomb itself is made from a solid block of a dark blue stone. The figure of the bishop, carved in black marble, lies with his hands folded across his breast, clothed in his Episcopal robes and mitre, and crozier on his shoulder. At his feet are a vizor and a pair of gauntlets, these also carved in black marble. On one finger of his right hand is a ring carved from some green stone. His head is raised by angels and at his feet beyond the vizor and gauntlets are tiny figures of four knights fully armed. A small arcade runs round the tomb with a series of shields in the spaces, and these shields have his motto, 'God giveth Strength,' and the arms of the See of Polchester. His epitaph in brass round the edge of the tomb has thus been translated:

      "'Here, having surrendered himself back to God, lies Henry of Arden. His life, which was distinguished for its great piety, its unfailing generosity, its noble statesmanship, was rudely taken in the nave of this Cathedral by men who feared neither the punishment of their fellows nor the just vengeance of an irate God.

      "'He died, bravely defending this great house of Prayer, and is now, in eternal happiness, fulfilling the reward of all good and faithful servants, at his Master's side.'"

      It has been often remarked by visitors to the Cathedral how curiously this tomb catches light from all sides of the building, but this is undoubtedly in the main due to the fact that the blue stone of which it is chiefly composed responds immediately