The Complete Short Stories: Volume 2. Adam Thirlwell

grottos I listened for his footsteps, but the glass sheaths of the trees sung and crackled with a thousand voices as the forest cooled in the darkness. Above, through the lattices between the trees, I could see the great fractured bowl of the moon. Around me, in the vitreous walls, the reflected stars glittered like myriads of fireflies.

      At this time I noticed that my own clothes had begun to glow in the dark, the fine frost that covered my suit spangled by the starlight. Spurs of crystal grew from the dial of my wristwatch, imprisoning the hands within a medallion of moonstone.

      At midnight I reached the river, a causeway of frozen gas that might have soared high across the Milky Way. Forced to leave it when the surface broke into a succession of giant cataracts, I approached the outskirts of Maynard, passing the mobile laboratory used by the Department of Agriculture. The trailer, and the tables and the equipment scattered around it had been enveloped by the intense frost, and the branches in the centrifuge had blossomed again into brilliant jewelled sprays. I picked up a discarded helmet, now a glass porcupine, and drove it through a window of the trailer.

      In the darkness the white-roofed houses of the town gleamed like the funerary temples of a necropolis, their cornices ornamented with countless spires and gargoyles, linked together across the roads by the expanding tracery. A frozen wind moved through the streets, which were waist-high forests of fossil spurs, the abandoned cars embedded within them like armoured saurians on an ancient ocean floor.

      Everywhere the process of transformation was accelerating. My feet were encased in huge crystal slippers. It was these long spurs which enabled me to walk along the street, but soon they would fuse together and lock me to the ground.

      The eastern entrance to the town was sealed by the forest and the erupting roadway. Limping westwards again, in the hope of returning to Captain Shelley, I passed a small section of the sidewalk that remained clear of all growth, below the broken window of a jewellery store. Handfuls of looted stones were scattered across the pavement, ruby and emerald rings, topaz brooches and pendants, intermingled with countless smaller stones and industrial diamonds that glittered coldly in the starlight.

      As I stood among the stones I noticed that the crystal outgrowths from my shoes were dissolving and melting, like icicles exposed to sudden heat. Pieces of the crust fell away and slowly deliquesced, vanishing without trace into the air.

      Then I realized why Captain Shelley had brought the jewels to his wife, and why she had seized upon them so eagerly. By some optical or electromagnetic freak, the intense focus of light within the stones simultaneously produced a compression of time, so that the discharge of light from the surfaces reversed the process of crystallization. (Perhaps it is this gift of time which accounts for the eternal appeal of precious gems, as well as of all baroque painting and architecture? Their intricate crests and cartouches, occupying more than their own volume of space, so contain a greater ambient time, providing that unmistakable premonition of immortality sensed within St Peter’s or the palace at Nymphenburg. By contrast the architecture of the 20th century, characteristically one of rectangular unornamented facades, of simple Euclidean space and time, is that of the New World, confident of its firm footing in the future and indifferent to those pangs of mortality which haunt the mind of old Europe.)

      Quickly I knelt down and filled my pockets with the stones, cramming them into my shirt and cuffs. I sat back against the store front, the semi-circle of smooth pavement like a miniature patio, at whose edges the crystal undergrowth glittered like a spectral garden. Pressed to my cold skin, the hard faces of the jewels seemed to warm me, and within a few seconds I fell into an exhausted sleep.

      I woke into brilliant sunshine in a street of temples, a thousand rainbows spangling the gilded air with a blaze of prismatic colours. Shielding my eyes, I lay back and looked up at the roof-tops, their gold tiles apparently inlaid with thousands of coloured gems, like the temple quarter of Bangkok.

      A hand pulled roughly at my shoulder. Trying to sit up, I found that the semicircle of clear sidewalk had vanished, and my body lay sprawled on a bed of sprouting needles. The growth had been most rapid in the entrance to the store, and my right arm was encased in a mass of crystalline spurs, three or four inches long, that reached almost to my shoulder. My hand was sheathed in a huge frozen gauntlet of prismatic crystals, almost too heavy to lift, my fingers outlined by a rainbow of colours.

      Overwhelmed by panic, I managed to drag myself on to my knees, and found the bearded man in the white suit crouching behind me, his shot-gun in his hands.

      ‘Marquand!’ With a cry, I raised my jewelled arm. ‘For God’s sake!’

      My voice distracted him from his scrutiny of the light-filled street. His lean face with its small bright eyes was transfigured by strange colours that mottled his skin and drew out the livid blues and violets of his beard. His suit radiated a thousand bands of colour.

      He moved towards me but before he could speak there was a roar of gunfire and the glass sheet encrusted to the doorway shattered into a shower of crystals. Marquand flinched and hid behind me, then pulled me backwards through the window. As another shot was fired down the street we stumbled past the looted counters into an office where the door of a safe stood open on to a jumble of metal cash boxes. Marquand snapped back the lids on to the empty trays, and then began to scoop together the few jewels scattered across the floor.

      Stuffing them into my empty pockets, he pulled me through a window into the rear alley, and from there into the adjacent street, transformed by the overhead lattices into a tunnel of crimson and vermilion light. We stopped at the first turning, and he beckoned to the glistening forest fifty yards away.

      ‘Run, run! Anywhere through the forest, it’s all you can do!’

      He pushed me forwards with the butt of his shot-gun, whose breach was now encrusted by a mass of silver crystals, like a medieval flintlock. I raised my arm helplessly. In the sunlight the jewelled spurs coruscated like a swarm of coloured fireflies. ‘My arm, Marquand! It’s reached my shoulder!’

      ‘Run! Nothing else can help you!’ His illuminated face flickered angrily. ‘Don’t waste the stones, they won’t last you for ever!’

      Forcing myself to run, I set off towards the forest, where I entered the first of the caves of light. I whirled my arm like a clumsy propeller, and felt the crystals recede slightly. By luck I soon reached a tributary of the river, and hurled myself like a wild man along its petrified surface.

      For many hours, or days, I raced through the forest I can no longer remember, for all sense of time deserted me. If I stopped for more than a minute the crystal bands would seize my neck and shoulder, and I ran past the trees for hour after hour, only pausing when I slumped exhausted on the glass beaches. Then I pressed the jewels to my face, warding off the glacé sheath. But their power slowly faded, and as their facets blunted they turned into nodes of unpolished silica.

      Once, as I ran through the darkness, my arm whirling before me, I passed the summer house where Captain Shelley kept guard over his dying wife, and heard him fire at me from the veranda.

      At last, late one afternoon, when the deepening ruby light of dusk settled through the forest, I entered a small clearing where the deep sounds of an organ reverberated among the trees. In the centre was a small church, its gilt spire fused to the surrounding trees.

      Raising my jewelled arm, I drove back the oak doors and entered the nave. Above me, refracted by the stained glass windows, a brilliant glow of light poured down upon the altar. Listening to the surging music, I leaned against the altar rail and extended my arm to the gold cross set with rubies and emeralds. Immediately the sheath slipped and dissolved like a melting sleeve of ice. As the crystals deliquesced the light poured from my arm like an overflowing fountain.

      Turning his head to watch me, the priest sat at the organ, his firm hands drawing from the pipes their great unbroken music, which soared away, interweaved by countless overtones, through the panels of the windows towards the dismembered sun.

       Life, like a dome of many-coloured glass,

       Stains the white radiance of eternity.

      For the next