Heart-Histories and Life-Pictures. Arthur Timothy Shay

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Название Heart-Histories and Life-Pictures
Автор произведения Arthur Timothy Shay
Жанр Зарубежная классика
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Издательство Зарубежная классика
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events?" calmly asked the lady.

      "Why lacerate my feelings by such a question?" said Florence, while a shadow of pain flitted over his face, as Memory presented a record of the past.

      "I ask it with no such intention. I only wish to understand you," replied Mrs. Hartley. "You have brought against me a vague accusation. I wish it distinct, that I may affirm or deny it."

      "Edith Walter," said Edwin Florence, in a low, unsteady voice, after he had been silent for nearly a minute.

      Mrs. Hartley looked earnestly into his face. Every muscle was quivering.

      "What of her?" she inquired, in tones quite as low as those in which the young man had spoken.

      "You know the history."

      "Well?"

      "And, regardless of my suffering and repentance, made known to Clara the blasting secret."

      "No! By my hopes of heaven, no!" quickly exclaimed Mrs. Hartley.

      "No?" A quiver ran through the young man's frame.

      "No, Mr. Florence! That rested as silently in my own bosom as in yours."

      "Who, then, informed her?"

      "No one."

      "Has she not heard of it?"

      "No."

      "Why, then, did she change towards me?"

      "You changed, first, towards her."

      "Me!"

      "Yes. From the day of her arrival in New York, she perceived in you a certain coldness and reserve, that increased with each repeated interview."

      "Oh, no!"

      "It is true. I saw it myself."

      Florence clasped his hands together, and bent his eyes in doubt and wonder upon the floor.

      "Did she complain of coldness and change in me?" he inquired.

      "Yes, often. And returned, last night, to leave you free, doubting not that you had ceased to love her."

      "Ceased to love her! While this sad work has been going on, I have loved her with the agony of one who is about losing earth's most precious thing. Oh! write to her for me, and explain all. How strange has been my infatuation. Will you write for me?"

      "Yes."

      "Say that my heart has not turned from her an instant. That her imagined coldness has made me of all men most wretched."

      "I will do so. But why not write yourself?"

      "It will be better to come from you. Ask her to return. I would rather meet her here than in her uncle's house. Urge her to come back."

      Mrs. Hartley promised to do so, according to the wish of Mr. Florence. Two days passed, and there was no answer. On the morning of the third day, the young man, in a state of agitation from suspense called at the house of his friend. After sending up his name, he sat anxiously awaiting the appearance of Mrs. Hartley. The door at length opened, and, to his surprise and joy, Clara entered. She came forward with a smile upon her face, extending her hand as she did so. Edwin sprang to meet her, and catching her hand, pressed it eagerly to his lips.

      "Strange that we should have so erred in regard to each other," said Clara, as they sat communing tenderly. "I trust no such error will come in the future to which I look forward with so many pleasing hopes."

      "Heaven forbid!" replied the young man, seriously.

      "But we are in a world of error. Ah! if we could only pass through life without a mistake. If the heavy weight of repentance did not lie so often and so long upon our hearts—this would be a far pleasanter world than it is."

      "Do not look so serious," remarked Clara, as she bent forward and gazed affectionately into the young man's face. "To err is human. No one here is perfect. How often, for hours, have I mourned over errors; yet grief was of no avail, except to make my future more guarded."

      "And that was much gained," said Florence, breathing deeply with a sense of relief. "If we cannot recall and correct the past, we can at least be more guarded in the future. This is the effect of my own experience. Ah! if we properly considered the action of our present upon the future, how guarded would we be. All actions are in the present, and the moment they are done the present becomes the past, over which Memory presides. What is past is fixed. Nothing can change it. The record is in marble, to be seen in all future time."

      The serious character of the interview soon changed, and the young lovers forgot every thing in the joy of their reconciliation. Nothing arose to mar their intercourse until the appointed time for the nuptial ceremonies arrived, when they were united in holy wedlock. But, Edwin Florence did not pass on to this time without another visit from the rebuking Angel of the past. He was not permitted to take the hand of Clara in his, and utter the words that bound him to her forever, without a visit from the one whose heart he had broken years before. She came to him in the dark and silent midnight, as he tossed sleeplessly upon his bed, and stood and looked at him with her pale face and despairing eyes, until he was driven almost to madness. She was with him when the light of morning dawned; she moved by his side as he went forth to meet and claim his betrothed; and was near him, invisible to all eyes but his own, when he stood at the altar ready to give utterance to the solemn words that bound him to his bride. And not until these words were said, did the vision fade away.

      No wonder the face of the bridegroom wore a solemn aspect as he presented himself to the minister, and breathed the vows of eternal fidelity to the living, while before him, as distinct as if in bodily form, was the presence of one long since sleeping ill her grave, who had gone down to her shadowy resting place through his infidelity.

      From this time there was a thicker veil drawn over the past. The memory of that one event grew less and less distinct; though it was not obliterated, for nothing that is written in the Book of Life is ever blotted out. There were reasons, even in long years after his marriage, when the record stood suddenly before him, as if written in words of light; and he would turn from it with a feeling of pain.

      Thus it is that our present blesses or curses our future. Every act of our lives affects the coming time for good or evil. We make our own destiny, and make it always in the present. The past is gone, the future is yet to come. The present only is ours, and, according to what we do in the present, will be the records of the past and its influence on the future. They are only wise who wisely regard their actions in the present.

      THE BRILLIANT AND THE COMMONPLACE

      DAY after day I worked at my life-task, and worked in an earnest spirit. Not much did I seem to accomplish; yet the little that was done had on it the impress of good. Still, I was dissatisfied, because my gifts were less dazzling than those of which many around me could boast. When I thought of the brilliant ones sparkling in the firmament of literature, and filling the eyes of admiring thousands, something like the evil spirit of envy came into my heart and threw a shadow upon my feelings. I was troubled because I had not their gifts. I wished to shine with a stronger light. To dazzle, as well as to warm and vivify.

      Not long ago, there came among us one whom nature had richly endowed. His mind possessed exceeding brilliancy. Flashes of thought, like lightning from summer cloud, were ever filling the air around him. There was a stateliness in the movement of his intellect, and an evidence of power, that oppressed you at times with wonder.

      Around him gathered the lesser lights in the hemisphere of thought, and veiled their feeble rays beneath his excessive brightness. He seemed conscious of his superior gifts and displayed them more like a giant beating the air to excite wonder, than putting forth his strength to accomplish a good and noble work. Still, I was oppressed and paralyzed by the sphere of his presence. I felt puny and weak beside him, and unhappy because I was not gifted with equal power.

      It so happened that a work of mine, upon which the maker's name was not stamped—work done with a purpose of good—was spoken of and praised by one who did not know me as the handicraftsman.

      "It is tame, dull, and commonplace," said the brilliant one, in a tone of contempt; and there were many present to agree with him.

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