Four Short Stories By Emile Zola. Emile Zola

with a very sedate expression and splendid whiskers!”

      “It’s Count Muffat,” replied Fauchery. “I know that the prince, when he was at the empress’s the day before yesterday, invited him to dinner for tonight. He’ll have corrupted him afterward!”

      “So that’s Count Muffat! We know his father-in-law, eh, Auguste?” said Rose, addressing her remark to Mignon. “You know the Marquis de Chouard, at whose place I went to sing? Well, he’s in the house too. I noticed him at the back of a box. There’s an old boy for you!”

      Prulliere, who had just put on his huge plume of feathers, turned round and called her.

      “Hi, Rose! Let’s go now!”

      She ran after him, leaving her sentence unfinished. At that moment Mme Bron, the portress of the theater, passed by the door with an immense bouquet in her arms. Simonne asked cheerfully if it was for her, but the porter woman did not vouchsafe an answer and only pointed her chin toward Nana’s dressing room at the end of the passage. Oh, that Nana! They were loading her with flowers! Then when Mme Bron returned she handed a letter to Clarisse, who allowed a smothered oath to escape her. That beggar La Faloise again! There was a fellow who wouldn’t let her alone! And when she learned the gentleman in question was waiting for her at the porter’s lodge she shrieked:

      “Tell him I’m coming down after this act. I’m going to catch him one on the face.”

      Fontan had rushed forward, shouting:

      “Madame Bron, just listen. Please listen, Madame Bron. I want you to send up six bottles of champagne between the acts.”

      But the callboy had again made his appearance. He was out of breath, and in a singsong voice he called out:

      “All to go on the stage! It’s your turn, Monsieur Fontan. Make haste, make haste!”

      “Yes, yes, I’m going, Father Barillot,” replied Fontan in a flurry.

      And he ran after Mme Bron and continued:

      “You understand, eh? Six bottles of champagne in the greenroom between the acts. It’s my patron saint’s day, and I’m standing the racket.”

      Simonne and Clarisse had gone off with a great rustling of skirts. Everybody was swallowed up in the distance, and when the passage door had banged with its usual hollow sound a fresh hail shower was heard beating against the windows in the now-silent greenroom. Barillot, a small, pale-faced ancient, who for thirty years had been a servant in the theater, had advanced familiarly toward Mignon and had presented his open snuffbox to him. This proffer of a pinch and its acceptance allowed him a minute’s rest in his interminable career up and down stairs and along the dressing-room passage. He certainly had still to look up Mme Nana, as he called her, but she was one of those who followed her own sweet will and didn’t care a pin for penalties. Why, if she chose to be too late she was too late! But he stopped short and murmured in great surprise:

      “Well, I never! She’s ready; here she is! She must know that the prince is here.”

      Indeed, Nana appeared in the corridor. She was dressed as a fish hag: her arms and face were plastered with white paint, and she had a couple of red dabs under her eyes. Without entering the greenroom she contented herself by nodding to Mignon and Fauchery.

      “How do? You’re all right?”

      Only Mignon shook her outstretched hand, and she hied royally on her way, followed by her dresser, who almost trod on her heels while stooping to adjust the folds of her skirt. In the rear of the dresser came Satin, closing the procession and trying to look quite the lady, though she was already bored to death.

      “And Steiner?” asked Mignon sharply.

      “Monsieur Steiner has gone away to the Loiret,” said Barillot, preparing to return to the neighborhood of the stage. “I expect he’s gone to buy a country place in those parts.”

      “Ah yes, I know, Nana’s country place.”

      Mignon had grown suddenly serious. Oh, that Steiner! He had promised Rose a fine house in the old days! Well, well, it wouldn’t do to grow angry with anybody. Here was a position that would have to be won again. From fireplace to console table Mignon paced, sunk in thought yet still unconquered by circumstances. There was no one in the greenroom now save Fauchery and himself. The journalist was tired and had flung himself back into the recesses of the big armchair. There he stayed with half-closed eyes and as quiet as quiet could be, while the other glanced down at him as he passed. When they were alone Mignon scorned to slap him at every turn. What good would it have done, since nobody would have enjoyed the spectacle? He was far too disinterested to be personally entertained by the farcical scenes in which he figured as a bantering husband. Glad of this short-lived respite, Fauchery stretched his feet out languidly toward the fire and let his upturned eyes wander from the barometer to the clock. In the course of his march Mignon planted himself in front of Potier’s bust, looked at it without seeming to see it and then turned back to the window, outside which yawned the darkling gulf of the courtyard. The rain had ceased, and there was now a deep silence in the room, which the fierce heat of the coke fire and the flare of the gas jets rendered still more oppressive. Not a sound came from the wings: the staircase and the passages were deadly still.

      That choking sensation of quiet, which behind the scenes immediately precedes the end of an act, had begun to pervade the empty greenroom. Indeed, the place seemed to be drowsing off through very breathlessness amid that faint murmur which the stage gives forth when the whole troupe are raising the deafening uproar of some grand finale.

      “Oh, the cows!” Bordenave suddenly shouted in his hoarse voice.

      He had only just come up, and he was already howling complaints about two chorus girls who had nearly fallen flat on the stage because they were playing the fool together. When his eye lit on Mignon and Fauchery he called them; he wanted to show them something. The prince had just notified a desire to compliment Nana in her dressing room during the next interval. But as he was leading them into the wings the stage manager passed.

      “Just you find those hags Fernande and Maria!” cried Bordenave savagely.

      Then calming down and endeavoring to assume the dignified expression worn by “heavy fathers,” he wiped his face with his pocket handkerchief and added:

      “I am now going to receive His Highness.”

      The curtain fell amid a long-drawn salvo of applause. Then across the twilight stage, which was no longer lit up by the footlights, there followed a disorderly retreat. Actors and supers and chorus made haste to get back to their dressing rooms while the sceneshifters rapidly changed the scenery. Simonne and Clarisse, however, had remained “at the top,” talking together in whispers. On the stage, in an interval between their lines, they had just settled a little matter. Clarisse, after viewing the thing in every light, found she preferred not to see La Faloise, who could never decide to leave her for Gaga, and so Simonne was simply to go and explain that a woman ought not to be palled up to in that fashion! At last she agreed to undertake the mission.

      Then Simonne, in her theatrical laundress’s attire but with furs over her shoulders, ran down the greasy steps of the narrow, winding stairs which led between damp walls to the porter’s lodge. This lodge, situated between the actors’ staircase and that of the management, was shut in to right and left by large glass partitions and resembled a huge transparent lantern in which two gas jets were flaring.

      There was a set of pigeonholes in the place in which were piled letters and newspapers, while on the table various bouquets lay awaiting their recipients in close proximity to neglected heaps of dirty plates and to an old pair of stays, the eyelets of which the portress was busy mending. And in the middle of this untidy, ill-kept storeroom sat four fashionable, white-gloved society men. They occupied as many ancient straw-bottomed chairs and, with an expression at once patient and submissive, kept sharply turning their heads in Mme Bron’s direction every time she came down from the theater overhead, for on such occasions she was the bearer of replies. Indeed, she had but now handed a note to a young man who had hurried out to open it beneath the gaslight in the vestibule, where he had grown slightly pale on reading the classic phrase – how often