The Glass Palace. Amitav Ghosh

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Название The Glass Palace
Автор произведения Amitav Ghosh
Жанр Классическая проза
Серия
Издательство Классическая проза
Год выпуска 0
isbn 9780007383283



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she’s been reborn – rescued from a house of death.’

      ‘And what of you, Dolly? We never talk of you or your future. What about your prospects of marriage, of having children of your own? Do you never think of these things?’

      Dolly leant over the wall, fixing her eyes on the pounding sea. ‘To tell you the truth, Uma, I used to think of children all the time. But once we learnt about the Princess’s child – Mohanbhai’s child – a strange thing happened. Those thoughts vanished from my mind. Now when I wake up I feel that the child is mine, growing inside me. This morning, I heard the girls asking the First Princess: “Has the child grown?” “Did you feel her move last night?” “Where are her heels this morning?” “Can we touch her head with our hands?” I was the only one who didn’t need to ask her anything: I felt that I could answer every one of those questions myself; it was as though it were my own child.’

      ‘But, Dolly,’ Uma said gently, ‘this is not your child. No matter how much it may seem your own, it is not, and never will be.’

      ‘It must seem very strange to you, Uma. I can understand that it would, to someone like you. But it’s different for us. At Outram House we lead very small lives. Every day for the last twenty years we have woken to the same sounds, the same voices, the same sights, the same faces. We have had to be content with what we have, to look for what happiness we can find. For me it does not matter who is bearing this child. In my heart I feel that I am responsible for its conception. It is enough that it is coming into our lives. I will make it mine.’

      Glancing at Dolly, Uma saw that her eyes were brimming with tears. ‘Dolly,’ she said, ‘don’t you see that nothing will be the same after the birth of this child? The life you’ve known at Outram House will end. Dolly, you’ve got to leave while you can. You are free to go: you alone are here of your own will.’

      ‘And where would I go?’ Dolly smiled at her. ‘This is the only place I know. This is home.’

       Ten

      When the timber-heavy streams of the monsoons debouched into the Irrawaddy the impact was that of colliding trains. The difference was that this was an accident continuously in the making, a crash that carried on uninterrupted night and day, for weeks on end. The river was by now a swollen, angry torrent, racked by clashing currents and pock-marked with whirlpools. When the feeder streams slammed head-on into the river, two-ton logs were thrown cartwheeling into the air; fifty-foot tree trunks were sent shooting across the water like flat-bottomed pebbles. The noise was that of an artillery barrage, with the sound of the detonations carrying for miles into the hinterland.

      It was at these points, where the river intersected with its feeder streams, that the teak companies’ profits were at greatest risk. So fast were the Irrawaddy’s currents in this season, that the timber was as good as lost unless quickly brought to shore. It was here, of necessity, that the logs passed from their terrestrial handlers to the aquatic, from oo-sis and elephants to river-folk and raftsmen.

      The streams’ confluences were guarded by retrievers specialised in the capture of river-borne logs: for the sum of three annas per log these swimmers strung a human net across the river, wresting the logs from the currents and guiding them in to shore. At the start of the season whole villages moved location to take up stations along the river. Children kept watch along the banks, while their elders breasted the currents, darting between the giant trunks, treading water around churning whirlpools of teak. Some of these retrievers came back to shore lying prone on their captured logs while others sat astride them, legs dangling. A few rode in standing on their feet, guiding the spinning, moss-covered logs with prehensile toes: these were the monarchs of the river, the acknowledged masters of retrieval.

      Once brought to the banks, the logs were anchored and moored. When enough had accumulated, skilled raftsmen bound them together into river-worthy craft. These rafts were all of the same size, the number of their logs being set, by the companies’ ordinance, at an exact three hundred and sixty in each, a round sum of thirty dozen. At one ton or more per log this gave each raft the tonnage of a small battleship and a deck space that was many times larger, wide enough to accommodate a fair or a parade ground. At the centre of each of these immense floating platforms, there stood a small hut, built by the raftsmen as housing for the crew. Like the temporary dwellings of teak camps, these raft-borne huts were erected in a matter of hours. They were all exactly the same in plan, and yet always different in execution – one being marked by the trailed shoots of a quick-growing vine, another by a chicken coop or even a shelter for a pig or a goat. Each raft bore a tall mast and a pole with a handful of grass affixed to the top, an offering to the river’s nats. Before being cut adrift the rafts were assigned numbers, to be displayed on their masts along with the flags of the companies that owned them. The rafts travelled only between dawn and dusk, covering some ten to fifteen miles a day, powered solely by the flow of the river, and guided only by oars. The journey to Rangoon from upcountry forests could take five weeks or even more.

      Each season Rajkumar found one pretext or another to spend a few days on these rafts. There was something hypnotically pleasurable about the variable rhythms of life on these immense, rectangular platforms – in the contrast between the delectable languor of the daytime hours, when there was often nothing more to do than to watch a fish-hook trailing through the water, and the tense excitement of the sunset mooring, when ropes flew hissing between deck and shore, and everyone had to race to douse the smoking logs. Despite their immense size, the rafts were fragile in construction: running afoul of a shoal or sandbank, they could disintegrate in a matter of minutes. Solid in appearance, their surfaces were as deceptive as quicksand. Thousands of gaps constantly opened and closed between the logs, each a small but deadly ankle trap.

      Many of the raftsmen were from Chittagong, and for Rajkumar there was a special satisfaction in being able to revert to the dialect of his boyhood; in savouring on his tongue the remembered heat of fish-head dals and fish-tail jhols, flecked with nigella seed and mustard; in watching once again, the changing flow of the river, slowing as it spread itself across a flood plain, and then abruptly speeding up again at the approach of a gorge; in observing the unexpected mutations of the landscape, now green and thickly wooded, and now a baked, red desert, dotted with the skeletal trunks of parched toddy palms.

      Of all the river’s sights the strangest was one that lay a little to the south of the great volcanic hump of Mount Popa. The Irrawaddy here described a wide, sweeping turn, spreading itself to a great width. On the eastern bank of the river, there appeared a range of low, foul-smelling mounds. These hillocks were covered in a thick ooze, a substance that would sometimes ignite spontaneously in the heat of the sun, sending streams of fires into the river. Often at night small, wavering flames could be seen in the distance, carpeting the slopes.

      To the people of the area this ooze was known as earth-oil: it was a dark, shimmering green, the colour of bluebottles’ wings. It seeped from the rocks like sweat, gathering in shiny green-filmed pools. In places, the puddles joined together to form creeks and rivulets, an oleaginous delta that fanned out along the shores. So strong was the odour of this oil that it carried all the way across the Irrawaddy: boatmen would swing wide when they floated past these slopes, this place-of-stinking-creeks – Yenangyaung.

      This was one of the few places in the world where petroleum seeped naturally to the surface of the earth. Long before the discovery of the internal-combustion engine there was already a good market for this oil: it was widely used as an ointment, for the treatment of certain skin conditions. Merchants came to Yenangyaung from as far away as China to avail themselves of this substance. The gathering of the oil was the work of a community endemic to those burning hills, a group of people known as twin-zas, a tight-knit, secretive bunch of outcasts, runaways and foreigners.

      Over generations twin-za families had attached themselves to individual springs and pools, gathering the oil in buckets and basins, and ferrying it to nearby towns. Many of Yenangyaung’s pools had been worked for so long that the level of oil had sunk beneath the surface, forcing their owners to dig down. In this