The Colonel's Dream. Charles Waddell Chesnutt

comes rest.'"

      "A beautiful sentiment, if somewhat trite," said the colonel, "but an atrocious monument."

      "Do you think so?" exclaimed the lady. "Most people think the monument fine, but smile at the sentiment."

      "In matters of taste," returned the colonel, "the majority are always wrong. But why smile at the sentiment? Is it, for some reason, inappropriate to this particular case? Fetters—Fetters—the name seems familiar. Who was Fetters, Laura?"

      "He was the speculator," she said, "who bought and sold negroes, and kept dogs to chase runaways; old Mr. Fetters—you must remember old Josh Fetters? When I was a child, my coloured mammy used him for a bogeyman for me, as for her own children."

      "'Look out, honey,' she'd say, 'ef you ain' good, ole Mr. Fettuhs 'll ketch you.'"

      Yes, he remembered now. Fetters had been a character in Clarendon—not an admirable character, scarcely a good character, almost a bad character; a necessary adjunct of an evil system, and, like other parasites, worse than the body on which he fed; doing the dirty work of slavery, and very naturally despised by those whose instrument he was, but finding consolation by taking it out of the Negroes in the course of his business. The colonel would have expected Fetters to lie in an unmarked grave in his own back lot, or in the potter's field. Had he so far escaped the ruin of the institution on which he lived, as to leave an estate sufficient to satisfy his heirs and also pay for this expensive but vulgar monument?

      "The memorial was erected, as you see from the rest of the inscription, 'by his beloved and affectionate son.' That either loved the other no one suspected, for Bill was harshly treated, and ran away from home at fifteen. He came back after the war, with money, which he lent out at high rates of interest; everything he touched turned to gold; he has grown rich, and is a great man in the State. He was a large contributor to the soldiers' monument."

      "But did not choose the design; let us be thankful for that. It might have been like his father's. Bill Fetters rich and great," he mused, "who would have dreamed it? I kicked him once, all the way down Main Street from the schoolhouse to the bank—and dodged his angry mother for a whole month afterward!"

      "No one," suggested Miss Laura, "would venture to cross him now. Too many owe him money."

      "He went to school at the academy," the colonel went on, unwinding the thread of his memory, "and the rest of the boys looked down on him and made his life miserable. Well, Laura, in Fetters you see one thing that resulted from the war—the poor white boy was given a chance to grow; and if the product is not as yet altogether admirable, taste and culture may come with another generation."

      "It is to be hoped they may," said Miss Laura, "and character as well. Mr. Fetters has a son who has gone from college to college, and will graduate from Harvard this summer. They say he is very wild and spends ten thousand dollars a year. I do not see how it can be possible!"

      The colonel smiled at her simplicity.

      "I have been," he said, "at a college football game, where the gate receipts were fifty thousand dollars, and half a million was said to have changed hands in bets on the result. It is easy to waste money."

      "It is a sin," she said, "that some should be made poor, that others may have it to waste."

      There was a touch of bitterness in her tone, the instinctive resentment (the colonel thought) of the born aristocrat toward the upstart who had pushed his way above those no longer strong enough to resist. It did not occur to him that her feeling might rest upon any personal ground. It was inevitable that, with the incubus of slavery removed, society should readjust itself in due time upon a democratic basis, and that poor white men, first, and black men next, should reach a level representing the true measure of their talents and their ambition. But it was perhaps equally inevitable that for a generation or two those who had suffered most from the readjustment, should chafe under its seeming injustice.

      The colonel was himself a gentleman, and the descendant of a long line of gentlemen. But he had lived too many years among those who judged the tree by its fruit, to think that blood alone entitled him to any special privileges. The consciousness of honourable ancestry might make one clean of life, gentle of manner, and just in one's dealings. In so far as it did this it was something to be cherished, but scarcely to be boasted of, for democracy is impatient of any excellence not born of personal effort, of any pride save that of achievement. He was glad that Fetters had got on in the world. It justified a fine faith in humanity, that wealth and power should have been attained by the poor white lad, over whom, with a boy's unconscious brutality, he had tyrannised in his childhood. He could have wished for Bill a better taste in monuments, and better luck in sons, if rumour was correct about Fetters's boy. But, these, perhaps, were points where blood did tell. There was something in blood, after all, Nature might make a great man from any sort of material: hence the virtue of democracy, for the world needs great men, and suffers from their lack, and welcomes them from any source. But fine types were a matter of breeding and were perhaps worth the trouble of preserving, if their existence were compatible with the larger good. He wondered if Bill ever recalled that progress down Main Street in which he had played so conspicuous a part, or still bore any resentment toward the other participants?

      "Could your mother see me," he asked, as they reached the gate, "if I went by the house?"

      "She would be glad to see you. Mother lives in the past, and you would come to her as part of it. She often speaks of you. It is only a short distance. You have not forgotten the way?"

      They turned to the right, in a direction opposite to that from which the colonel had reached the cemetery. After a few minutes' walk, in the course of which they crossed another bridge over the same winding creek, they mounted the slope beyond, opened a gate, climbed a short flight of stone steps and found themselves in an enchanted garden, where lilac bush and jessamine vine reared their heads high, tulip and daffodil pushed their way upward, but were all dominated by the intenser fragrance of the violets.

      Old Peter had followed the party at a respectful distance, but, seeing himself forgotten, he walked past the gate, after they had entered it, and went, somewhat disconsolately, on his way. He had stopped, and was looking back toward the house—Clarendon was a great place for looking back, perhaps because there was little in the town to which to look forward—when a white man, wearing a tinned badge upon his coat, came up, took Peter by the arm and led him away, despite some feeble protests on the old man's part.

      Five

      At the end of the garden stood a frame house with a wide, columned porch. It had once been white, and the windows closed with blinds that still retained a faded tint of green. Upon the porch, in a comfortable arm chair, sat an old lady, wearing a white cap, under which her white hair showed at the sides, and holding her hands, upon which she wore black silk mits, crossed upon her lap. On the top step, at opposite ends, sat two young people—one of them a rosy-cheeked girl, in the bloom of early youth, with a head of rebellious brown hair. She had been reading a book held open in her hand. The other was a long-legged, lean, shy young man, of apparently twenty-three or twenty-four, with black hair and eyes and a swarthy complexion. From the jack-knife beside him, and the shavings scattered around, it was clear that he had been whittling out the piece of pine that he was adjusting, with some nicety, to a wooden model of some mechanical contrivance which stood upon the floor beside him. They were a strikingly handsome couple, of ideally contrasting types.

      "Mother," said Miss Treadwell, "this is Henry French—Colonel French—who has come back from the North to visit his old home and the graves of his ancestors. I found him in the cemetery; and this is his dear little boy, Philip—named after his grandfather."

      The old lady gave the colonel a slender white hand, thin almost to transparency.

      "Henry," she said, in a silvery thread of voice, "I am glad to see you. You must excuse my not rising—I can't walk without help. You are like your father, and even more like your grandfather, and your little boy takes after the family." She drew Phil toward her and kissed him.

      Phil accepted this attention amiably. Meantime the young people had risen.

      "This," said Miss Treadwell, laying her hand affectionately on the girl's arm, "is