The Second Thoughts of an Idle Fellow. Jerome Klapka Jerome

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Название The Second Thoughts of an Idle Fellow
Автор произведения Jerome Klapka Jerome
Жанр Зарубежная классика
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Издательство Зарубежная классика
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the Grand Inquisitor himself; the dented settle that was a bed by night; the few blue plates, purchased in the slums off Wardour Street; the enamelled stool to which one always stuck; the mirror framed in silk; the two Japanese fans crossed beneath each cheap engraving; the piano cloth embroidered in peacock’s feathers by Annie’s sister; the tea-cloth worked by Cousin Jenny. We dreamt, sitting on those egg-boxes – for we were young ladies and gentlemen with artistic taste – of the days when we would eat in Chippendale dining-rooms; sip our coffee in Louis Quatorze drawing-rooms; and be happy. Well, we have got on, some of us, since then, as Mr. Bumpus used to say; and I notice, when on visits, that some of us have contrived so that we do sit on Chippendale chairs, at Sheraton dining-tables, and are warmed from Adam’s fireplaces; but, ah me, where are the dreams, the hopes, the enthusiasms that clung like the scent of a March morning about those gim-crack second floors? In the dustbin, I fear, with the cretonne-covered egg-boxes and the penny fans. Fate is so terribly even-handed. As she gives she ever takes away. She flung us a few shillings and hope, where now she doles us out pounds and fears. Why did not we know how happy we were, sitting crowned with sweet conceit upon our egg-box thrones?

      Yes, Dick, you have climbed well. You edit a great newspaper. You spread abroad the message – well, the message that Sir Joseph Goldbug, your proprietor, instructs you to spread abroad. You teach mankind the lessons that Sir Joseph Goldbug wishes them to learn. They say he is to have a peerage next year. I am sure he has earned it; and perhaps there may be a knighthood for you, Dick.

      Tom, you are getting on now. You have abandoned those unsaleable allegories. What rich art patron cares to be told continually by his own walls that Midas had ass’s ears; that Lazarus sits ever at the gate? You paint portraits now, and everybody tells me you are the coming man. That “Impression” of old Lady Jezebel was really wonderful. The woman looks quite handsome, and yet it is her ladyship. Your touch is truly marvellous.

      But into your success, Tom – Dick, old friend, do not there creep moments when you would that we could fish up those old egg-boxes from the past, refurnish with them the dingy rooms in Camden Town, and find there our youth, our loves, and our beliefs?

      An incident brought back to my mind, the other day, the thought of all these things. I called for the first time upon a man, an actor, who had asked me to come and see him in the little home where he lives with his old father. To my astonishment – for the craze, I believe, has long since died out – I found the house half furnished out of packing cases, butter tubs, and egg-boxes. My friend earns his twenty pounds a week, but it was the old father’s hobby, so he explained to me, the making of these monstrosities; and of them he was as proud as though they were specimen furniture out of the South Kensington Museum.

      He took me into the dining-room to show me the latest outrage – a new book-case. A greater disfigurement to the room, which was otherwise prettily furnished, could hardly be imagined. There was no need for him to assure me, as he did, that it had been made out of nothing but egg-boxes. One could see at a glance that it was made out of egg-boxes, and badly constructed egg-boxes at that – egg-boxes that were a disgrace to the firm that had turned them out; egg-boxes not worthy the storage of “shop ’uns” at eighteen the shilling.

      We went upstairs to my friend’s bedroom. He opened the door as a man might open the door of a museum of gems.

      “The old boy,” he said, as he stood with his hand upon the door-knob, “made everything you see here, everything,” and we entered. He drew my attention to the wardrobe. “Now I will hold it up,” he said, “while you pull the door open; I think the floor must be a bit uneven, it wobbles if you are not careful.” It wobbled notwithstanding, but by coaxing and humouring we succeeded without mishap. I was surprised to notice a very small supply of clothes within, although my friend is a dressy man.

      “You see,” he explained, “I dare not use it more than I can help. I am a clumsy chap, and as likely as not, if I happened to be in a hurry, I’d have the whole thing over:” which seemed probable.

      I asked him how he contrived. “I dress in the bath-room as a rule,” he replied; “I keep most of my things there. Of course the old boy doesn’t know.”

      He showed me a chest of drawers. One drawer stood half open.

      “I’m bound to leave that drawer open,” he said; “I keep the things I use in that. They don’t shut quite easily, these drawers; or rather, they shut all right, but then they won’t open. It is the weather, I think. They will open and shut all right in the summer, I dare say.” He is of a hopeful disposition.

      But the pride of the room was the washstand.

      “What do you think of this?” cried he enthusiastically, “real marble top – ”

      He did not expatiate further. In his excitement he had laid his hand upon the thing, with the natural result that it collapsed. More by accident than design I caught the jug in my arms. I also caught the water it contained. The basin rolled on its edge and little damage was done, except to me and the soap-box.

      I could not pump up much admiration for this washstand; I was feeling too wet.

      “What do you do when you want to wash?” I asked, as together we reset the trap.

      There fell upon him the manner of a conspirator revealing secrets. He glanced guiltily round the room; then, creeping on tip-toe, he opened a cupboard behind the bed. Within was a tin basin and a small can.

      “Don’t tell the old boy,” he said. “I keep these things here, and wash on the floor.”

      That was the best thing I myself ever got out of egg-boxes – that picture of a deceitful son stealthily washing himself upon the floor behind the bed, trembling at every footstep lest it might be the “old boy” coming to the door.

      One wonders whether the Ten Commandments are so all-sufficient as we good folk deem them – whether the eleventh is not worth the whole pack of them: “that ye love one another” with just a common-place, human, practical love. Could not the other ten be comfortably stowed away into a corner of that! One is inclined, in one’s anarchic moments, to agree with Louis Stevenson, that to be amiable and cheerful is a good religion for a work-a-day world. We are so busy not killing, not stealing, not coveting our neighbour’s wife, we have not time to be even just to one another for the little while we are together here. Need we be so cocksure that our present list of virtues and vices is the only possibly correct and complete one? Is the kind, unselfish man necessarily a villain because he does not always succeed in suppressing his natural instincts? Is the narrow-hearted, sour-souled man, incapable of a generous thought or act, necessarily a saint because he has none? Have we not – we unco guid – arrived at a wrong method of estimating our frailer brothers and sisters? We judge them, as critics judge books, not by the good that is in them, but by their faults. Poor King David! What would the local Vigilance Society have had to say to him? Noah, according to our plan, would be denounced from every teetotal platform in the country, and Ham would head the Local Vestry poll as a reward for having exposed him. And St. Peter! weak, frail St. Peter, how lucky for him that his fellow-disciples and their Master were not as strict in their notions of virtue as are we to-day.

      Have we not forgotten the meaning of the word “virtue”? Once it stood for the good that was in a man, irrespective of the evil that might lie there also, as tares among the wheat. We have abolished virtue, and for it substituted virtues. Not the hero – he was too full of faults – but the blameless valet; not the man who does any good, but the man who has not been found out in any evil, is our modern ideal. The most virtuous thing in nature, according to this new theory, should be the oyster. He is always at home, and always sober. He is not noisy. He gives no trouble to the police. I cannot think of a single one of the Ten Commandments that he ever breaks. He never enjoys himself, and he never, so long as he lives, gives a moment’s pleasure to any other living thing.

      I can imagine the oyster lecturing a lion on the subject of morality.

      “You never hear me,” the oyster might say, “howling round camps and villages, making night hideous, frightening quiet folk out of their lives. Why don’t you go to bed early, as I do? I never prowl round the oyster-bed, fighting other gentlemen oysters, making love to lady oysters already