Blackwood's Edinburgh Magazine, No. 401, March 1849. Various

that wonderful wave-subduing ship. The vulgar mind, awed by bulk and sound, and visible emblems of thought, may dissent – may say that we have not so much to show for it. But the laws of life are sought for and studied – they are not made by science. The Deity has forbidden human skill to develop a sheep into an elephant. Living materials, as we have said, are not plastic like wood and iron; and to change the constitution and character of a breed of animals may require as great and as long-continued an exercise of inventive thought as to perfect an imposing piece of machinery. The real worth of a scientific result is the amount of mind expended in arriving at it, as the real height of an animal in the scale of organisation is measured by the proportionate size of its brain.

      But we have our more palpable and sense-satisfying triumphs too. Look at that wide valley, with its snow-clad summits at a distance on either hand, and its glassy river flowing, cribbed and confined, in the lowest bottom. Smiling fields, and well-trimmed hedge-rows, and sheltering plantations, and comfortable dwellings, and a busy population, and abundant cattle, cover its undulating slopes. For miles industrious plenty spreads over a country which the river formerly usurped, and the lake covered, and the rush tufted over, and bog and mossy heath and perennial fogs and drizzling rains rendered inhospitable and chill. But mechanics has chained the river, and drained the lakes, and bogs, and clayey bottoms; and giving thus scope to the application of all the varied practical rules to which science has led, the natural climate has been subdued, disease extirpated, and rich and fertile and happy homes scattered over the ancient waste.

      Turn to another country, and a river flows deeply through an arid and desolate plain. Mechanics lifts its waters from their depths, and from a thousand artificial channels directs them over the parched surface. It is as if an enchanter's wand had been stretched over it – the green herbage and the waving corn, companied by all the industries of rural life, spring up as they advance.

      Another country, and a green oasis presents itself, busy with life, in the midst of a desert and sandy plain. Do natural springs here gush up, as in the ancient oasis of the Libyan wilderness? It is another of the triumphs of human industry, guided by human thought. Geology, and her sister sciences, are here the pioneers of rural life and fixed habitations. The seat of hidden waters at vast depths was discovered by her. Under her directions mechanics has bored to their sources, and their gushing abundance now spreads fertility around.

      Such are more sensible and larger triumphs of progressing rural economy – such as man may well boast of, not only in themselves, but in their consequences; and they may take their place with the gigantic vessel of war, as magnificent results of intellectual effort.

      But it is after these first ruder though more imposing conquests over nature have been made, that the demand for mind, for applied science, becomes more frequent, and the results of its application less perceptible. And it is because, in ordinary husbandry, we have not always before us the striking illustrations which arrest the vulgar eye, that prevailing ignorance persists in denying its obligations to scientific research.

      The waters which descend from a chain of hills become a striking feature in the geography of a country, when they happen to unite together into a large and magnificent river: they escape unseen and unnoticed if, keeping apart, they flow in countless tiny streamlets to the sea. Yet, thus disunited, they may carry fertility over a whole region, like the Nile when it overflows its banks, or as the river of Damascus straying among its many gardens; while the waters of the great river may only refresh and fertilise its own narrow margins, as the Murray and the Darling do in South Australia, or the deep-bedded rivers of Southern Africa.

      Thus much we have devoted to the introductory portion of the Book of the Farm. Those of our readers who wish to follow up farther these scientific views may study Johnston's Lectures, and Elements, of Agricultural Chemistry and Geology: and by the way we would commend, for applied science, these works of Johnston's, and for practical knowledge, the book of Stephens, to the special attention of our emigrating fellow-countrymen, of whom so many in their foreign homes are likely to regret the overflowing sources of information on every conceivable topic with which their home literature and home neighbours supplied them.

      Let us now take a look at the body of Mr Stephens' work. These are the days of pictorial embellishment – of speaking directly, and plainly, and palpably to the eye. We have accidentally opened the book at the 217th page. What letterpress description could – so briefly we do not say, for that is out of the question – but so graphically and fully, explain the practice of eating off turnips with sheep, and all its appliances of hurdles and nets, and turnip shears, and feeding troughs, and hay racks, as the single woodcut which this page exhibits? And so the practice of bratting and of stelling sheep is illustrated, and all the forms and fashions of stells in high and low countries (pp. 231 to 236;) the pulling, dressing, and storing of turnips, (190 to 195;) the various modes of ploughing, with their ups and downs, and turnings, and crossings, and gatherings, and feerings, and gore furrows, and mould furrows, and broad furrows, and cross furrows, and samcastings, and gaws, and ribs, and rafters, and slices, and crowns, and centres, and a host of other operations and things familiar to the farmer, but the very names and designations of which are Greek to the common English reader. All these the woodcuts explain beautifully and familiarly to the uninitiated readers, and most usefully to the incipient farmer. How is the rural economy of Great Britain and Ireland, in its best forms, stored up, not only for modern and immediate use, but for the understanding of future ages, by these illustrations! We would specify, in addition to those already referred to, the steam-boiling apparatus in page 320; and the taking down of a stack of corn in page 401; and the feeding of the threshing machine in page 406; and the hand-sowing of corn in page 553; and the pickling of wheat, (chaulage of our Gallic neighbours,) page 536; and the measuring of the grain in the barn, &c., page 419; and the full sacks, as they should be, in the barn, in page 423. To the foreigner, how do these pictures speak of English customs, costumes, and usages; to our Trans-atlantic brethren, of the source of those modes and manners which have at once placed them on an elevation in agricultural art, to which 800 years of intellectual struggle had barely sufficed to lift up their fathers and cousins at home; and to the still British colonial emigrant the precise practices, and latest rural improvements, which it will be his interest, at once, and his pride, to introduce into his adopted land!

      How would the Scriptores Rei Rusticæ have gained in usefulness in their own time, how immensely in interest in ours, had they been accompanied by such illustrations as these! The clearness of Columella would have been made more transparent, the obscurity of Palladius lessened; and Cato and Varro would have preserved to us the actual living forms, and costumes, and instruments of the ancient Etruscan times, more clearly than the painted tombs are now revealing to the antiquarian the fashions of their feasts, and games, and funereal rites. We have before us the singularly, richly, and extravagantly, yet graphically and most instructively illustrated book of Georgius Agricola, De Re Metallica (Basil, 1621.) The woodcuts of the Book of the Farm have induced us to turn it up, and it is with ever new admiration that we turn over its old leaves. It has to us the interest of a child's picture-book; and though, as a chef-d'œuvre of illustrative art, the three hundred woodcuts of Stephens do not approach the book of Agricola, yet what a treasure would the work of Ausonius Popma on the rural implements of the ancients – their instrumenta in its widest sense – have been to us, could it have been illustrated when he wrote (1690) in the style of Agricola, and with the minuteness and fulness of Stephens!

      The same desire to render minutely intelligible the whole subject treated of, which these woodcuts show, is manifested in the more solid letterpress of the book. It was said of Columella, by Matthew Gessner, that he discoursed "non ut argumentum simplex quod discere amat, dicendo obscuret, sed ut clarissimâ luce perfundat omnia." Such, the reader feels, must have been the aim of the author of this book. In his descriptions, nothing appears to be omitted; nothing is too minute to be passed over. His book exposes not merely the every-day life, but the very inmost life – the habits, and usages, and instruments of the most humble as well as the most important of the operations of the domestic, equally with the field economy of rural life. We do not know if its effects upon our town population will ever be such as Beza ascribes to that of Columella —

      Tu vero, Juni, silvestria rura canendo,

      Post te ipsas urbes in tua rura trahis;

      but