The Dead Secret. Wilkie Collins Collins

the slow, toilsome breathing of the dying woman, raising itself in its mortal frailness, awfully and distinctly, even through the far thunder-breathing from the bosom of the everlasting sea.

      "Mistress," said Sarah Leeson, standing close to the curtains, but not withdrawing them, "my master has left the room, and has sent me here in his place."

      "Light!—give me more light."

      The feebleness of mortal sickness was in the voice; but the accent of the speaker sounded resolute even yet—doubly resolute by contrast with the hesitation of the tones in which Sarah had spoken. The strong nature of the mistress and the weak nature of the maid came out, even in that short interchange of words spoken through the curtain of a death-bed.

      Sarah lit two candles with a wavering hand—placed them hesitatingly on a table by the bedside—waited for a moment, looking all round her with suspicious timidity—then undrew the curtains.

      The disease of which Mrs. Treverton was dying was one of the most terrible of all the maladies that afflict humanity, one to which women are especially subject, and one which undermines life without, in most cases, showing any remarkable traces of its corroding progress in the face. No uninstructed person, looking at Mrs. Treverton when her attendant undrew the bed-curtain, could possibly have imagined that she was past all help that mortal skill could offer to her. The slight marks of illness in her face, the inevitable changes in the grace and roundness of its outline, were rendered hardly noticeable by the marvelous preservation of her complexion in all the light and delicacy of its first girlish beauty. There lay her face on the pillow—tenderly framed in by the rich lace of her cap, softly crowned by her shining brown hair—to all outward appearance, the face of a beautiful woman recovering from a slight illness, or reposing after unusual fatigue. Even Sarah Leeson, who had watched her all through her malady, could hardly believe, as she looked at her mistress, that the Gates of Life had closed behind her, and that the beckoning hand of Death was signing to her already from the Gates of the Grave.

      Some dog's-eared books in paper covers lay on the counterpane of the bed. As soon as the curtain was drawn aside Mrs. Treverton ordered her attendant by a gesture to remove them. They were plays, underscored in certain places by ink lines, and marked with marginal annotations referring to entrances, exits, and places on the stage. The servants, talking down stairs of their mistress's occupation before her marriage, had not been misled by false reports. Their master, after he had passed the prime of life, had, in very truth, taken his wife from the obscure stage of a country theatre, when little more than two years had elapsed since her first appearance in public. The dog's-eared old plays had been once her treasured dramatic library; she had always retained a fondness for them from old associations; and, during the latter part of her illness, they had remained on her bed for days and days together.

      Having put away the plays, Sarah went back to her mistress; and, with more of dread and bewilderment in her face than grief, opened her lips to speak. Mrs. Treverton held up her hand, as a sign that she had another order to give.

      "Bolt the door," she said, in the same enfeebled voice, but with the same accent of resolution which had so strikingly marked her first request to have more light in the room. "Bolt the door. Let no one in, till I give you leave."

      "No one?" repeated Sarah, faintly. "Not the doctor? not even my master?"

      "Not the doctor—not even your master," said Mrs. Treverton, and pointed to the door. The hand was weak; but even in that momentary action of it there was no mistaking the gesture of command.

      Sarah bolted the door, returned irresolutely to the bedside, fixed her large, eager, startled eyes inquiringly on her mistress's face, and, suddenly bending over her, said in a whisper:

      "Have you told my master?"

      "No," was the answer. "I sent for him, to tell him—I tried hard to speak the words—it shook me to my very soul, only to think how I should best break it to him—I am so fond of him! I love him so dearly! But I should have spoken in spite of that, if he had not talked of the child. Sarah! he did nothing but talk of the child—and that silenced me."

      Sarah, with a forgetfulness of her station which might have appeared extraordinary even in the eyes of the most lenient of mistresses, flung herself back in a chair when the first word of Mrs. Treverton's reply was uttered, clasped her trembling hands over her face, and groaned to herself, "Oh, what will happen! what will happen now!"

      Mrs. Treverton's eyes had softened and moistened when she spoke of her love for her husband. She lay silent for a few minutes; the working of some strong emotion in her being expressed by her quick, hard, labored breathing, and by the painful contraction of her eyebrows. Ere long, she turned her head uneasily toward the chair in which her attendant was sitting, and spoke again—this time in a voice which had sunk to a whisper.

      "Look for my medicine," said she; "I want it."

      Sarah started up, and with the quick instinct of obedience brushed away the tears that were rolling fast over her cheeks.

      "The doctor," she said. "Let me call the doctor."

      "No! The medicine—look for the medicine."

      "Which bottle? The opiate—"

      "No. Not the opiate. The other."

      Sarah took a bottle from the table, and looking attentively at the written direction on the label, said that it was not yet time to take that medicine again.

      "Give me the bottle."

      "Oh, pray don't ask me. Pray wait. The doctor said it was as bad as dram-drinking, if you took too much."

      Mrs. Treverton's clear gray eyes began to flash; the rosy flush deepened on her cheeks; the commanding hand was raised again, by an effort, from the counterpane on which it lay.

      "Take the cork out of the bottle," she said, "and give it to me. I want strength. No matter whether I die in an hour's time or a week's. Give me the bottle."

      "No, no—not the bottle!" said Sarah, giving it up, nevertheless, under the influence of her mistress's look. "There are two doses left. Wait, pray wait till I get a glass."

      She turned again toward the table. At the same instant Mrs. Treverton raised the bottle to her lips, drained it of its contents, and flung it from her on the bed.

      "She has killed herself!" cried Sarah, running in terror to the door.

      "Stop!" said the voice from the bed, more resolute than ever, already. "Stop! Come back and prop me up higher on the pillows."

      Sarah put her hand on the bolt.

      "Come back!" reiterated Mrs. Treverton. "While there is life in me, I will be obeyed. Come back!" The color began to deepen perceptibly all over her face, and the light to grow brighter in her widely opened eyes.

      Sarah came back; and with shaking hands added one more to the many pillows which supported the dying woman's head and shoulders. While this was being done the bed-clothes became a little discomposed. Mrs. Treverton shuddered, and drew them up to their former position, close round her neck.

      "Did you unbolt the door?" she asked.

      "No."

      "I forbid you to go near it again. Get my writing-case, and the pen and ink, from the cabinet near the window."

      Sarah went to the cabinet and opened it; then stopped, as if some sudden suspicion had crossed her mind, and asked what the writing materials were wanted for.

      "Bring them, and you will see."

      The writing-case, with a sheet of note-paper on it, was placed upon Mrs. Treverton's knees; the pen was dipped into the ink, and given to her; she paused, closed her eyes for a minute, and sighed heavily; then began to write, saying to her waiting-maid, as the pen touched the paper—"Look."

      Sarah peered anxiously over her shoulder, and saw the pen slowly and feebly form these three words: To my Husband.

      "Oh, no! no! For God's sake, don't write it!"