The Man Who Was Afraid. Максим Горький

with his terrible arms. And then Foma sees the man again – he sits on the ground, “his flesh is clothed with worms and clods of dust, his skin is broken.” But now he is small and wretched, he is like a beggar at the church porch.

      Here he says:

      “What is man, that he should be clean? And he which is born of woman, that he should be righteous?” [These words attributed by Mayakin to Job are from Eliphaz the Temanite’s reply – Translator’s Note.]

      “He says this to God,” explained Mayakin, inspired. “How, says he, can I be righteous, since I am made of flesh? That’s a question asked of God. How is that?”

      And the reader, triumphantly and interrogatively looks around at his listeners.

      “He merited it, the righteous man,” they replied with a sigh.

      Yakov Mayakin eyes them with a smile, and says:

      “Fools! You better put the children to sleep.”

      Ignat visited the Mayakins every day, brought playthings for his son, caught him up into his arms and hugged him, but sometimes dissatisfied he said to him with ill-concealed uneasiness:

      “Why are you such a bugbear? Oh! Why do you laugh so little?”

      And he would complain to the lad’s godfather:

      “I am afraid that he may turn out to be like his mother. His eyes are cheerless.”

      “You disturb yourself rather too soon,” Mayakin smilingly replied.

      He, too, loved his godson, and when Ignat announced to him one day that he would take Foma to his own house, Mayakin was very much grieved.

      “Leave him here,” he begged. “See, the child is used to us; there! he’s crying.”

      “He’ll cease crying. I did not beget him for you. The air of the place is disagreeable. It is as tedious here as in an old believer’s hermitage. This is harmful to the child. And without him I am lonesome. I come home – it is empty. I can see nothing there. It would not do for me to remove to your house for his sake. I am not for him, he is for me. So. And now that my sister has come to my house there will be somebody to look after him.”

      And the boy was brought to his father’s house.

      There he was met by a comical old woman, with a long, hook-like nose and with a mouth devoid of teeth. Tall, stooping, dressed in gray, with gray hair, covered by a black silk cap, she did not please the boy at first; she even frightened him. But when he noticed on the wrinkled face her black eyes, which beamed so tenderly on him, he at once pressed his head close to her knees in confidence.

      “My sickly little orphan!” she said in a velvet-like voice that trembled from the fulness of sound, and quietly patted his face with her hand, “stay close to me, my dear child!”

      There was something particularly sweet and soft in her caresses, something altogether new to Foma, and he stared into the old woman’s eyes with curiosity and expectation on his face. This old woman led him into a new world, hitherto unknown to him. The very first day, having put him to bed, she seated herself by his side, and, bending over the child, asked him:

      “Shall I tell you a story, Fomushka?”

      And after that Foma always fell asleep amid the velvet-like sounds of the old woman’s voice, which painted before him a magic life. Giants defeating monsters, wise princesses, fools who turned out to be wise – troops of new and wonderful people were passing before the boy’s bewitched imagination, and his soul was nourished by the wholesome beauty of the national creative power. Inexhaustible were the treasures of the memory and the fantasy of this old woman, who oftentimes, in slumber, appeared to the boy – now like the witch of the fairy-tales – only a kind and amiable old witch – now like the beautiful, all-wise Vasilisa. His eyes wide open, holding his breath, the boy looked into the darkness that filled his chamber and watched it as it slowly trembled in the light of the little lamp that was burning before the image. And Foma filled this darkness with wonderful pictures of fairy-tale life. Silent, yet living shadows, were creeping over the walls and across the floor; it was both pleasant and terrible to him to watch their life; to deal out unto them forms and colours, and, having endowed them with life, instantly to destroy them all with a single twinkle of the eyelashes. Something new appeared in his dark eyes, something more childish and naive, less grave; the loneliness and the darkness, awaking in him a painful feeling of expectation, stirred his curiosity, compelled him to go out to the dark corner and see what was hidden there beyond the thick veils of darkness. He went and found nothing, but he lost no hope of finding it out.

      He feared his father and respected him. Ignat’s enormous size, his harsh, trumpet-like voice, his bearded face, his gray-haired head, his powerful, long arms and his flashing eyes – all these gave to Ignat the resemblance of the fairy-tale robbers.

      Foma shuddered whenever he heard his voice or his heavy, firm steps; but when the father, smiling kind-heartedly, and talking playfully in a loud voice, took him upon his knees or threw him high up in the air with his big hands the boy’s fear vanished.

      Once, when the boy was about eight years old, he asked his father, who had returned from a long journey:

      “Papa, where were you?”

      “On the Volga.”

      “Were you robbing there?” asked Foma, softly.

      “Wha-at?” Ignat drawled out, and his eyebrows contracted.

      “Aren’t you a robber, papa? I know it,” said Foma, winking his eyes slyly, satisfied that he had already read the secret of his father’s life.

      “I am a merchant!” said Ignat, sternly, but after a moment’s thought he smiled kind-heartedly and added: “And you are a little fool! I deal in corn, I run a line of steamers. Have you seen the ‘Yermak’? Well, that is my steamer. And yours, too.”

      “It is a very big one,” said Foma with a sigh.

      “Well, I’ll buy you a small one while you are small yourself. Shall I?”

      “Very well,” Foma assented, but after a thoughtful silence he again drawled out regretfully: “But I thought you were a robber or a giant.”

      “I tell you I am a merchant!” repeated Ignat, insinuatingly, and there was something discontented and almost timorous in his glance at the disenchanted face of his son.

      “Like Grandpa Fedor, the Kalatch baker?” asked Foma, having thought awhile.

      “Well, yes, like him. Only I am richer than he. I have more money than Fedor.”

      “Have you much money?”

      “Well, some people have still more.”

      “How many barrels do you have?”

      “Of what?”

      “Of money, I mean.”

      “Fool! Is money counted by the barrel?”

      “How else?” exclaimed Foma, enthusiastically, and, turning his face toward his father, began to tell him quickly: “Maksimka, the robber, came once to a certain town and filled up twelve barrels with money belonging to some rich man there. And he took different silverware and robbed a church. And cut up a man with his sword and threw him down the steeple because he tried to sound an alarm.”

      “Did your aunt tell you that?” asked Ignat admiring his son’s enthusiasm.

      “Yes! Why?”

      “Nothing!” said Ignat, laughing. “So you thought your father was a robber.”

      “And perhaps you were a robber long ago?”

      Foma again returned to his theme, and it was evident on his face that he would be very glad to hear an affirmative answer.

      “I was never a robber. Let that end it.”

      “Never?”

      “I tell you I was not! What a queer little boy you are! Is it good to be a robber? They are all sinners, the robbers. They don’t believe