Spanish Papers. Washington Irving

in the mysteries of the Christian faith. The female intellect is quick in perceiving the merits of new doctrines; the archbishop, therefore, soon succeeded in converting, not merely the princess, but most of her attendants, and a day was appointed for their public baptism. The ceremony was performed with great pomp and solemnity, in the presence of all the nobility and chivalry of the court. The princess and her damsels, clad in white, walked on foot to the cathedral, while numerous beautiful children, arrayed as angels, strewed their path with flowers; and the archbishop meeting them at the portal, received them, as it were, into the bosom of the church. The princess abandoned her Moorish appellation of Elyata, and was baptized by the name of Exilona, by which she was thenceforth called, and has generally been known in history.

      The nuptials of Roderick and the beautiful convert took place shortly afterwards, and were celebrated with great magnificence. There were jousts, and tourneys, and banquets, and other rejoicings, which lasted twenty days, and were attended by the principal nobles from all parts of Spain. After these were over, such of the attendants of the princess as refused to embrace Christianity, and desired to return to Africa, were dismissed with munificent presents; and an embassy was sent to the king of Algiers, to inform him of the nuptials of his daughter, and to proffer him the friendship of King Roderick.[8]

      CHAPTER IV

      Of Count Julian.

      For a time Don Roderick lived happily with his young and beautiful queen, and Toledo was the seat of festivity and splendor. The principal nobles throughout the kingdom repaired to his court to pay him homage, and to receive his commands; and none were more devoted in their reverence than those who were obnoxious to suspicion from their connection with the late king.

      Among the foremost of these was Count Julian, a man destined to be infamously renowned in the dark story of his country’s woes. He was one of the proudest Gothic families, lord of Consuegra and Algeziras, and connected by marriage with Witiza and the bishop Oppas – his wife, the countess Frandina, being their sister. In consequence of this connection, and of his own merits, he had enjoyed the highest dignities and commands, being one of the Espatorios, or royal sword-bearers – an office of the greatest confidence about the person of the sovereign.[9] He had, moreover, been intrusted with the military government of the Spanish possessions on the African coast of the strait, which at that time were threatened by the Arabs of the East, the followers of Mahomet, who were advancing their victorious standard to the extremity of Western Africa. Count Julian established his seat of government at Ceuta, the frontier bulwark, and one of the far-famed gates of the Mediterranean Sea. Here he boldly faced, and held in check, the torrent of Moslem invasion.

      Don Julian was a man of an active, but irregular genius, and a grasping ambition; he had a love for power and grandeur, in which he was joined by his haughty countess; and they could ill brook the downfall of their house, as threatened by the fate of Witiza. They had hastened therefore to pay their court to the newly elevated monarch, and to assure him of their fidelity to his interests.

      Roderick was readily persuaded of the sincerity of Count Julian; he was aware of his merits as a soldier and a governor, and continued him in his important command; honoring him with many other marks of implicit confidence. Count Julian sought to confirm this confidence by every proof of devotion. It was a custom among the Goths to rear many of the children of the most illustrious families in the royal household. They served as pages to the king, and handmaids and ladies of honor to the queen, and were instructed in all manner of accomplishments befitting their gentle blood. When about to depart for Ceuta, to resume his command, Don Julian brought his daughter Florinda to present her to the sovereigns. She was a beautiful virgin that had not as yet attained to womanhood. “I confide her to your protection,” said he to the king, “to be unto her as a father; and to have her trained in the paths of virtue. I can leave with you no dearer pledge of my loyalty.”

      King Roderick received the timid and blushing maiden into his parental care; promising to watch over her happiness with a parent’s eye, and that she should be enrolled among the most cherished attendants of the queen. With this assurance of the welfare of his child, Count Julian departed, well pleased, for his government at Ceuta.

      CHAPTER V

      The Story of Florinda.

      The beautiful daughter of Count Julian was received with great favor by the queen Exilona and admitted among the noble damsels that attended upon her person. Here she lived in honor and apparent security, and surrounded by innocent delights. To gratify his queen, Don Roderick had built for her rural recreation a palace without the walls of Toledo, on the banks of the Tagus. It stood in the midst of a garden, adorned after the luxurious style of the East. The air was perfumed by fragrant shrubs and flowers; the groves resounded with the song of the nightingale, while the gush of fountains and water-falls, and the distant murmur of the Tagus, made it a delightful retreat during the sultry days of summer. The charm of perfect privacy also reigned throughout the place, for the garden walls were high, and numerous guards kept watch without to protect it from all intrusion.

      In this delicious abode, more befitting an oriental voluptuary than a Gothic king, Don Roderick was accustomed to while away much of that time which should have been devoted to the toilsome cares of government. The very security and peace which he had produced throughout his dominions by his precautions to abolish the means and habitudes of war, had effected a disastrous change in his character. The hardy and heroic qualities which had conducted him to the throne, were softened in the lap of indulgence. Surrounded by the pleasures of an idle and effeminate court, and beguiled by the example of his degenerate nobles, he gave way to a fatal sensuality that had lain dormant in his nature during the virtuous days of his adversity. The mere love of female beauty had first enamored him of Exilona, and the same passion, fostered by voluptuous idleness, now betrayed him into the commission of an act fatal to himself and Spain. The following is the story of his error as gathered from an old chronicle and legend.

      In a remote part of the palace was an apartment devoted to the queen. It was like an eastern harem, shut up from the foot of man, and where the king himself but rarely entered. It had its own courts, and gardens, and fountains, where the queen was wont to recreate herself with her damsels, as she had been accustomed to do in the jealous privacy of her father’s palace.

      One sultry day the king, instead of taking his siesta, or mid-day slumber, repaired to this apartment to seek the society of the queen. In passing through a small oratory, he was drawn by the sound of female voices to a casement overhung with myrtles and jessamines. It looked into an interior garden or court, set out with orange-trees, in the midst of which was a marble fountain, surrounded by a grassy bank, enameled with flowers.

      It was the high noontide of a summer day when, in sultry Spain, the landscape trembles to the eye, and all nature seeks repose, except the grasshopper, that pipes his lulling note to the herdsman as he sleeps beneath the shade.

      Around the fountain were several of the damsels of the queen, who, confident of the sacred privacy of the place, were yielding in that cool retreat to the indulgence prompted by the season and the hour. Some lay asleep on the flowery bank; others sat on the margin of the fountain, talking and laughing, as they bathed their feet in its limpid waters, and King Roderick beheld delicate limbs shining through the wave that might rival the marble in whiteness.

      Among the damsels was one who had come from the Barbary coast with the queen. Her complexion had the dark tinge of Mauritania, but it was clear and transparent, and the deep rich rose blushed through the lovely brown. Her eyes were black and full of fire, and flashed from under long silken eyelashes.

      A sportive contest arose among the maidens, as to the comparative beauty of the Spanish and Moorish forms; but the Mauritanian damsel revealed limbs of voluptuous symmetry that seemed to defy all rivalry.

      The Spanish beauties were on the point of giving up the contest, when they bethought themselves of the young Florinda, the daughter of Count Julian, who lay on the grassy bank, abandoned to a summer slumber. The soft glow of youth and health mantled on her cheek; her fringed eyelashes scarcely covered their sleeping orbs; her moist and ruby lips were slightly parted, just revealing a gleam of her ivory teeth,

8

“Como esta Infanta era muy hermosa, y el Rey [Don Rodrigo] dispuesto y gentil hombre, entro por medio el amor y aficion, y junto con el regalo con que la avia mandado hospedar y servir ful causa que el rey persuadio esta Infanta que si se tornava a su ley de christiano la tomaria por muger, y que la haria señora de sus Reynos. Con esta persuasion ella fue contenta, y aviendose vuelto christiana, se caso con ella, y se celebraron sus bodas con muchas fiestas y regozijos, como era razon.” – Abulcasim, Conq’st de Espan, cap. 3.

9

Condes Espatorios; so called from the drawn swords of ample size and breadth with which they kept guard in the ante-chambers of the Gothic kings. Comes Spathariorum, custodum corporis Regis Profectus. Hunc et Propospatharium appellatum existimo. —Patr. Pant. de Offic. Goth.