The de Bercy Affair. Tracy Louis

where has Mr. Osborne gone to?" she murmured, making a note in shorthand on the back of one little bundle of correspondence.

      "Somewhere by the coast – I think," said Furneaux.

      "West coast? East coast?"

      "He didn't write to me: he wrote to my Chief" – for, though Furneaux well knew where Osborne was, his retreat was a secret.

      The girl went on with her work, plying the paper-knife, now jotting down a memorandum, now placing two or more kindred letters together: for every hospital and institution wrote to Osborne, everyone who wanted money for a new flying machine, or had a dog or a hunter to sell, or intended to dine and speechify, and send round the hat.

      "It's quite a large batch of correspondence," Furneaux remarked.

      "Half of these," the girl said, "are letters of abuse from people who never heard Mr. Osborne's name till the day after that poor woman was killed. All England has convicted him before he is tried. It seems unfair."

      "Yes, no doubt. But 'to understand is to pardon,' as the proverb says. They have to think something, and when there is only one thing for them to think, they think it – meaning well. It will blow over in time. Don't you worry."

      "Oh, I! – What do I care what forty millions of vermin choose to say or think?"

      She pouted her pretty lips saucily.

      "Forty – millions – of vermin," cried Furneaux; "that's worse than Carlyle."

      Hylda Prout's swift hands plied among her papers. She made no answer; and Furneaux suddenly stood up.

      "Well, you will mention to the valet and the others how the matter stands as to Mr. Osborne. He is simply avoiding the crowd – that is all. Good-day."

      Hylda Prout rose, too, and Furneaux saw now how tall she was, well-formed and lithe, with a somewhat small face framed in that nest of red hair. Her complexion was spoiled and splashed with freckles, but otherwise she was dainty-featured and pretty – mouth, nose, chin, tiny, all except the wide-open eyes.

      "So," she said to Furneaux as she put out her hand, "you won't let me know where Mr. Osborne is? I may want to write to him on business."

      "Why, didn't I tell you that he didn't write to me?"

      "That was only a blind."

      "Dear me! A blind… It is the truth, Miss Prout."

      "Tell that to someone else."

      "What, don't you like the truth?"

      "All right, keep the information to yourself, then."

      "Good-by – I mustn't allow myself to dally in this charming room with the linnets, the sunlight, and the lady."

      For a few seconds she seemed to hesitate. Then she said suddenly: "Yes, it's very nice in here. That door there leads into the morning room, and that one yonder, at the side – "

      Her voice dropped and stopped; Furneaux appeared hardly to have heard, or, if hearing, to be merely making conversation.

      "Yes, it leads where?" he asked, looking at her. Now, her eyes, too, dropped, and she murmured:

      "Into the museum."

      "The – ! Well, naturally, Mr. Osborne is a connoisseur – quite so, only I rather expected you to say 'a picture gallery.' Is it – open to inspection? Can one – ?"

      "It is open, certainly: the door is not locked, But there's nothing much – "

      "Oh, do let me have a look around, and come with me, if it will not take long. No one is more interested in curios than I."

      "I – will, if you like," said the girl with a strange note of confidence in her voice, and led the way into the museum.

      Furneaux found himself in a room, small, but full of riches. On a central table were several illuminated missals and old Hoch-Deutsch MSS., some ancient timepieces, and a collection of enameled watches of Limoges. Around the walls, open or in cabinets, were arms, blades of Toledo, minerals arranged on narrow shelves, an embalmed chieftain's head from Mexico, and many other bizarre objects.

      Hylda Prout knew the name and history of every one, and murmured an explanation as Furneaux bent in scrutiny.

      "Those are what are called 'celts,'" she said; "they are not very uncommon, and are found in every country – made of flint, mostly, and used as ax-heads by the ancients. These rough ones on this side are called Palæolithic – five hundred thousand years old, some of them; and these finer ones on this side are Neolithic, not quite so old – though there isn't much to choose in antiquity when it comes to hundreds of thousands! Strange to say, one of the Neolithic ones has been missing for some days – I don't know whether Mr. Osborne has given it away or not?"

      The fact that one was missing was, indeed, quite obvious, for the celts stood in a row, stuck in holes drilled in the shelf; and right in the midst of the rank gaped one empty hole, a dumb little mouth that yet spoke.

      "Yes, curious things," said Furneaux, bending meditatively over them. "I remember seeing pictures of them in books. Every one of these stones is stained with blood."

      "Blood!" cried the girl in a startled way.

      "Well, they were used in war and the chase, weren't they? Every one of them has given agony, every one would be red, if we saw it in its true color."

      Red was also the color of Furneaux's cheek-bones at the moment – red as hectic; and he was conscious of it, as he was conscious also that his eyes were wildly alight. Hence, he continued a long time bending over the "celts" so that Miss Prout might not see his face. His voice, however, was calm, since he habitually spoke in jerky, clipped syllables that betrayed either no emotion or too much.

      When he turned round, it was to move straight to a little rack on the left, in which glittered a fine array of daggers – Japanese kokatanas, punals of Salamanca, cangiars of Morocco, bowie-knives of old California, some with squat blades, coming quickly to a point, some long and thin to transfix the body, others meant to cut and gash, each with its label of minute writing.

      Furneaux's eye had duly noted them before, but he had passed them without stopping. Now, after seeing the celts, he went back to them.

      To his surprise, Miss Prout did not come with him. She stood looking on the ground, her lower lip somewhat protruded, silent, obviously distrait.

      "And these, Miss Prout?" chirped he, "are they of high value?"

      She neither answered nor moved.

      "Perhaps you haven't studied their history?" ventured Furneaux again.

      Now, all at once, she moved to the rack of daggers, and without saying a word, tapped with the fore-finger of her right hand, and kept on tapping, a vacant hole in the rack, though her eyes peered deeply into Furneaux's face. And for the first time Furneaux made acquaintance with the real splendor of her eyes – eyes that lived in sleep, torpid like the dormouse; but when they woke, woke to such a lambency of passion that they fascinated and commanded like the basilisk's.

      With eyes so alight she now kept peering at Furneaux, standing tall above him, tapping at the empty hole.

      "Oh, I see," muttered Furneaux, his eyes, too, alight like live coals, "there's an article missing here, also – one from the celts, one from the daggers."

      "He is innocent!" suddenly cried Hylda Prout, in a tempest of passionate reproach.

      "She loves him," thought Furneaux.

      And the girl thought: "He knew before now that these things were missing. His acting would deceive every man, but not every woman. How glad I am that I drew him on!"

      Now, though the fact of the discovery of the celt by Inspector Clarke under the dead actress's piano had not been published in the papers, the fact that she had been stabbed through the eye by a long blade with blunt edges was known to all the world. There was nothing strange in this fierce outburst of Osborne's trusted secretary, nor that tears should spring to her eyes.

      "Mr. Furneaux, he is innocent," she wailed in a frenzy. "Oh, he is! You noticed me hesitate just