The Phantom Ship. Фредерик Марриет

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Название The Phantom Ship
Автор произведения Фредерик Марриет
Жанр Зарубежная классика
Серия
Издательство Зарубежная классика
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walked into the room and went to unfasten the shutters. If his hands trembled a little when he called to mind how supernaturally they had last been opened, it is not surprising. We are but mortal, and we shrink from contact with aught beyond this life. When the fastenings were removed and the shutters unfolded, a stream of light poured into the room so vivid as to dazzle his eyesight; strange to say, this very light of a brilliant day overthrew the resolution of Philip more than the previous gloom and darkness had done; and with the candle in his hand, he retreated hastily into the kitchen to re-summon his courage, and there he remained for some minutes, with his face covered, and in deep thought.

      It is singular that his reveries at last ended by reverting to the fair daughter of Mynheer Poots, and her first appearance at the window; and he felt as if the flood of light which had just driven him from the one, was not more impressive and startling than her enchanting form at the other. His mind dwelling upon the beauteous vision appeared to restore Philip's confidence; he now rose and boldly walked into the room. We shall not describe the objects it contained as they chanced to meet the eyes of Philip, but attempt a more lucid arrangement.

      The room was about twelve or fourteen feet square, with but one window; opposite to the door stood the chimney and fireplace, with a high buffet of dark wood on each side. The floor of the room was not dirty, although about its upper parts spiders had run their cobwebs in every direction. In the centre of the ceiling, hung a quicksilver globe, a common ornament in those days, but the major part of it had lost its brilliancy, the spiders' webs enclosing it like a shroud. Over the chimney piece were hung two or three drawings framed and glazed, but a dusty mildew was spotted over the glass, so that little of them could be distinguished. In the centre of the mantel-piece was an image of the Virgin Mary, of pure silver, in a shrine of the same metal, but it was tarnished to the colour of bronze or iron; some Indian figures stood on each side of it. The glass doors of the buffets on each side of the chimney-piece were also so dimmed that little of what was within could be distinguished; the light and heat which had been poured into the room, even for so short a time, had already gathered up the damp of many years, and it lay as a mist and mingled with the dust upon the panes of glass: still here and there a glittering of silver vessels could be discerned, for the glass doors had protected them from turning black, although much dimmed in lustre.

      On the wall facing the window were other prints, in frames equally veiled in damp and cobwebs, and also two bird-cages. The bird-cages Philip approached, and looked into them. The occupants, of course, had long been dead; but at the bottom of the cages was a small heap of yellow feathers, through which the little white bones of the skeletons were to be seen, proving that they had been brought from the Canary Isles; and, at that period, such birds were highly valued. Philip appeared to wish to examine everything before he sought that which he most dreaded, yet most wished, to find. There were several chairs round the room: on one of them was some linen; he took it up. It was some that must have belonged to him when he was yet a child. At last, Philip turned his eyes to the wall not yet examined (that opposite the chimney-piece), through which the door was pierced, and behind the door as it lay open, he was to find the table, the couch, the workbox, and the FATAL LETTER. As he turned round, his pulse, which had gradually recovered its regular motion, beat more quickly; but he made the effort, and it was over. At first he examined the walls, against which were hung swords and pistols of various sorts, but chiefly Asiatic bows and arrows, and other implements of destruction. Philip's eyes gradually descended upon the table, and little couch behind it, where his mother stated herself to have been seated when his father made his awful visit. The workbox and all its implements were on the table, just as she had left them. The keys she mentioned were also lying there, but Philip looked, and looked again; there was no letter. He now advanced nearer, examined closely—there was none that he could perceive, either on the couch or on the table—or on the floor. He lifted up the workbox to ascertain if it was beneath—but no. He examined among its contents, but no letter was there. He turned over the pillows of the couch, but still there was no letter to be found. And Philip felt as if there had been a heavy load removed from his panting chest. "Surely, then," thought he, as he leant against the wall, "this must have been the vision of a heated imagination. My poor mother must have fallen asleep, and dreamt this horrid tale. I thought it was impossible, at least I hoped so. It must have been as I suppose; the dream was too powerful, too like a fearful reality, partially unseated my poor mother's reason." Philip reflected again, and was then satisfied that his suppositions were correct.

      "Yes, it must have been so, poor dear mother! how much thou hast suffered! but thou art now rewarded, and with God."

      After a few minutes (during which he surveyed the room again and again with more coolness, and perhaps some indifference, now that he regarded the supernatural history as not true), Philip took out of his pocket the written paper found with the key, and read it over—"The iron cupboard under the buffet farthest from the window." "'Tis well." He took the bunch of keys from off the table, and soon fitted one to the outside wooden doors which concealed the iron safe. A second key on the bunch opened the iron doors; and Philip found himself in possession of a considerable sum of money, amounting, as near as he could reckon, to ten thousand guilders, in little yellow sacks. "My poor mother!" thought he; "and has a mere dream scared thee to penury and want, with all this wealth in thy possession?" Philip replaced the sacks, and locked up the cupboards, after having taken out of one, already half emptied, a few pieces for his immediate wants. His attention was next directed to the buffets above, which, with one of the keys, he opened; he found that they contained china, silver flagons, and cups of considerable value. The locks were again turned, and the bunch of keys thrown upon the table.

      The sudden possession of so much wealth added to the conviction, to which Philip had now arrived, that there had been no supernatural appearance, as supposed by his mother, naturally revived and composed his spirits; and he felt a reaction which amounted almost to hilarity. Seating himself on the couch, he was soon in a reverie, and as before, reverted to the lovely daughter of Mynheer Poots, indulging in various castle-buildings, all ending, as usual, when we choose for ourselves, in competence and felicity. In this pleasing occupation he remained for more than two hours, when his thoughts again reverted to his poor mother and her fearful death.

      "Dearest, kindest mother!" apostrophised Philip aloud, as he rose from his leaning position, "here thou wert, tired with watching over my infant slumbers, thinking of my absent father and his dangers, working up thy mind and anticipating evil, till thy fevered sleep conjured up this apparition. Yes, it must have been so, for see here, lying on the floor, is the embroidery, as it fell from thy unconscious hands, and with that labour ceased thy happiness in this life. Dear, dear mother!" continued he, a tear rolling down his cheek as he stooped to pick up the piece of muslin, "how much hast thou suffered when—God of Heaven!" exclaimed Philip, as he lifted up the embroidery, starting back with violence, and overturning the table, "God of Heaven and of Judgment, there is—there is," and Philip clasped his hands, and bowed his head in awe and anguish, as in a changed and fearful tone he muttered forth—"the LETTER!"

      It was but too true,—underneath the embroidery on the floor had lain the fatal letter of Vanderdecken. Had Philip seen it on the table when he first went into the room, and was prepared to find it, he would have taken it up with some degree of composure; but to find it now, when he had persuaded himself that it was all an illusion on the part of his mother; when he had made up his mind that there had been no supernatural agency; after he had been indulging in visions of future bliss and repose, was a shock that transfixed him where he stood, and for some time he remained in his attitude of surprise and terror. Down at once fell the airy fabric of happiness which he had built up during the last two hours; and as he gradually recovered from his alarm, his heart filled with melancholy forebodings. At last he dashed forward, seized the letter, and burst out of the fatal room.

      "I cannot, dare not, read it here," exclaimed he: "no, no, it must be under the vault of high and offended Heaven, that the message must be received." Philip took his hat, and went out of the house; in calm despair he locked the door, took out the key, and walked he knew not whither.

      Chapter IV

      If the reader can imagine the feelings of a man who, sentenced to death, and having resigned himself to his fate, finds himself unexpectedly reprieved; who, having recomposed his mind after the agitation arising from a renewal of those hopes and expectations