The Continental Monthly, Vol. 2 No 4, October, 1862. Various

her heart, and it is more than probable she's there on watch to keep us from stealing it. D'ye notice the manner she's eyeing the paints? Every time my brush goes near the vermilion, and I move my stool, her eyes brighten. I wonder what's up around the gate there? Hanged if half the old women and children around town an't assembled there! Look.'

      Caper looked, and, sure enough, there was a crowd of heads; and not content with standing at the gateway, they began soon to enter the garden, crowding around our two artists, getting in front of the donkey, and being generally in the way.

      Once or twice Dexter drove them off with words, until at last, an unlucky urchin striking his elbow and making him mar his sketch, he laid down his sketching-box, and, clubbing his campstool, made a rush at the crowd. They fled before him, in their hurry tumbling one over the other, and then, scrambling to their feet, were soon out of sight. Returning to his sketch, he was no sooner busily at work than they were all back again, but now keeping at respectful distance.

      After about two hours' work, Caper proposed knocking off sketching, and continuing it next day; to which Dexter assenting, they put up their sketches. Caper agreeing to pay Margarita for the afternoon's study, he went up to her, and handing over the amount agreed upon, she seemed by no means satisfied.

      'Won't that pay you?' asked he.

      'Certainly, but—'

      'But what?'

      'When are you going to paint the donkey? Here I've told all my friends that you were to paint the little old fellow all over, perhaps a nice red color, or bright yellow; and here we've all been waiting hours to see you begin, and you haven't put the first brush to him yet!'

      This was too much for the gravity of Caper, who fairly roared with laughter, and Dexter, who had listened to the talk, joining in as chorus, made the garden ring.

      'They are crazy,' said one old woman, who was holding a distaff in one hand, while she was making woolen thread with the other.

      'Seguro,' said another, who had once been to Rome, and therefore was great authority, 'they are Englis', and all the Englis' is crazy. Didn't I once live with an Englis' family? and they were that mad that they washed themselves every day! And they had white sticks with hair on the end of them, what they scrubbed their mouth and teeth with two and three times a day!'

      'Now, Maricuccia, that is too much; what could they do that for?'

      'Ma, che! I tell you it was so; and their maid told me it was to kill the little devils that are always jumping in and out of the throats of all heretics.'

      'Santa Maria!'

      The next day, after they had finished their sketch of the donkey, Caper proposed that they should oblige Margarita by giving the donkey a little of that painting the owner seemed so anxious to have bestowed on him. Dexter accordingly drew bright yellow circles of cadmium and yellow ochre round his eyes, giving him a peculiarly owly look; painted white rings round his tail, black streaks round his body, and touched the ends of his ears with vermilion. A more striking-looking object you never saw; and when Margarita proudly led him forth and showed him to the surrounding multitude, there were storms of applause for the Inglese who painted donkeys!

      SIR JOHN SUCKLING

      Prominent among the gay cavaliers at the court of Charles I. of England, was Sir John Suckling, a dashing, reckless, improvident fellow, who acted the gallant to the ladies, played skillfully at bowls and deeply at cards, was always ready at a frolic and merry-making, and died when scarcely more than thirty years of age; the author of three or four dramas of no more than ordinary merit, and of a few snatches of poetry, chiefly love-songs, betraying talent sufficient to have rendered his name of no inconsiderable interest down to the present day. It is an interest, however, growing not out of a familiarity with the circumstances of his life and character, but from a curiosity to know a little more concerning one of whom, as yet, we know almost nothing at all, albeit his name is of the most familiar.

      Materials for his biography are scanty enough, made up for the most part of gossip from such antiquarians as Aubrey, who imitates Herodotus, in a fondness for the marvelous and romantic, to a degree that weakens our faith in him as a trustworthy historian. Not until the middle of the present century were we in possession of a memoir claiming to be in any respect complete. In 1838, there appeared in London an edition of his writings, with a prefatory sketch of his life, by the Rev. Alfred Suckling, LL.B. The editor had access to a few private MSS., which, in our judgment, have not served to modify the previous accounts of Sir John's character, in spite of the labored efforts of his namesake—and, it may be, descendant—to that effect. The memoir and critical remarks appended are well written, though partial; and the work is the more valuable for the reason that only a few hundred copies of it were printed.

      All accounts agree in ascribing to Suckling, as an individual and as to his personnel, the same careless and unstudied manner so conspicuous in his literary efforts. He must have expended at least a moderate degree of labor on his dramas; all dramas require it. On the other hand, there is hardly a doubt that he threw off his poems in the mere fancy of an idle moment, with no care for their subsequent revision; indeed, a collected publication was not made until the lapse of four or five years after his death. A certain vivacity and sprightliness is the secret of their popularity, which, from their first appearance to the present day, has never been totally lost, though at no period could they be said to have commanded an extensive range of readers. Previous to the collection of 1838, four or five editions of his poems, dramas, and letters had been published at London, at wide intervals during the last two centuries.

      Whether Sir John Suckling was ushered into this world in 1608-9, or in 1613, has never been positively ascertained, though a discrepancy of five years would imply a state of the family record open, to say the least, to a little free criticism. If the poet himself was aware of the correct date, he has not taken the trouble to enlighten the public upon it. It would be well were that public always so good-natured as to err on the side of youth, giving the more credit to success, and accepting inexperience as an excuse in part for mistake and failure. But in doubtful cases, one is likely to get credit for more years than he is fairly entitled to—a deception we are ready to believe not unpalatable sometimes to active men of early or middle age, though proverbially annoying to spinsters. There is, too, an inherent tendency among scholars toward antiquarianism, which always induces them to take the earliest possible year. In the present instance, at any rate, most authorities favor the first date, fixing his birth at Whitton, in Middlesex, in 1608-9.

      Sir John Suckling, the father, had been Secretary of State under James I., and was Comptroller of the Household to Charles I. He was said to have been a quiet, grave, and serious man, of sound judgment and good business habits. Aubrey disposes of him summarily enough, with the remark that 'he was but a dull fellow.' Had his wife been of the same pattern, the worthy couple might well have been astonished at the lively capers of their progeny; but we have reason to believe that the frolicksome courtier and poet drew upon a bountiful store of good 'mother wit.' Quite all that we know of her, however, in an authentic way, is contained in a professional and curious item that the family physician saw fit to jot down in his note-book, as follows, 'Sir John's mother went till the eleventh month with him;' which, to be sure, in popular opinion, betokened a deal of future consequence.

      To the subject of our narrative is assigned the customary precocity of intellect; for he is said to have spoken Latin at five, and written it at nine. Add four years to conform with the true date, and the facts assume a little more reasonable aspect. In 1623, he was matriculated at Trinity College, Cambridge, where he remained three or four years, but did not take a degree, probably having shown himself a little more 'progressive' than the laws of that institution allowed. After leaving Cambridge, he traveled over a large part of the Continent, which, besides increasing his knowledge of the world, brought still nearer perfection that easy carriage and polished manner which had already attracted the observation of the court.

      While in Germany, he united himself to an expedition of six thousand troops sent by Charles to the aid of Gustavus Adolphus, and was one of forty gentlemen's sons forming the body-guard of the Marquis of Hamilton, who had been commissioned as General in command. He was present at the first great victory over Tilly near Leipsic, and in other battles and sieges. How valuable