"My Novel" — Complete. Эдвард Бульвер-Литтон

can’t help reading. Novels have become a necessity of the age. You must write a novel.”

      PISISTRATUS (flattered, but dubious).-“A novel! But every subject on which novels can be written is preoccupied. There are novels of low life, novels of high life, military novels, naval novels, novels philosophical, novels religious, novels historical, novels descriptive of India, the Colonies, Ancient Rome, and the Egyptian Pyramids. From what bird, wild eagle, or barn-door fowl, can I

           “‘Pluck one unwearied plume from Fancy’s wing?’”

      MR. CAXTON (after a little thought).—“You remember the story which Trevanion (I beg his pardon, Lord Ulswater) told us the other night? That gives you something of the romance of real life for your plot, puts you chiefly among scenes with which you are familiar, and furnishes you with characters which have been very sparingly dealt with since the time of Fielding. You can give us the country Squire, as you remember him in your youth; it is a specimen of a race worth preserving, the old idiosyncrasies of which are rapidly dying off, as the railways bring Norfolk and Yorkshire within easy reach of the manners of London. You can give us the old-fashioned Parson, as in all essentials he may yet be found—but before you had to drag him out of the great Tractarian bog; and, for the rest, I really think that while, as I am told, many popular writers are doing their best, especially in France, and perhaps a little in England, to set class against class, and pick up every stone in the kennel to shy at a gentleman with a good coat on his back, something useful might be done by a few good-humoured sketches of those innocent criminals a little better off than their neighbours, whom, however we dislike them, I take it for granted we shall have to endure, in one shape or another, as long as civilization exists; and they seem, on the whole, as good in their present shape as we are likely to get, shake the dice-box of society how we will.”

      PISISTRATUS.—“Very well said, sir; but this rural country gentleman life is not so new as you think. There’s Washington Irving—”

      MR. CAXTON.—“Charming; but rather the manners of the last century than this. You may as well cite Addison and Sir Roger de Coverley.”

      PISISTRATUS.—“‘Tremaine’ and ‘De Vere.’”

      MR. CAXTON.—“Nothing can be more graceful, nor more unlike what I mean. The Pales and Terminus I wish you to put up in the fields are familiar images, that you may cut out of an oak tree,—not beautiful marble statues, on porphyry pedestals, twenty feet high.”

      PISISTRATUS.—“Miss Austen; Mrs. Gore, in her masterpiece of ‘Mrs. Armytage;’ Mrs. Marsh, too; and then (for Scottish manners) Miss Ferrier!”

      MR. CAXTON (growing cross).—“Oh, if you cannot treat on bucolics but what you must hear some Virgil or other cry ‘Stop thief,’ you deserve to be tossed by one of your own ‘short-horns.’” (Still more contemptuously)—“I am sure I don’t know why we spend so much money on sending our sons to school to learn Latin, when that Anachronism of yours, Mrs. Caxton, can’t even construe a line and a half of Phaedrus,—Phaedrus, Mrs. Caxton, a book which is in Latin what Goody Two-Shoes is in the vernacular!”

      MRS. CAXTON (alarmed and indignant).—“Fie! Austin I I am sure you can construe Phaedrus, dear!”

      Pisistratus prudently preserves silence.

      MR. CAXTON.—“I’ll try him—

             “‘Sua cuique quum sit animi cogitatio

              Colurque proprius.’

      “What does that mean?”

      PISISTRATITS (smiling)—“That every man has some colouring matter within him, to give his own tinge to—”

      “His own novel,” interrupted my father. “Contentus peragis!”

      During the latter part of this dialogue, Blanche had sewn together three quires of the best Bath paper, and she now placed them on a little table before me, with her own inkstand and steel pen.

      My mother put her finger to her lip, and said, “Hush!” my father returned to the cradle of the AEsas; Captain Roland leaned his cheek on his hand, and gazed abstractedly on the fire; Mr. Squills fell into a placid doze; and, after three sighs that would have melted a heart of stone, I rushed into—MY NOVEL.

      CHAPTER II

      “There has never been occasion to use them since I’ve been in the parish,” said Parson Dale.

      “What does that prove?” quoth the squire, sharply, and looking the parson full in the face.

      “Prove!” repeated Mr. Dale, with a smile of benign, yet too conscious superiority, “what does experience prove?”

      “That your forefathers were great blockheads, and that their descendant is not a whit the wiser.”

      “Squire,” replied the parson, “although that is a melancholy conclusion, yet if you mean it to apply universally, and not to the family of the Dales in particular; it is not one which my candour as a reasoner, and my humility as a mortal, will permit me to challenge.”

      “I defy you,” said Mr. Hazeldean, triumphantly. “But to stick to the subject (which it is monstrous hard to do when one talks with a parson), I only just ask you to look yonder, and tell me on your conscience—I don’t even say as a parson, but as a parishioner—whether you ever saw a more disreputable spectacle?”

      While he spoke, the squire, leaning heavily on the parson’s left shoulder, extended his cane in a line parallel with the right eye of that disputatious ecclesiastic, so that he might guide the organ of sight to the object he had thus unflatteringly described.

      “I confess,” said the parson, “that, regarded by the eye of the senses, it is a thing that in its best day had small pretensions to beauty, and is not elevated into the picturesque even by neglect and decay. But, my friend, regarded by the eye of the inner man,—of the rural philosopher and parochial legislator,—I say it is by neglect and decay that it is rendered a very pleasing feature in what I may call ‘the moral topography of a parish.’”

      The squire looked at the parson as if he could have beaten him; and, indeed, regarding the object in dispute not only with the eye of the outer man, but the eye of law and order, the eye of a country gentleman and a justice of the peace, the spectacle was scandalously disreputable. It was moss-grown; it was worm-eaten; it was broken right in the middle; through its four socketless eyes, neighboured by the nettle, peered the thistle,—the thistle! a forest of thistles!—and, to complete the degradation of the whole, those thistles had attracted the donkey of an itinerant tinker; and the irreverent animal was in the very act of taking his luncheon out of the eyes and jaws of—THE PARISH STOCKS.

      The squire looked as if he could have beaten the parson; but as he was not without some slight command of temper, and a substitute was luckily at hand, he gulped down his resentment, and made a rush—at the donkey!

      Now the donkey was hampered by a rope to its fore-feet, to the which was attached a billet of wood, called technically “a clog,” so that it had no fair chance of escape from the assault its sacrilegious luncheon had justly provoked. But the ass turning round with unusual nimbleness at the first stroke of the cane, the squire caught his foot in the rope, and went head over heels among the thistles. The donkey gravely bent down, and thrice smelt or sniffed its prostrate foe; then, having convinced itself that it had nothing further to apprehend for the present, and very willing to make the best of the reprieve, according to the poetical admonition, “Gather your rosebuds while you may,” it cropped a thistle in full bloom, close to the ear of the squire,—so close, indeed, that the parson thought the ear was gone; and with the more probability, inasmuch as the squire, feeling the warm breath of the creature, bellowed out with all the force of lungs accustomed to give a View-hallo!