The Intention Experiment: Use Your Thoughts to Change the World. Lynne McTaggart

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Название The Intention Experiment: Use Your Thoughts to Change the World
Автор произведения Lynne McTaggart
Жанр Религия: прочее
Серия
Издательство Религия: прочее
Год выпуска 0
isbn 9780007283873



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Several of the central figures in quantum physics argued that the universe was democratic and participatory – a joint effort between observer and observed.5

      The observer effect in quantum experimentation gives rise to another heretical notion: that living consciousness is somehow central to this process of transforming the unconstructed quantum world into something resembling everyday reality. It suggests not only that the observer brings the observed into being, but also that nothing in the universe exists as an actual ‘thing’ independently of our perception of it.

      It implies that observation – the very involvement of consciousness – gets the jelly to set.

      It implies that reality is not fixed, but fluid, or mutable, and hence possibly open to influence.

      The idea that consciousness creates and possibly even affects the physical universe also challenges our current scientific view of consciousness, which developed from the theories of the seventeenth-century philosopher René Descartes – mind is separate and somehow different from matter – and eventually embraced the notion that consciousness is entirely generated by the brain and remains locked up in the skull.

      Most modern workaday physicists shrug their shoulders over this central conundrum: that big things are separate, but the tiny building blocks they are made up of are in instant and ceaseless communication with each other. For half a century, physicists have accepted, as though it makes perfect sense, that an electron behaving one way subatomically somehow transmutes into ‘classical’ (that is, Newtonian) behaviour once it realizes it is part of a larger whole.

      In the main, scientists have stopped caring about the troublesome questions posed by quantum physics, and left unanswered by its earliest pioneers. Quantum theory works mathematically. It offers a highly successful recipe for dealing with the subatomic world. It helped to build atomic bombs and lasers, and to deconstruct the nature of the sun’s radiation. Today’s physicists have forgotten about the observer effect. They content themselves with their elegant equations and await the formulation of unified Theory of Everything or the discovery of a few more dimensions beyond the ones that ordinary humans perceive, which they hope will somehow pull together all these contradictory findings into one centralized theory.

      In a series of remarkable experiments, these scientists provided evidence that thinking certain directed thoughts could affect one’s own body, inanimate objects and virtually all manner of living things, from single-celled organisms to human beings. Two of the major figures in this tiny subgroup were former dean of engineering Robert Jahn at the Princeton Anomalies Engineering Research (PEAR) laboratory at Princeton University and his colleague Brenda Dunne, who together created a sophisticated, scholarly research programme grounded in hard science. Over 25 years, Jahn and Dunne led what became a massive international effort to quantify what is referred to as ‘micro-psychokinesis’, the effect of mind on random-event generators (REGs), which perform the electronic, twenty-first century equivalent of a toss of a coin.

      The output of these machines (the computerized equivalent of heads or tails) was controlled by a randomly alternating frequency of positive and negative pulses. Because their activity was utterly random, they produced ‘heads’ and ‘tails’ each roughly 50 per cent of the time, according to the laws of probability. The most common configuration of the REG experiments was a computer screen randomly alternating two attractive images – say, of cowboys and Indians. Participants in the studies would be placed in front of the computers and asked to try to influence the machine to produce more of one image – more cowboys, say – then to focus on producing more images of Indians, and then to try not to influence the machine in either direction.