Four Short Stories By Emile Zola. Emile Zola

their proper significations in the light of exclamations issuing from the stalls. For a long time past the theatrical public had not wallowed in folly more irreverent. It rested them.

      Nevertheless, the action of the piece advanced amid these fooleries. Vulcan, as an elegant young man clad, down to his gloves, entirely in yellow and with an eyeglass stuck in his eye, was forever running after Venus, who at last made her appearance as a fishwife, a kerchief on her head and her bosom, covered with big gold trinkets, in great evidence. Nana was so white and plump and looked so natural in a part demanding wide hips and a voluptuous mouth that she straightway won the whole house. On her account Rose Mignon was forgotten, though she was made up as a delicious baby, with a wicker-work burlet on her head and a short muslin frock and had just sighed forth Diana’s plaints in a sweetly pretty voice. The other one, the big wench who slapped her thighs and clucked like a hen, shed round her an odor of life, a sovereign feminine charm, with which the public grew intoxicated. From the second act onward everything was permitted her. She might hold herself awkwardly; she might fail to sing some note in tune; she might forget her words – it mattered not: she had only to turn and laugh to raise shouts of applause. When she gave her famous kick from the hip the stalls were fired, and a glow of passion rose upward, upward, from gallery to gallery, till it reached the gods. It was a triumph, too, when she led the dance. She was at home in that: hand on hip, she enthroned Venus in the gutter by the pavement side. And the music seemed made for her plebeian voice – shrill, piping music, with reminiscences of Saint-Cloud Fair, wheezings of clarinets and playful trills on the part of the little flutes.

      Two numbers were again encored. The opening waltz, that waltz with the naughty rhythmic beat, had returned and swept the gods with it. Juno, as a peasant woman, caught Jupiter and his little laundress cleverly and boxed his ears. Diana, surprising Venus in the act of making an assignation with Mars, made haste to indicate hour and place to Vulcan, who cried, “I’ve hit on a plan!” The rest of the act did not seem very clear. The inquiry ended in a final galop after which Jupiter, breathless, streaming with perspiration and minus his crown, declared that the little women of Earth were delicious and that the men were all to blame.

      The curtain was falling, when certain voices, rising above the storm of bravos, cried uproariously:

      “All! All!”

      Thereupon the curtain rose again; the artistes reappeared hand in hand. In the middle of the line Nana and Rose Mignon stood side by side, bowing and curtsying. The audience applauded; the clappers shouted acclamations. Then little by little the house emptied.

      “I must go and pay my respects to the Countess Muffat,” said La Faloise. “Exactly so; you’ll present me,” replied Fauchery; “we’ll go down afterward.”

      But it was not easy to get to the first-tier boxes. In the passage at the top of the stairs there was a crush. In order to get forward at all among the various groups you had to make yourself small and to slide along, using your elbows in so doing. Leaning under a copper lamp, where a jet of gas was burning, the bulky critic was sitting in judgment on the piece in presence of an attentive circle. People in passing mentioned his name to each other in muttered tones. He had laughed the whole act through – that was the rumor going the round of the passages – nevertheless, he was now very severe and spoke of taste and morals. Farther off the thin-lipped critic was brimming over with a benevolence which had an unpleasant aftertaste, as of milk turned sour.

      Fauchery glanced along, scrutinizing the boxes through the round openings in each door. But the Count de Vandeuvres stopped him with a question, and when he was informed that the two cousins were going to pay their respects to the Muffats, he pointed out to them box seven, from which he had just emerged. Then bending down and whispering in the journalist’s ear:

      “Tell me, my dear fellow,” he said, “this Nana – surely she’s the girl we saw one evening at the corner of the Rue de Provence?”

      “By Jove, you’re right!” cried Fauchery. “I was saying that I had come across her!”

      La Faloise presented his cousin to Count Muffat de Beuville, who appeared very frigid. But on hearing the name Fauchery the countess raised her head and with a certain reserve complimented the paragraphist on his articles in the Figaro. Leaning on the velvet-covered support in front of her, she turned half round with a pretty movement of the shoulders. They talked for a short time, and the Universal Exhibition was mentioned.

      “It will be very fine,” said the count, whose square-cut, regular-featured face retained a certain gravity.

      “I visited the Champ de Mars today and returned thence truly astonished.”

      “They say that things won’t be ready in time,” La Faloise ventured to remark. “There’s infinite confusion there – ”

      But the count interrupted him in his severe voice:

      “Things will be ready. The emperor desires it.”

      Fauchery gaily recounted how one day, when he had gone down thither in search of a subject for an article, he had come near spending all his time in the aquarium, which was then in course of construction. The countess smiled. Now and again she glanced down at the body of the house, raising an arm which a white glove covered to the elbow and fanning herself with languid hand. The house dozed, almost deserted. Some gentlemen in the stalls had opened out newspapers, and ladies received visits quite comfortably, as though they were at their own homes. Only a well-bred whispering was audible under the great chandelier, the light of which was softened in the fine cloud of dust raised by the confused movements of the interval. At the different entrances men were crowding in order to talk to ladies who remained seated. They stood there motionless for a few seconds, craning forward somewhat and displaying the great white bosoms of their shirt fronts.

      “We count on you next Tuesday,” said the countess to La Faloise, and she invited Fauchery, who bowed.

      Not a word was said of the play; Nana’s name was not once mentioned. The count was so glacially dignified that he might have been supposed to be taking part at a sitting of the legislature. In order to explain their presence that evening he remarked simply that his father-in-law was fond of the theater. The door of the box must have remained open, for the Marquis de Chouard, who had gone out in order to leave his seat to the visitors, was back again. He was straightening up his tall, old figure. His face looked soft and white under a broad-brimmed hat, and with his restless eyes he followed the movements of the women who passed.

      The moment the countess had given her invitation Fauchery took his leave, feeling that to talk about the play would not be quite the thing. La Faloise was the last to quit the box. He had just noticed the fair-haired Labordette, comfortably installed in the Count de Vandeuvres’s stage box and chatting at very close quarters with Blanche de Sivry.

      “Gad,” he said after rejoining his cousin, “that Labordette knows all the girls then! He’s with Blanche now.”

      “Doubtless he knows them all,” replied Fauchery quietly. “What d’you want to be taken for, my friend?”

      The passage was somewhat cleared of people, and Fauchery was just about to go downstairs when Lucy Stewart called him. She was quite at the other end of the corridor, at the door of her stage box. They were getting cooked in there, she said, and she took up the whole corridor in company with Caroline Hequet and her mother, all three nibbling burnt almonds. A box opener was chatting maternally with them. Lucy fell out with the journalist. He was a pretty fellow; to be sure! He went up to see other women and didn’t even come and ask if they were thirsty! Then, changing the subject:

      “You know, dear boy, I think Nana very nice.”

      She wanted him to stay in the stage box for the last act, but he made his escape, promising to catch them at the door afterward. Downstairs in front of the theater Fauchery and La Faloise lit cigarettes. A great gathering blocked the sidewalk, a stream of men who had come down from the theater steps and were inhaling the fresh night air in the boulevards, where the roar and battle had diminished.

      Meanwhile Mignon had drawn Steiner away to the Cafe des Varietes. Seeing Nana’s success, he had set to work to talk enthusiastically about her, all the while observing the banker out of the corners of his eyes. He