The Talisman. Вальтер Скотт

idea of the perfect proportions of the form to which it belonged, stole through the folds of the gauze, like a moonbeam through the fleecy cloud of a summer night, and again a rosebud lay at the feet of the Knight of the Leopard.

      This second intimation could not be accidental – it could not be fortuitous, the resemblance of that half-seen but beautiful female hand with one which his lips had once touched, and, while they touched it, had internally sworn allegiance to the lovely owner. Had further proof been wanting, there was the glimmer of that matchless ruby ring on that snow-white finger, whose invaluable worth Kenneth would yet have prized less than the slightest sign which that finger could have made; and, veiled too, as she was, he might see, by chance or by favour, a stray curl of the dark tresses, each hair of which was dearer to him a hundred times than a chain of massive gold. It was the lady of his love! But that she should be here – in the savage and sequestered desert – among vestals, who rendered themselves habitants of wilds and of caverns, that they might perform in secret those Christian rites which they dared not assist in openly; that this should be so, in truth and in reality, seemed too incredible – it must be a dream – a delusive trance of the imagination. While these thoughts passed through the mind of Kenneth, the same passage, by which the procession had entered the chapel, received them on their return. The young sacristans, the sable nuns, vanished successively through the open door. At length she from whom he had received this double intimation passed also; yet, in passing, turned her head, slightly indeed, but perceptibly, towards the place where he remained fixed as an image. He marked the last wave of her veil – it was gone – and a darkness sunk upon his soul, scarce less palpable than that which almost immediately enveloped his external sense; for the last chorister had no sooner crossed the threshold of the door than it shut with a loud sound, and at the same instant the voices of the choir were silent, the lights of the chapel were at once extinguished, and Sir Kenneth remained solitary and in total darkness. But to Kenneth, solitude, and darkness, and the uncertainty of his mysterious situation were as nothing – he thought not of them – cared not for them – cared for nought in the world save the flitting vision which had just glided past him, and the tokens of her favour which she had bestowed. To grope on the floor for the buds which she had dropped – to press them to his lips, to his bosom, now alternately, now together – to rivet his lips to the cold stones on which, as near as he could judge, she had so lately stepped – to play all the extravagances which strong affection suggests and vindicates to those who yield themselves up to it, were but the tokens of passionate love common to all ages. But it was peculiar to the times of chivalry that, in his wildest rapture, the knight imagined of no attempt to follow or to trace the object of such romantic attachment; that he thought of her as of a deity, who, having deigned to show herself for an instant to her devoted worshipper, had again returned to the darkness of her sanctuary – or as an influential planet, which, having darted in some auspicious minute one favourable ray, wrapped itself again in its veil of mist. The motions of the lady of his love were to him those of a superior being, who was to move without watch or control, rejoice him by her appearance, or depress him by her absence, animate him by her kindness, or drive him to despair by her cruelty – all at her own free will, and without other importunity or remonstrance than that expressed by the most devoted services of the heart and sword of the champion, whose sole object in life was to fulfil her commands, and, by the splendour of his own achievements, to exalt her fame.

      Such were the rules of chivalry, and of the love which was its ruling principle. But Sir Kenneth’s attachment was rendered romantic by other and still more peculiar circumstances. He had never even heard the sound of his lady’s voice, though he had often beheld her beauty with rapture. She moved in a circle which his rank of knighthood permitted him indeed to approach, but not to mingle with; and highly as he stood distinguished for warlike skill and enterprise, still the poor Scottish soldier was compelled to worship his divinity at a distance almost as great as divides the Persian from the sun which he adores. But when was the pride of woman too lofty to overlook the passionate devotion of a lover, however inferior in degree? Her eye had been on him in the tournament, her ear had heard his praises in the report of the battles which were daily fought; and while count, duke, and lord contended for her grace, it flowed, unwillingly perhaps at first, or even unconsciously, towards the poor Knight of the Leopard, who, to support his rank, had little besides his sword. When she looked, and when she listened, the lady saw and heard enough to encourage her in a partiality which had at first crept on her unawares. If a knight’s personal beauty was praised, even the most prudish dames of the military court of England would make an exception in favour of the Scottish Kenneth; and it oftentimes happened that, notwithstanding the very considerable largesses which princes and peers bestowed on the minstrels, an impartial spirit of independence would seize the poet, and the harp was swept to the heroism of one who had neither palfreys nor garments to bestow in guerdon of his applause.

      The moments when she listened to the praises of her lover became gradually more and more dear to the high-born Edith, relieving the flattery with which her ear was weary, and presenting to her a subject of secret contemplation, more worthy, as he seemed by general report, than those who surpassed him in rank and in the gifts of fortune. As her attention became constantly, though cautiously, fixed on Sir Kenneth, she grew more and more convinced of his personal devotion to herself and more and more certain in her mind that in Kenneth of Scotland she beheld the fated knight doomed to share with her through weal and woe – and the prospect looked gloomy and dangerous – the passionate attachment to which the poets of the age ascribed such universal dominion, and which its manners and morals placed nearly on the same rank with devotion itself.

      Let us not disguise the truth from our readers. When Edith became aware of the state of her own sentiments, chivalrous as were her sentiments, becoming a maiden not distant from the throne of England – gratified as her pride must have been with the mute though unceasing homage rendered to her by the knight whom she had distinguished, there were moments when the feelings of the woman, loving and beloved, murmured against the restraints of state and form by which she was surrounded, and when she almost blamed the timidity of her lover, who seemed resolved not to infringe them. The etiquette, to use a modern phrase, of birth and rank, had drawn around her a magical circle, beyond which Sir Kenneth might indeed bow and gaze, but within which he could no more pass than an evoked spirit can transgress the boundaries prescribed by the rod of a powerful enchanter. The thought involuntarily pressed on her that she herself must venture, were it but the point of her fairy foot, beyond the prescribed boundary, if she ever hoped to give a lover so reserved and bashful an opportunity of so slight a favour as but to salute her shoe-tie. There was an example – the noted precedent of the “King’s daughter of Hungary,” who thus generously encouraged the “squire of low degree;” and Edith, though of kingly blood, was no king’s daughter, any more than her lover was of low degree – fortune had put no such extreme barrier in obstacle to their affections. Something, however, within the maiden’s bosom – that modest pride which throws fetters even on love itself forbade her, notwithstanding the superiority of her condition, to make those advances, which, in every case, delicacy assigns to the other sex; above all, Sir Kenneth was a knight so gentle and honourable, so highly accomplished, as her imagination at least suggested, together with the strictest feelings of what was due to himself and to her, that however constrained her attitude might be while receiving his adorations, like the image of some deity, who is neither supposed to feel nor to reply to the homage of its votaries, still the idol feared that to step prematurely from her pedestal would be to degrade herself in the eyes of her devoted worshipper.

      Yet the devout adorer of an actual idol can even discover signs of approbation in the rigid and immovable features of a marble image; and it is no wonder that something, which could be as favourably interpreted, glanced from the bright eye of the lovely Edith, whose beauty, indeed, consisted rather more in that very power of expression, than an absolute regularity of contour or brilliancy of complexion. Some slight marks of distinction had escaped from her, notwithstanding her own jealous vigilance, else how could Sir Kenneth have so readily and so undoubtingly recognized the lovely hand, of which scarce two fingers were visible from under the veil, or how could he have rested so thoroughly assured that two flowers, successively dropped on the spot, were intended as a recognition on the part of his lady-love? By what train of observation – by what secret signs, looks, or gestures – by what instinctive freemasonry of love, this degree of intelligence came to subsist between