The Continental Monthly, Vol. 2 No 4, October, 1862. Various

Tombola finished, there was a good display of fire-works; in the still night air of the Sabbath the fiery snakes and red serpents, blue fires and green, darting flames and forked lights, reminded our artists of a large painting over the Maggiore Gate of the town, where a lot of the condemned are expiring in a very vermilion-colored Inferno—condemned, perhaps, for Sabbath-breaking!

      Returning to their inn to supper, the landlord handed them a note without address, which he said had been sent them by the Gonfaloniere of the city, who had called upon them as soon as he learned that they were strangers there. Caper opening the envelope, found in it the following printed invitation to attend a concert to be given that night at the Palazzo Comunale, in honor of the day:

'IL GONFALONIERE'DELLA CITTA' DI SEGNI

      'Invita li sigi, Rocjean, Caper e Dexter ad intervenire all' Accademia di Musica che si terrà nella Sala del Palazzo Comunale il giorno 18 Luglio alle ore 9½ pom. per festeggiare la ricorrenza del Protettore S. Bruno.'

      'It sounds well,' said Dexter; 'but both of you have seen the tumble-down, ruined look of the old town, or city, as they call it; and the inhabitants, as far as I have seen them, don't indicate a very select audience for the concert.'

      'Select audience be hanged! it's this very selectness that is no selectness, that makes your English and a part of our American society a dreary bore,' broke in Caper; 'I've come up here in the mountains to be free, and if the Gonfaloniere bids me welcome to a palace where the nobilitá await me, with music, I shall not ask whether they are select or not, but go.'

      'I think,' spoke Rocjean, 'we should go; it will be the easiest way to acknowledge the attention shown us, and probably the pleasantest to the one who sent it. I am going.'

      It therefore came to pass that near the hour noted in the invitation, Rocjean and Caper, inquiring the direction to the Palazzo Comunale of the landlord, went forth to discover its whereabouts, leaving Dexter to hunt scorpions in the sitting-room of the inn, or study the stars from its balcony.

      Climbing up the main street, now quite dark save where the lamp of a stray shrine or two feebly lit up a few feet around it, they soon found the palace, the lower story of which held the post-office and various other offices. After passing a gendarme on guard at the door, they found themselves in a not very light hall leading to the second story; mounting a flight of stairs, there stood another soldier on guard; a door suddenly was thrown open, and then a burst of light showed them a large hall with lofty ceilings, the walls hung with red and golden tapestry and with its rich medieval groined arches and gilded cornices, resembling, after all the ruins and decay of the town, a castle-hall in fairy-land rather than a positively real earthly room. Dazzled by the brilliance of the scene, Rocjean and Caper were standing near the door of entrance, when a tall, stout, and very handsome man, leaving a circle of ladies, at once approached them, and introducing himself as the Gonfaloniere of the city, with much courtesy showed them to seats among the 'most reserved of the reserved.' There sat the Bishop of the Commune in purple silk robes, with an inch-wide golden chain over his breast, animatedly conversing with a dashing Roman lady, startingly handsome, with solitaire diamond ear-rings flashing light, while the lace on her dress would have caused deaths of envy in one of our country villages. The Governor of the Province was there, a quiet, grave gentleman, earnest enough in his duties to be respected, and evidently a favorite with several ladies who also shone in diamonds and with the 'air noble' so much adored by Dexter, A warlike looking priest whom Caper afterward found out was the chaplain of a regiment of soldiers, and by no means afraid of grape-juice, was also there; and with numerous distinguished men and beautiful women including one or two of the Stelle d'Anagni, or Stars of Anagni, as the nobility of that town are called, made with their rich dresses and courteous manners such a picture—so startlingly in contrast with the out-door life that our artists had seen, that they have never forgotten it to this day. The concert for which the invitation was given soon commenced. The selection of vocal and instrumental pieces was made with good judgment, and the singers who came from Rome, and had been selected for their ability, sung with a skill and grace that proved they knew that their audience had nice judgment and critical ears.

      The concert was over: and having made their acknowledgments to the Gonfaloniere for the pleasure they had received through his invitation, our two artists, lighting segars, walked up to the Pianillo, where the rising moon gave them a splendid view of the Campagna and mountain-bounded horizon. Thus ended their first day in Segni, and their first Sunday in the Campagna.

      LA TRIGLIA

      The sickles were flashing in the sunlight, felling the ripened wheat in the valley, when our three artists, having previously arranged the matter with a certain Segnian named Bruno, stood one morning early, waiting his appearance with horses, to carry them down the mountain to a farm belonging to Prince Doria, called the Piombinara. There they were going to see a triglia or threshing of wheat with horses.

      'Here he comes,' said Caper, 'with a piebald horse and a bay mare and an iron-gray mule. Let's toss up for a choice.'

      The mule fell to Caper: mounting him gayly, and calling to the others to follow, he led the way with their guide down the steep street of the town until they reached the road outside of the gate, when the others coming up, the party ambled along down the mountain road. In about an hour they reached the plain, and fifteen minutes more brought them to the old, ivy-covered, ruined fortress of the middle ages, called the Piombinara: passing this, they soon reached an open field, in the centre of which, near a small cabin, they found quite a number of harvesters engaged piling up sheaves of wheat in a circle on a spot of ground previously leveled and hardened until it presented a surface as even as a barn-floor.

      While they were inquiring of the harvesters as to the time when the threshing would commence, a fine-looking man, mounted on a fiery, full-blooded chestnut horse, rode up, and politely saluting the three artists, inquired of them if they were not desirous of seeing the triglia.

      Rocjean answered that it was for that purpose they had come there, having learned in Segni that the horses would begin the threshing that morning.

      The horseman then introduced himself as Prince Doria's agent for the Piombinara and farmer of the estate, and gave them a warm welcome; being very glad, he said, that the triglia would not begin until the afternoon, since he hoped it would give him in the mean time the pleasure of showing them the estate, and extending the rough hospitality of the Campagna to them.

      Our artists, acknowledging his politeness, accepted the invitation of Signor Ercole, as he was generally called, and upon his proposing a ride around the estate, accompanied him. They first visited the old ruin, riding in through what was formerly its main entrance. Once inside, they found the lower walls sufficiently entire to give them an idea of the size and form of the old fortress. At one end they found the ruins of a small chapel, where even yet the traces of fresco-painting could be seen on its walls; near this arose a tall, square tower, ivy-clad to its very summit, from whence a flock of hawks were flying in and out; the lightning had so shattered its walls that it threatened every moment to fall, yet in this dilapidated state it had remained for years, and was regarded, therefore, as an 'un-tumbling' curiosity. After some time spent here, which Dexter improved by making a pencil-sketch of the valley and adjacent mountains, Signor Ercole leading the way, they rode through a small woods where herds on herds of black hogs were feeding, to the pasture-grounds where the brood-mares and colts of the Prince were seen grazing together. Over a hundred head of the purest blood-stock were here, and Dexter, who was thoroughly conversant with horse-flesh, passed the highest encomiums of praise on many of the animals. Riding on, they next saw quite a number of oxen, but the superintendent informed them that these were only a few kept to perform the farm-work, the large herds belonging to the estate being at this season of the year driven miles away to feed upon other lands of the Prince. Continuing their ride, the party next came to the wheat-fields, extending far and wide, like those of Illinois, for a hundred acres or more: here the harvesters, most of whom were from the Abruzzi, were busily engaged, men and women, in loading the large carts with wheat-sheafs, the grain being all cut, and consequently many of the laborers having returned to their distant homes. Returning from the fields, Signor Ercole now invited them to enter the farmhouse. This was a very large stone house whitewashed, looking as they approached it more