Nothing but Ghosts. Judith Hermann

answers but instead became involved in such twisted subtleties that I got up and excused myself because it was becoming unbearable. I went to the toilet, stood in front of the mirror for a while and gazed helplessly at my face. I wondered what Raoul thought of me. Then I went back out and walked up and down the corridor outside the dressing rooms.

      The performance by the theatre’s resident ballet troupe had just finished; all the performers were rushing to the canteen, fat trumpeters, tipsy violinists, lean, cheerful dancers. I squeezed my way along the wall, took momentary pleasure in the palpable post-performance euphoria that emanated from them and immediately came down to earth again. The neon lighting was harsh and the musicians looked tired and seedy. ‘That Mozart shit,’ one of the dancers said to a cellist who was dragging his instrument case along behind him as if it were an old suitcase.

      When I came back to the canteen, Raoul and Ruth seemed to have calmed down, or at least Ruth had calmed down; she looked more relaxed and her cheeks were flushed. She was leaning across the table, talking insistently to Raoul. When I sat down again, she stopped and leaned back, slightly embarrassed. Both looked at me, and I didn’t know what to say; I felt foolish, stared stubbornly at the tabletop. I tried to make Ruth understand that I didn’t feel up to this, didn’t feel like talking, not ready to help out, at least not now, but she smiled absent-mindedly and blissfully past me, put her hand on mine in an outlandish gesture, and said, ‘Would you two like something else to drink?’ I said dully, ‘A glass of wine, please,’ then I pulled my hand away. Raoul said, ‘Nothing, thanks.’

      Ruth got up to order the wine, and as she passed Raoul, he turned towards her and suddenly grabbed her between the legs from behind – it was the ultimate of obscene gestures. She stopped, the expression on her face did not change a bit; she stood there in his grip and looked into space, he looked at her; no one was watching although they were like a sculpture caught in the beam of a searchlight. They remained there like that for a long time, much too long, then he let her go. Ruth swayed a little, straightened up, walked over to the counter. Raoul turned to me and said, ‘I’ve never seen anything like you in all my life.’

      

      When Ruth is sad she cries. I remember a fight she had with her mother; afterwards she sat huddled by the telephone, inaccessible. I remember a scene on the street at night; she and a friend were having an awful argument, and he hit her, and I remember her stricken, surprised face, how she put her hand up to her cheek, not a theatrical gesture, very genuine. When Ruth was sad for reasons she couldn’t or didn’t want to talk about, she would sit in the chair at her desk, her hands on the armrests, her feet up on the edge of the seat, her body gone slack and given over entirely to her sadness. How often did I see her like that – twice, three times, maybe four? She would cry without making a sound; I would stand by the door, leaning against the doorframe and say, ‘Ruth, is there anything I can do?’ but she only shook her head and said nothing. I would push away from the door and walk through the apartment to my room, across the hall, into the kitchen, and back again.

      When Ruth was this sad, I felt numb. I’d wash three plates, smoke a cigarette at the kitchen window, and read a page in some book, and then I’d go back to her room, and she would still be sitting there like that. At some point, much later, she would come over, give me a brief hug, and say, ‘Everything’s all right again.’ Her helpless, angry, hurt way of crying when we argued was different. As for me, I never cried in front of Ruth.

      

      I stayed with Ruth for four days, one day longer than planned. Ruth had hardly any rehearsals to go to, but there were performances every evening. I had expected that she would want to spend her free time with Raoul and would have understood if she had, but Raoul had little time, and while I was there they saw each other alone only one afternoon. We dawdled over breakfast, walked into town, to the river, and along the riverbank to the outskirts of town and back. We were as close as always. Ruth talked constantly about Raoul, as if she were talking to herself, and I listened without giving her a lot of answers; actually she didn’t ask me anything. She said Raoul had withdrawn from her; she could no longer reach him; true, there was a sort of sexual attraction but everything else was baffling. In three weeks his guest appearance here would be over; then he would go to WÜurzburg for a guest engagement there, then to Munich, but they never talked about the future. ‘Maybe,’ Ruth said, ‘it’s already over. Whatever it was. But I’m sad about that, do you understand?’ I avoided looking at her.

      Back at her apartment, I closed the bathroom door and looked at my face in the mirror, at the passport photo of me wedged into the mirror frame and then again at my face. In the evenings Ruth and I, the actors and Raoul sat together at the Formica-topped tables in the canteen. I drank quite a lot. Every time Ruth got up from the table and disappeared briefly, Raoul looked at me and said very distinctly, ‘I miss you.’ Nobody except me could hear it. He didn’t touch me. That first evening when Ruth went to get the drinks, he had laughed after he said that he hadn’t seen anything like me in his entire life. A happy laugh that I returned without giving it a thought. He had said, ‘Do you know who you are?’ At first I hesitated but then I did reply, ‘Yes.’ He said, ‘Are you the woman I think you are?’ and I said, ‘I don’t know.’ And he said, ‘Yes. You know.’ And then Ruth came back to the table and the words fitted into a precisely measured length of time. Just the right number of words.

      When we fell asleep those nights, I turned away from Ruth, my face to the wall. I slept lightly. ‘What will you do once you’re back in Berlin?’ Ruth asked, and I said, ‘I’m not sure.’ How could I have explained to her that my whole life was suddenly open again, empty, a wide uncharted space? I stood by the window in her apartment looking at the blue neon sign of the multi-storey car park, the reflecting windows of the apartment block behind it. The moon was already up. Ruth said my name, and I turned round. We bought dresses, shoes, coats. I said, ‘I would like to stay, but I have to leave tomorrow.’

      On my last evening, Ruth had an open rehearsal. Actors, onlookers and musicians sat here and there in the rows of seats; I sat on the stairs; Raoul came and sat next to me for a short while, and I moved away from him. On the stage Ruth looked over at us. We both looked at her; Raoul said, ‘You’re leaving?’ I said, ‘Tomorrow.’ He said, ‘And will we see each other again?’ I said, ‘Yes, we’ll see each other again,’ without taking my eyes off Ruth. He remained sitting there several minutes longer; then he got up and left.

      Later on we didn’t sit at the same table in the canteen. ‘What did you talk about?’ Ruth asked. ‘About the play,’ I answered. She looked exhausted, pale and tense. The afternoon she had spent with Raoul, he had stretched out on the bed in his hotel room and watched television; Ruth had sat on the edge of the bed waiting for him to turn the TV off, but he didn’t turn it off. Ruth said, ‘I don’t know what he wants.’ That night we walked through the deserted pedestrian zone, our steps echoing on the pavement; Ruth had tucked her arm into mine; we were drunk and a little tottery; I had to laugh; Ruth’s hair brushed gently against my cheek.

      The next morning she took me to the railway station; it had turned cold, windy; we hugged each other on the platform; the train was already there, doors open. ‘For heaven’s sake, what are you going to Paris for?’ Ruth said. ‘What are you going to do in Paris?’ I got on and leaned out of the open compartment window. Ruth was wearing a little black cap under which her hair had disappeared; her face looked stern. She put her hands into her coat pockets and hopped from one foot to the other; she said, ‘You haven’t told me yet what you think of him.’ Her voice sounded no different than usual. The conductor blew his whistle; the doors slammed shut. I took a breath, and then I said, ‘I don’t think he’s right for you.’ Ruth said, ‘Oh.’ I wasn’t sure she had really heard me. The train started. Ruth remained standing there; I looked out of the window as long as I could still see her slender figure in the light-coloured coat, the dark spot that was her cap; she didn’t wave. Then she was gone.

      

      I had never travelled anywhere with Ruth. There was one winter when the temperature dropped far below freezing, and we took the S-Bahn out to the Grunewald and walked across the frozen lake; neither of us was wearing the right kind of shoes. That was our biggest excursion. Every summer we lay on the grass in the