The Literary Sense. Nesbit Edith

his face. Lips touched his hand, and her voice, incredibly softened and tuned to the key of their love's overture, spoke —

      "Oh, forgive me, dear, forgive me! If you love me still – it's too good to be true – but if you do – ah, you do! – forgive me, and we can forget it all! Dear, forgive me! I love you so!"

      He was quite still, quite silent.

      "Can't you forgive me?" she began again. He suddenly stood up.

      "I'm married," he said. He drew a long breath and went on hurriedly, standing before her, but not looking at her. "I can't ask you to forgive me – I shall never forgive myself."

      "It doesn't matter," she said, and she laughed; "I – I wasn't serious. I saw you were trying to play the old comedy, and I thought I had better play up to you. If I'd known you were married – but it was only your glove, and we're such old acquaintances! There's another dance beginning. Please go – I've no doubt my partner will find me."

      He bowed, gave her one glance, and went. Halfway down the stairs he turned and came back. She was still sitting as he had left her. The angry eyes she raised to him were full of tears. She looked as she had looked ten years before, when he had come back to her, and the cursed gloves had spoiled everything. He hated himself. Why had he played with fire and raised this ghost to vex her? It had been such pretty fire, and such a beautiful ghost. But she had been hurt – he had hurt her. She would blame herself now for that old past; as for the new past, so lately the present, it would not bear thinking of.

      The scene must be rounded off somehow. He had let her wound her pride, her self-respect. He must heal them. The light touch would be best.

      "Look here," he said, "I just wanted to tell you that I knew you weren't serious just now. As you say, it was nothing between two such old friends. And – and – " He sought about for some further consolation. Ill-inspired, with the touch of her lips still on his hand, he said, "And about the gloves. Don't blame yourself about that. It was not your fault. You were perfectly right. It was the gloves I came back for."

      He left her then, and next day journeyed to Scotland to rejoin his wife, of whom he was, by habit, moderately fond. He still keeps the white glove she kissed, and at first reproached himself whenever he looked at it. But now he only sentimentalises over it now and then, if he happens to be a little under the weather. He feels that his foolish behaviour at that Sydenham dance was almost atoned for by the nobility with which he lied to spare her, the light, delicate touch with which he rounded off the scene.

      He certainly did round it off. By a few short, easy words he accomplished three things. He destroyed an ideal of himself which she had cherished for years; he killed a pale bud of hope which she had loved to nurse – the hope that perhaps in that old past it had been she who was to blame, and not he, whom she loved; he trampled in the mud the living rose which would have bloomed her life long, the belief that he had loved, did love her – the living rose that would have had magic to quench the fire of shame kindled by that unasked kiss, a fire that frets for ever like hell-fire, burning, but not consuming, her self-respect.

      He did, without doubt, round off the scene.

      THE OBVIOUS

      HE had the literary sense, but he had it as an inverted instinct. He had a keen perception of the dramatically fitting in art, but no counteracting vision of the fitting in life. Life and art, indeed, he found from his earliest years difficult to disentwine, and later, impossible to disentangle. And to disentangle and disentwine them became at last the point of honour to him.

      He first knew that he loved her on the occasion of her "coming of age party." His people and hers lived in the same sombre London square: their Haslemere gardens were divided only by a sunk fence. He had known her all his life. Her coming of age succeeded but by a couple of days his return from three years of lazy philosophy – study in Germany – and the sight of her took his breath away. In the time-honoured cliché of the hurried novelist – too hurried to turn a new phrase for an idea as old as the new life of spring – he had left a child: he found a woman. She wore a soft satiny-white gown, that showed gleams of rose colour through its folds. There were pink hollyhock blossoms in the bright brown of her hair. Her eyes were shining with the excitement of this festival of which she was the goddess. He lost his head, danced with her five times, and carried away a crumpled hollyhock bloom that had fallen from her hair during the last Lancers, through which he had watched her. All his dances with her had been waltzes. It was not till, alone again at his hotel, he pulled out the hollyhock flower with his ball programme that he awoke to a complete sense of the insipid flatness of the new situation.

      He had fallen in love – was madly épris, at any rate – and the girl was the girl whose charms, whose fortune, whose general suitability as a match for him had been dinned into his ears ever since he was a callow boy at Oxford, and she a long-black-silk-legged, short-frocked tom-boy of fourteen. Everyone had always said that it was the obvious thing. And now he had, for once, done exactly what was expected of him, and his fine literary sense revolted. The worst of all was that she seemed not quite to hate him. Better, a thousand times better, that he should have loved and longed, and never won a smile from her – that he should have sacrificed something, anything, and gone his lonely way. But she had smiled on him, undoubtedly she had smiled, and he did not want to play the part so long ago assigned to him by his people. He wanted to be Sidney Carton. Darnay's had always seemed to him the inferior rôle.

      Yet he could not keep his thoughts from her, and for what was left of the year his days and nights were a restless see-saw of longing and repulsion, advance and retreat. His moods were reflected in hers, but always an interview later; that is to say, if he were cold on Tuesday she on Thursday would be colder. If on Thursday he grew earnest, Sunday would find her kind. But he, by that time, was frigid. So that they never, after the first wildly beautiful evening when their hearts went out to each other in a splendour of primitive frankness, met in moods that chimed.

      This safe-guarded him. It irritated her. And it most successfully bewitched them both.

      His people and her people looked on, and were absolutely and sadly convinced that – as her brother put it to his uncle – it was "no go." Thereupon, a certain young-old cotton broker appearing on the scene and bringing gifts with him, her people began to put pressure on her. She loathed the cotton-broker, and said so. One afternoon everyone was by careful accident got out of the way, and the cotton-broker caught her alone. That night there was a scene. Her father talked a little too much of obedience and of duty, her mother played the hysterical symphony with the loud pedal hard down, and next morning the girl had vanished, leaving the conventional note of farewell on the pincushion.

      Now the two families, being on all accounts close allies, had bought jointly a piece of land near the Littlestone golf links, and on it had built a bungalow, occupied by members of either house in turn, according to any friendly arrangement that happened to commend itself. But at this time of the year folk were keeping Christmas season dismally in their town houses.

      It was on the day when the cotton-broker made his failure that the whole world seemed suddenly worthless to the man with the hollyhock bloom in his pocket-book, because he had met her at a dance, and he had been tender, but she, reflecting his mood of their last meeting, had been glacial. So he lied roundly to his people, and told them that he was going to spend a week or two with an old chum who was staying up for the vacation at Cambridge, and instead, he chose the opposite point of the compass, and took train to New Romney, and walked over to the squat, one-storied bungalow near the sea. Here he let himself in with the family latch-key, and set to work, with the help of a box from the stores, borne behind him with his portmanteau on a hand-cart, to keep Christmas by himself. This, at least, was not literary. It was not in the least what a person in a book would do. He lit a fire in the dining-room, and the chimney was damp and smoked abominably, so that when he had fed full on tinned meats he was fain to let the fire go out and to sit in his fur-lined overcoat by the be-cindered grate, now fast growing cold, and smoke pipe after pipe of gloomy reflection. He thought of it all. The cursed countenance which his people were ready to give to the match that he couldn't make – her maddening indecisions – his own idiotic variableness. He had lighted the lamp, but it smelt vilely, and he blew it out, and did not light candles because it was too much