Название | Ray Bradbury Stories Volume 1 |
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Автор произведения | Ray Bradbury |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007497683 |
Water is like a magician. Sawing you in half. It feels as if you were cut half in two, part of you, the lower part, sugar, melting, dissolving away. Cool water, and once in a while a very elegantly stumbling wave that falls with a flourish of lace.
I called her name. A dozen times I called it.
‘Tally! Tally! Oh, Tally!’
Funny, but you really expect answers to your calling when you are young. You feel that whatever you may think can be real. And sometimes maybe that is not so wrong.
I thought of Tally, swimming out into the water last May, with her pigtails trailing, blonde. She went laughing, and the sun was on her small twelve-year-old shoulders. I thought of the water settling quiet, of the lifeguard leaping into it, of Tally’s mother screaming, and of how Tally never came out …
The life-guard tried to persuade her to come out, but she did not. He came back with only bits of water-weed in his big-knuckled fingers, and Tally was gone. She would not sit across from me at school any longer, or chase indoor balls on the brick streets on summer nights. She had gone too far out, and the lake would not let her return.
And now in the lonely autumn when the sky was huge and the water was huge and the beach was so very long. I had come down for the last time, alone.
I called her name over and over. Tally, oh, Tally!
The wind blew so very softly over my ears, the way wind blows over the mouths of sea-shells to set them whispering. The water rose, embraced my chest, then my knees, up and down, one way and another, sucking under my heels.
‘Tally! Come back, Tally!’
I was only twelve. But I know how much I loved her. It was that love that comes before all significance of body and morals. It was that love that is no more bad than wind and sea and sand lying side by side forever. It was made of all the warm long days together at the beach, and the humming quiet days of droning education at the school. All the long autumn days of the years past when I had carried her books home from school.
Tally!
I called her name for the last time. I shivered. I felt water on my face and did not know how it got there. The waves had not splashed that high.
Turning, I retreated to the sand and stood there for half an hour, hoping for one glimpse, one sign, one little bit of Tally to remember. Then, I knelt and built a sand-castle, shaping it fine, building it as Tally and I had often built so many of them. But this time, I only built half of it. Then I got up.
‘Tally, if you hear me, come in and build the rest.’
I walked off toward that faraway speck that was Mama. The water came in, blended the sand-castle circle by circle, mashing it down little by little into the original smoothness.
Silently, I walked along the shore.
Far away, a merry-go-round jangled faintly, but it was only the wind.
The next day, I went away on the train.
A train has a poor memory: it soon puts all behind it. It forgets the cornlands of Illinois, the rivers of childhood, the bridges, the lakes, the valleys, the cottages, the hurts and the joys. It spreads them out behind and they drop back of a horizon.
I lengthened my bones, put flesh on them, changed my young mind for an older one, threw away clothes as they no longer fitted, shifted from grammar to high school, to college books, to law books. And then there was a young woman in Sacramento. I knew her for a time, and we were married.
I continued my law study. By the time I was twenty-two, I had almost forgotten what the East was like.
Margaret suggested that our delayed honeymoon be taken back in that direction.
Like a memory, a train works both ways. A train can bring rushing back all those things you left behind so many years before.
Lake Bluff, population ten thousand, came up over the sky. Margaret looked so handsome in her fine new clothes. She watched me as I felt my old world gather me back into its living. She held my arm as the train slid into Bluff Station and our baggage was escorted out.
So many years, and the things they do to people’s faces and bodies. When we walked through the town together I saw no one I recognized. There were faces with echoes in them. Echoes of hikes on ravine trails. Faces with small laughter in them from closed grammar schools and swinging on metal-linked swings and going up and down on teeter-totters. But I didn’t speak. I walked and looked and filled up inside with all those memories, like leaves stacked for autumn burning.
We stayed on two weeks in all, revisiting all the places together. The days were happy. I thought I loved Margaret well. At least I thought I did.
It was on one of the last days that we walked down by the shore. It was not quite as late in the year as that day so many years before, but the first evidences of desertion were coming upon the beach. People were thinning out, several of the hot dog stands had been shuttered and nailed, and the wind, as always, waited there to sing for us.
I almost saw Mama sitting on the sand as she used to sit. I had that feeling again of wanting to be alone. But I could not force myself to speak of this to Margaret. I only held on to her and waited.
It got late in the day. Most of the children had gone home and only a few men and women remained basking in the windy sun.
The life-guard boat pulled up on the shore. The life-guard stepped out of it, slowly, with something in his arms.
I froze there. I held my breath and I felt small, only twelve years old, very little, very infinitesimal and afraid. The wind howled. I could not see Margaret. I could see only the beach, the life-guard slowly emerging from the boat with a gray sack in his hands, not very heavy, and his face almost as gray and lined.
‘Stay here, Margaret,’ I said. I don’t know why I said it.
‘But, why?’
‘Just stay here, that’s all—’
I walked slowly down the sand to where the life-guard stood. He looked at me.
‘What is it?’ I asked.
The life-guard kept looking at me for a long time and he couldn’t speak. He put the gray sack down on the sand, and water whispered wet up around it and went back.
‘What is it?’ I insisted.
‘She’s dead,’ said the life-guard quietly.
I waited.
‘Funny,’ he said, softly. ‘Funniest thing I ever saw. She’s been dead. A long time.’
I repeated his words.
He nodded. ‘Ten years, I’d say. There haven’t been any children drowned here this year. There were twelve children drowned here since 1933, but we recovered all of them before a few hours had passed. All except one, I remember. This body here, why it must be ten years in the water. It’s not – pleasant.’
I stared at the gray sack in his arms. ‘Open it.’ I said. I don’t know why I said it. The wind was louder.
He fumbled with the sack. ‘The way I know it’s a little girl, is because she’s still wearing a locket. There’s nothing much else to tell by—’
‘Hurry, man, open it!’ I cried.
‘I better not do that,’ he said. Then perhaps he saw the way my face must have looked. ‘She was such a little girl—’
He opened it only part way. That was enough.
The beach was deserted. There was only the sky and the wind and the water and the autumn coming on lonely. I looked down at her there.
I said something