Love and War in the Apennines. Eric Newby

right, knock the bloody place clown,’ someone said, unsympathetically, as it shuddered under the impact. The doctor who examined my ankle, who was also a prisoner, took much the same view. He couldn’t do much, anyway, because he hadn’t got any plaster of paris. It was, however, he said, ‘on order’ and for the time being he did it up with some adhesive plaster which was a rather wobbly arrangement.

      The only other occupant of the hospital was another officer who was suffering from a boil on his behind. He was the one who had proposed that we should dig a tunnel, the most dreary and unimaginative way of getting out of any prison, on which a number of us had been working for some months, and which we had only recently abandoned because events seemed to have rendered it unnecessary. The head of the shaft of this tunnel was in a bedroom on the piano nobile of the building, practically in mid-air, and the shaft went down through the middle of one of the solid brick piers which supported it and down into the cellars. When we reached mother earth, somewhere below the floor of the cellar, if ever, he had planned to construct a chamber, in which the spoil could be put into sacks and hauled to the surface, and from it the tunnel would be driven outwards under the wire. The shaft had a false lid, designed and made by a South African mining engineer. It was a marvellous piece of work – a great block of cement with tiles set in it that was so thick that when the carabinieri tapped the floor of the bedroom with hammers, which they sometimes did, the lid gave off the same sound as the rest of it. This lid was so heavy that special tools had had to be devised to lift it.

There were a lot of attempts at escape, some successful, some of them funny. One prisoner hid himself in a basket of dirty linen, destined for the nuns’ laundry over the wall. We wondered what would have happened if they had actually unpacked him inside the convent. Some were very ingenious – two people had had themselves buried in the exercise field which was outside the main perimeter wire and was not guarded at night. They nearly got to Switzerland.¹

      No one from our camp ever reached Switzerland before the Italian Armistice in 1943. It was generally believed that two British prisoners of war had succeeded in getting there, but I have never met anyone who actually knew who they were or which camps they came from. It was very difficult to get out of a prison camp in Italy. Italian soldiers might be figures of fun to us, but some of them were extraordinarily observant and very suspicious and far better at guarding prisoners than the Germans were. It was also very difficult to travel in Italy if you did get out. The Italians are fascinated by minutiae of dress and the behaviour of their fellow men, perhaps to a greater degree than almost any other race in Europe, and the ingenious subterfuges and disguises which escaping prisoners of war habitually resorted to and which were often enough to take in the Germans: the documents, train tickets and ration cards, lovingly fabricated by the camp’s staff of expert forgers; the suits made from dyed blankets; the desert boots cut down to look like shoes and the carefully bleached army shirts were hardly ever sufficiently genuine-looking to fool even the most myopic Italian ticket collector and get the owner past the barrier, let alone survive the scrutiny of the occupants of a compartment on an Italian train. The kind of going over to which an escaping Anglo-Saxon was subjected by other travellers was usually enough to finish him off unless he was a professional actor or spoke fluent Italian. And in Italy, before the Armistice, there were no members of the Resistance or railway employees of the Left, as there were in France, to help escaping prisoners out of the country along an organised route.

      The building in which we were housed had originally been built as an orfanotrofio, an orphanage, with the help of money contributed by pilgrims to the shrine of the miraculous Madonna del Rosario who, in 1628, had performed the first of a succession of miracles when, in answer to his prayers, she raised a man called Giovanni Pietro Ugalotti from his death bed.

      The foundations had been laid back in 1928, but the work had proceeded so slowly that the war began before it could be completed, and it remained empty until the spring of 1943 when it became a prisoner of war camp for officers and a few other ranks who acted as orderlies.

      It was a large, three-storeyed building with a sham classical façade, so unstable that if anyone jumped up and down on one of the upper floors, or even got out of bed heavily, it appeared to wobble like a jelly. To those of us who were lodged on one of these upper floors, it seemed so unstable that we were convinced that if any bombs fell in the immediate neighbourhood it would collapse.

      Next door to the orfanotrofio was the santuario in which the miraculous Madonna del Rosario was enshrined, and on its walls there were large quantities of ex-votos contributed by those who had been cured of some bodily affliction or saved from disaster by divine intervention – crutches, pale wax replicas of various parts of the human body that had been restored to health, primitive paintings of ships sinking, houses and barns on fire, or being struck by lightning, motor cars and aeroplanes crashing and farm carts being overturned, from all of which, and many other more fantastic mishaps, the occupants were depicted as emerging or being ejected relatively unscathed.

      Behind the santuario, and joined to it, there was a convent in which a body of nuns resided in complete seclusion from which they never emerged except in case of grave illness or when they were being conveyed to another house of their order. Otherwise, their nearest approach to contact with the outer world was when they participated in the masses celebrated in the santuario, at which times they could look out on the congregation in the body of the church unseen, hidden from view behind an iron grille.

      All the laundry for the prisoners was done in the convent and from time to time we discovered little notes wrapped up in our clean sheets or tucked inside our shirts, which said that those who had washed them were praying for us and were calling down the blessings of the Madonna del Rosario on our unworthy heads.

      Although we never saw them most of us liked having the nuns next door, and the santuario, too. The clanging of its bells broke the monotony of the long days, making the campanile sway with their violence and frightening the swallows, making them sweep in panic to the sky, until some prisoners who had migraine, or were atheists, or simply disliked bells or noise generally, used to put their heads out of the windows and scream, at the top of their voices, ‘I SAY, WOULD YOU MIND TERRIBLY TURNING IT IN?’ And if by chance the bells did stop at that particular moment, ‘THANK YOU SO MUCH!’ Or, if they knew a little Italian, ‘GRAZIE TANTO!’

      In the centre of the village, which was called Fontanellato, out of sight of the prisoners in the camp, was the Rocca Sanvitale, a forbidding-looking fifteenth-century castle, isolated behind a water-filled moat. In the castle, until the war came, had lived the Conte Giovanni, the last of the Sanvitales, one of the most ancient and illustrious families in Italy, which, today, is extinct. The buildings which faced the castle had deep, shadowy arcades under which there were shops and cafés where farmers used to congregate on Saturday, which was market day; and in the street which led to the santuario and the orfanotrofio, there was a war memorial of the First World War, which for Italy had been much more bloody than the one she was at present engaged in, with a long list of dead on a plaque at the foot of it. This was more or less all we knew about Fontanellato. Apart from a senior officer who had been taken on a tour of the village for some reason, none of us had ever seen it. What I have written is the sum total of what he told us when he returned. It was rather like listening to a lecture by some medieval traveller and hearing him say, as he pointed to the map, ‘Here be dragons’.

      Living in such a grandiose-looking building we felt that we could scarcely be regarded as objects of compassion by the local inhabitants. Although some officers when they arrived at it from other camps complained about the overcrowding, which was severe, and the lack of privacy, which was complete, to me and most of my friends who had been brought here from a much more primitive camp, it seemed a luxurious place and we were very surprised to find that we were to sleep in beds instead of the double-tiered bunks to which we were accustomed.

      When we first arrived, at the beginning of March, there was no space for exercise outdoors, apart from a small, wired-in compound behind the building in which we assembled twice a day to be counted, or more frequently if the Italians suspected that someone had escaped; but the Italian commandant, an old, regular colonello,