What Will He Do with It? — Complete. Эдвард Бульвер-Литтон

is I who have had the talk now,” said Lionel, in his softest tone. He was bent on coaxing three pounds out of his richer friend, and that might require some management. For amongst the wild youngsters in Mr. Vance’s profession, there ran many a joke at the skill with which he parried irregular assaults on his purse; and that gentleman, with his nose more than usually in the air, having once observed to such scoffers “that they were quite welcome to any joke at his expense,” a wag had exclaimed, “At your expense! Don’t fear; if a joke were worth a farthing, you would never give that permission.”

      So when Lionel made that innocent remark, the softness of his tone warned the artist of some snake in the grass, and he prudently remained silent. Lionel, in a voice still sweeter, repeated,—“It is I who have all the talk now!”

      “Naturally,” then returned Vance, “naturally you have, for it is you, I suspect, who alone have the intention to pay for it, and three pounds appear to be the price. Dearish, eh?”

      “Ah, Vance, if I had three pounds!”

      “Tush; and say no more till we have supped. I have the hunger of a wolf.”

      Just in sight of the next milestone the young travellers turned a few yards down a green lane, and reached a small inn on the banks of the Thames. Here they had sojourned for the last few days, sketching, boating, roaming about the country from sunrise, and returning to supper and bed at nightfall. It was the pleasantest little inn,—an arbour, covered with honeysuckle, between the porch and the river,—a couple of pleasure-boats moored to the bank; and now all the waves rippling under the moonlight.

      “Supper and lights in the arbour,” cried Vance to the waiting-maid, “hey, presto, quick! while we turn in to wash our hands. And hark! a quart jug of that capital whiskey-toddy.”

      CHAPTER IV

      Being a chapter that links the past to the future by the gradual elucidation of antecedents.

      O wayside inns and pedestrian rambles! O summer nights, under honeysuckle arbours, on the banks of starry waves! O Youth, Youth!

      Vance ladled out the toddy and lighted his cigar; then, leaning his head on his hand and his elbow on the table, he looked with an artist’s eye along the glancing river.

      “After all,” said he, “I am glad I am a painter; and I hope I may live to be a great one.”

      “No doubt, if you live, you will be a great one,” cried Lionel, with cordial sincerity. “And if I, who can only just paint well enough to please myself, find that it gives a new charm to Nature—”

      “Cut sentiment,” quoth Vance, “and go on.”

      “What,” continued Lionel, unchilled by the admonitory interruption, “must you feel who can fix a fading sunshine—a fleeting face—on a scrap of canvas, and say ‘Sunshine and Beauty, live there forever!’”

      VANCE.—“Forever! no! Colours perish, canvas rots. What remains to us of Zeuxis? Still it is prettily said on behalf of the poetic side of the profession; there is a prosaic one;—we’ll blink it. Yes; I am glad to be a painter. But you must not catch the fever of my calling. Your poor mother would never forgive me if she thought I had made you a dauber by my example.”

      LIONEL (gloomily).—“No. I shall not be a painter! But what can I be? How shall I ever build on the earth one of the castles I have built in the air? Fame looks so far,—Fortune so impossible. But one thing I am bent upon” (speaking with knit brow and clenched teeth), “I will gain an independence somehow, and support my mother.”

      VANCE.—“Your mother is supported: she has the pension—”

      LIONEL.—“Of a captain’s widow; and” (he added with a flushed cheek) “a first floor that she lets to lodgers.”

      VANCE.—“No shame in that! Peers let houses; and on the Continent, princes let not only first floors, but fifth and sixth floors, to say nothing of attics and cellars. In beginning the world, friend Lionel, if you don’t wish to get chafed at every turn, fold up your pride carefully, put it under lock and key, and only let it out to air upon grand occasions. Pride is a garment all stiff brocade outside, all grating sackcloth on the side next to the skin. Even kings don’t wear the dalmaticum except at a coronation. Independence you desire; good. But are you dependent now? Your mother has given you an excellent education, and you have already put it to profit. My dear boy,” added Vance, with unusual warmth, “I honour you; at your age, on leaving school, to have shut yourself up, translated Greek and Latin per sheet for a bookseller, at less than a valet’s wages, and all for the purpose of buying comforts for your mother; and having a few pounds in your own pockets, to rove your little holiday with me and pay your share of the costs! Ah, there are energy and spirit and life in all that, Lionel, which will found upon rock some castle as fine as any you have built in air. Your hand, my boy.”

      This burst was so unlike the practical dryness, or even the more unctuous humour, of Frank Vance, that it took Lionel by surprise, and his voice faltered as he pressed the hand held out to him. He answered, “I don’t deserve your praise, Vance, and I fear the pride you tell me to put under lock and key has the larger share of the merit you ascribe to better motives. Independent? No! I have never been so.”

      VANCE.—“Well, you depend on a parent: who, at seventeen does not?”

      LIONEL.—“I did not mean my mother; of course, I could not be too proud to take benefits from her. But the truth is simply this—, my father had a relation, not very near, indeed,—a cousin, at about as distant a remove, I fancy, as a cousin well can be. To this gentleman my mother wrote when my poor father died; and he was generous, for it is he who paid for my schooling. I did not know this till very lately. I had a vague impression, indeed, that I had a powerful and wealthy kinsman who took an interest in me, but whom I had never seen.”

      VANCE.—“Never seen?”

      LIONEL.—“No. And here comes the sting. On leaving school last Christmas, my mother, for the first time, told me the extent of my obligations to this benefactor, and informed me that he wished to know my own choice as to a profession,—that if I preferred Church or Bar, he would maintain me at college.”

      VANCE.—“Body o’ me! where’s the sting in that? Help yourself to toddy, my boy, and take more genial views of life.”

      LIONEL.—“You have not heard me out. I then asked to see my benefactor’s letters; and my mother, unconscious of the pain she was about to inflict, showed me not only the last one, but all she had received from him. Oh, Vance, they were terrible, those letters! The first began by a dry acquiescence in the claims of kindred, a curt proposal to pay my schooling; but not one word of kindness, and a stern proviso that the writer was never to see nor hear from me. He wanted no gratitude; he disbelieved in all professions of it. His favours would cease if I molested him. ‘Molested’ was the word; it was bread thrown to a dog.”

      VANCE.—“Tut! Only a rich man’s eccentricity. A bachelor, I presume?”

      LIONEL.—“My mother says he has been married, and is a widower.”

      VANCE.—“Any children?”

      LIONEL.—“My mother says none living; but I know little or nothing about his family.”

      Vance looked with keen scrutiny into the face of his boyfriend, and, after a pause, said, drily,—“Plain as a pikestaff. Your relation is one of those men who, having no children, suspect and dread the attention of an heir presumptive; and what has made this sting, as you call it, keener to you is—pardon me—is in some silly words of your mother, who, in showing you the letters, has hinted to you that that heir you might be, if you were sufficiently pliant and subservient. Am I not right?”

      Lionel hung his head, without reply.

      VANCE (cheeringly).—“So,