Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844. Various

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Название Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844
Автор произведения Various
Жанр Журналы
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Издательство Журналы
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the opening. In the middle of the square still smoked, in a heavy volume of cloud, the last gleaming ashes of a lately blazing pile, still filling the air with a noisome stench. The night was closing darkly in, and one human being alone seemed yet to linger in the market-place.

      It would have been difficult, indeed, to discover that the dark object just discernible upon the edge of the blackened mass of smoking cinders really was a human being, so shapeless was the form, so strangely was it crouched down before the spot where the pile had been consumed. From time to time only an upward-flung movement of two thin arms, as if in the violent emotion of earnest prayer or deprecation, showed that this object was a living thing; until, when the moon rose from behind the old town-hall, disengaging itself, ever and anon, from among the heavy clouds of a gathering storm, its light fell full upon this indistinct apparition, and revealed the form of a man, curiously bent together in a half-squatting, half-kneeling position. His head was bare. His long tangled black locks hung around a swarthy face, young still in years, but worn and withered, and prematurely aged by sickness, sorrow, or violence of passion—perhaps by the constant operation of all three. At this moment it was ghastly pale, and bore the marks of the faintness and exhaustion attendant upon a reaction after intense excitement. The dress of this creature was not the usual costume of the lower classes, and consisted almost entirely of a ragged and soiled garment of coarse brown linen, made somewhat in the shape of a modern blouse, and bound round his waist by a coarse leathern band. Around his neck hung a square bag, or satchel, which at once designated his calling to be that of a common beggar, privileged by the religious authorities of the place. The stoop of his broad shoulders, between which the head was deeply sunk, told a tale of long sickness, which had broken a frame originally bold and strong, and given a peculiarly ill-favoured appearance to a form naturally well built; and when he arose from his squatting posture, the bent and withered appearance of his crooked legs, which no longer possessed sufficient strength to support the bulkier frame above, gave painful evidence that the wretched man had suffered cruelly from those common scourges of his class at that period—rheumatism and ague. Clasped between his hands was a rosary of wood; and, as he rose, he pressed it to his lips, and then deposited it in the upper part of his garment.

      “No, no!” exclaimed the cripple aloud, when he had staggered to his feet. “No, it is not vengeance—it is not, God knows; although the malevolence of those hideous and accursed   hags, those lemans of Satan”—and he spat upon the ground—“have made me the wretched outcast of humanity I am. The blood of the foul one has been shed for His glory only, and that of the blessed Virgin, to the destruction of the arch-enemy of mankind and his delusions!”

      “Thou knowest it is so,” he added, again clutching forth the rosary from his bosom, which, after gazing upon a rude personification of the Virgin, stamped upon a tiny plate of copper at the end of the string of beads, and devoutly making the sign of the cross, he returned to its usual depository.

      “I have cried against the handmaid of Beelzebub—uttering cry for cry as she shrieked out her wretched soul. I have prayed earnestly and long, and I am athirst,” continued the cripple, as he dragged his distorted limbs with difficulty over the rough stones towards a large covered well, which occupied the lower part of the market-place.

      As the beggar approached the parapet of the well, to drink from one of the buckets which reposed upon its edge, he became first aware of the presence of another human being. Half-concealed behind one of the twisted columns that supported the Gothic pavilion above, sat upon the parapet a female figure, dressed in a black garb of such a form and nature, that, without being the exact costume of any known religious order, it bore a monastic character. Her face, as she sat with her head bent down over her clasped hands, in an attitude of mournful humiliation, was fully concealed by a black hood. But when, upon the approach of the beggar, she started up hastily, as if impelled by feelings of horror and disgust, the moon shone full upon her, and revealed the features of a woman of an advanced period of life, who formerly might have possessed much beauty, although now so washed out by tears, and furrowed by sorrow, that the whole character of her face was changed. Her years, too, were probably very much fewer than her appearance denoted, for the signs of age upon her face bore less the marks of time than of mental suffering. The symptoms of aversion which her manner displayed upon the beggar’s approach, although instinctive and involuntary, and almost immediately restrained, had not escaped his eye. His features expressed the bitter resentment of his heart at this insult, and worked with ill-repressed feelings of anger and spite.

      “Ha! Mother Magdalena—it is thou! Why flinchest thou at my approach? Hast thou cause to fear me, then?” exclaimed the cripple with a sneer, as he drew nearer.

      The female thus addressed shuddered at the sound of his voice; and, hastily pulling her dark hood more closely over her face, endeavoured to pass on without reply; but the beggar caught her by the arm.

      “Not so fast, beldam!” he cried. “I would have a word with thee. Dost thou not know me?”

      “Not know thee!” exclaimed the dark female. “Who in this wretched town does not know Schwartzer Claus, the witchfinder? What wouldst thou with me? Let me go!”

      “Why dost thou tremble, then, and turn away thy head?” continued the cripple. “Why does Black Claus, the witchfinder—since such thou callest me—make thee shudder thus in every limb? The innocent have no cause to fear.”

      “Thou askest me why I shudder?” said Magdalena in an excited tone, forgetting in her agitation her purpose of self-control. “Thou hast forced me to speak, and I will tell thee. Is not thy hand yet reeking with the bloody ashes of thy last victim? Has not a seventh unhappy woman suffered this very day a cruel death at the stake upon thy hideous denunciation; and thou askest me why I shudder?”

      “Beware, woman—beware!” cried the witchfinder, lifting up his long right arm with a gesture of menace. “Those who defend the evil-doer, and malign the just and heaven-directed accuser, are not far from being arraigned as accomplices themselves!”

      “What! thou seekest already another innocent sacrifice, wretched man!” continued the female, tearing away her arm, which the beggar still held clenched in his left hand. “Thou art not sated with the innocent blood thy false witness has this day shed?”

      “It is a lie!—it is a damning lie!” screamed the cripple, foaming with   passion. “I have borne no false witness! Besides, did not she avow her deeds of darkness? did she not confess her complicity with the spirits of hell, and her harlotries with the arch-deceiver of mankind?”

      “Ay! when, tortured in mind and body, her poor weak old head gave way, and she unconsciously affirmed all that her torturers had for hours past been pressing upon her wavering understanding. Ye had driven her mad, poor wretch!”

      “’Tis false again!—’tis false!” repeated the witchfinder. “The truth spoke out of her at last, when her treacherous paramour, the demon, had deserted her. God’s glory and that of the holy church, for which I work, had triumphed over the powers of darkness.”

      “Thou serve the holy church! Hear not the blasphemy, O Lord!” cried the excited woman, raising up her hands to heaven. “Thou, miserable wretch! who, for the favour of the Amtmann or the priest, for the pittance bestowed on thee in reward of thy discovery of the supposed foul practices of witchery and magic, art ever ready to sell the innocent blood of the aged, helpless, and infirm!”

      “For the lucre of gain!” screamed the cripple, but in a tone as much of despair at this accusation as of wrath. “For the lucre of gain! No—no; as God is my judge, it is not! My motives are pure; God and the Holy Virgin know they are! It is not even a spirit of revenge that instigates me. No—no! it cannot be; it is not! If the words of my mouth have condemned and killed, it is because my voice was uplifted in the cause of religion, and to the confusion of the prince of evil!” But as he spoke, the beggar covered his face with his hands, with a shudder, as though there passed in his soul a struggle with himself—a doubt of his own real motives.

      Magdalena was about to quit in haste her dangerous companion, when a sentiment of pity at the sight of the cripple’s evident emotion seemed to mingle strangely with her disgust and aversion to the witchfinder. It was even with an uncontrollable feeling of interest that she stopped