Timothy Lea's Complete Confessions. Timothy Lea

Читать онлайн.
Название Timothy Lea's Complete Confessions
Автор произведения Timothy Lea
Жанр Книги о войне
Серия
Издательство Книги о войне
Год выпуска 0
isbn 9780007569816



Скачать книгу

says Mrs. C. Too bloody right they do. One of the cats has practically got my boot off and I have to restrain myself from giving it a boot up the backside.

      “I think she’s taken to you,” says Mrs. C. “Sabrina is usually rather reserved at first.”

      “Don’t you ever let them out?” I say, giving Sabrina a sly jab when Mrs. C. isn’t looking.

      “Out!?” says the old bag looking at me as if I’m bonkers. “Into a world like this? Nobody loves animals any more. Look what they do to each other. I wouldn’t be able to live with myself if I let these innocent creatures fall into the hands of the vivisectionists.” I wouldn’t fancy the vivisectionists’ chances if they got their hands on the likes of Sabrina but it’s an opinion I keep to myself.

      “Don’t they fight?” I say. “I mean, surely the cats must be after the birds the whole time.”

      “This is no microcosm of the world,” says Mrs. C. seriously. “It is an oasis, a sanctuary where wild creatures can live in peace with each other. They all have enough to eat so there is no need for the law of the jungle.”

      “What’s that one eating, then?” I say.

      I am pointing to a monstrous moggy with a pile of feathers sticking out of its mouth.

      “Oh, you wicked Rufus,” says Mrs. C. flying at him. “You wicked, wicked cat. How many times has mummy told you not to do that?” Rufus draws away arching his back and showing his teeth without dropping a feather. Honest, I wouldn’t fancy my chances against him on a dark night.

      “They must be hungry,” says Mrs. C. “Really it’s a shame you have to see them when Rufus is playing up. Normally they’re as good as gold.”

      She opens a door and we’re in one of the rooms at the front of the house. It’s large but dark because the windows are so caked with bird shit they appear opaque. The carpet must have been worth a few bob in its time but now you’d be better off selling the bird shit on it for manure. In the middle of the room is a telly and two pigeons are perched on the indoor aerial above it. Mrs. C. switches on the set and as the announcer comes up one of the birds disgraces itself all over him. I rather like that, but Mrs. C. doesn’t seem to notice.

      “They like the television on,” she says. “Keeps them company when I’m not here. Well, there you are, this is one of the rooms I want you to do. Remember, keep those windows closed.”

      “Excuse me asking,” I say, “but why do you want the windows cleaned?”

      “So the little chaps can see what’s happening outside. It is getting a trifle dim in here.” She says it as if it is stupid of me not to have noticed it for myself.

      “I’m going to get the animals their lunch now. Would you like something?”

      “No. No thanks. I’ve just eaten.” I nearly shout it at her. The thought of eating anything out of that kitchen practically makes me spew my ring up on the spot.

      “Very well. I’ll just bring you a cup of tea.”

      I tell her not to bother but she’s already gone. That leaves me nothing to do but get on with the job. I tell you, I’ve never known anything like it in my life. The pong must be scarring the inside of my nostrils and every time I get a window clean, some bloody bird comes and shits all over it. After a while I let them get on with it. I just want to get out. It takes me all of ‘Watch with Mother’ to clean six panes of glass.

      Suddenly there’s the sound of Mrs. C. rattling some tins and the room clears faster than Glasgow on a flag day. Then she comes in with my mug of tea. At least, I suppose it’s a mug. There’s what looks like bird seed floating on top of it and I don’t know quite what it’s been standing in – I can guess though. Poor old Mrs. C. She really is a case. Her hands are raw and scratched and there’s muck all over her clothes which she either hasn’t noticed or doesn’t care about. I pretend to drink the tea and when she goes out I pour it into one of the geranium pots. As I suspected there’s some more bird seed stuck together at the bottom.

      When I get in the fresh air I feel like I’ve just come out of the nick again. I sweep my rubber across the windows and it’s like looking into one of those cages at the zoo. All the cats milling around her legs and Mrs. Chorlwood chattering away to them like kids. She sits down in front of the telly – just knocks a few turds off a wing-back chair and sits down – and they’re all trying to get up on her lap the minute her arse has touched the chair. Trouble is they don’t look like cats to me. They seem more like rats. A living blanket of rats.

      “Come back in a couple of months,” she says when she pays me. “I expect we’ll need you again then.”

      But I don’t go back. I think about it sometimes and I can imagine her in that chair one afternoon, dropping off and not waking up again. And the cats and the birds waiting for their food; and no way of getting out and, after a while, nothing to eat. The telly going on the blink and being the only living thing in the house, flickering and chattering away. That’s the time the rats would hear the telly and nothing else and start sticking their noses out of their holes, and maybe that picture I saw through the window would be right. Mrs. Chorlwood with that living, twitching blanket on her lap … You can see why I didn’t go back, can’t you?

      Earlier on I said that Dorothy was a pretty average sample of the kind of bird you have it away with on this caper. She wants a bit of company, a bit of a change and a bit of the other. Now that doesn’t mean there aren’t other kinds – any number of them – but at least once you’ve got to the point with them your problems are usually over. I mean, if it was any other way, there wouldn’t be any point would there? – or would there? You’d have to ask Mrs. Armstrong that because I was never able to. I could never ask her anything.

      Mrs. Armstrong lived in one of those large detached houses in Nightingale Lane with a flight of steps going up to two Samson-size pillars which supported a balcony so they didn’t feel starved of a purpose in life. She is what my mother would call a handsome woman and definitely upper class in a way that puts the mockers on you. I mean, though she’s attractive you’d never think of trying it on with. her. It would be like wolf-whistling at the Queen Mother. She has an aristocratic hooter with a bend in it, piercing grey eyes and a very good figure for a woman of forty-plus, which is what I imagine she is. She’s a bit of a twinset and pearls type but her stuff always fits beautifully and she smells nice. I say all this but at the time I hardly noticed it, if you know what I mean. She was just the woman who opened the door and stepped to one side as I went through. As I remember, nothing at all happened the first time but when I next go round it’s in the afternoon and she asks me if I’d like some tea when I’ve finished. I say yes, thinking she means a cuppa, but when I come down she takes me into the front room where there is a trolley loaded with cakes and toast cut up into thin bits and a silver teapot and its friends. I look round for someone else but she waves me to sit down and starts filling a couple of cups. It’s not easy to park myself because the settee is one of those ones you either perch on the edge of or plunge down into and it takes me a bit of wriggling before I can get into a position to receive my cup.

      “Two lumps?”

      Mrs. A. drops them in with a pair of tongs as if they’re the final ingredient in a Doctor Frankenstein experiment. Since my experiences with Viv and Dorothy I’ve been quite at ease in this kind of situation but with Mrs. A. gazing past me out of the window my hands feel about eight sizes too large for the cup and I drop the spoon down the side of the settee. It’s the old upper class hypnotism I suppose. If she was Dorothy I’d be chattering away nineteen to the dozen. She has got nice legs though. I do notice that. She’s sitting on a pouf – a leather one, I hasten to add – and I can see quite a bit of them.

      “I don’t think you’ve met my daughters.” She nods towards the mantelpiece and for a moment I expect to see them sitting up there. In fact, there’s one of those great leather wallets full of photos of everybody including the nursemaid’s dog, and beside it a very posed photograph of two birds holding bunches of flowers. They must have been bridesmaids or something. Anyway they