East Angels: A Novel. Woolson Constance Fenimore

orange-trees as they passed along, these strokes being carefully watched by Torres, who turned his thin neck stiffly each time, like an automaton, to see if the bark had received injury.

      "We make quite a little procession," said Winthrop, looking back. "We have four divisions."

      "What do you think of them?" inquired Garda.

      "The divisions?"

      "No; my four persons about here."

      "Dr. Kirby is delightful, I don't know when I have met any one so much so."

      "Delightful," said Garda, meditatively. "I am very fond of Dr. Reginald, he is almost the best friend I have in the world; but delightful? – does delightful mean – mean – " She paused, leaving her sentence unfinished.

      "Does delightful mean Dr. Kirby?" said Winthrop, finishing it for her. "Dr. Kirby is certainly delightful, but he doesn't exhaust the capacity of the adjective; it has branches in other directions."

      "And the others?"

      "The other directions?"

      "No; the other persons about here."

      "I have seen Mr. Moore so few times that I have had scarcely opportunity to form an opinion."

      "You formed one of Dr. Reginald the first time you saw him. But I was not speaking of Mr. Moore, I meant the others still."

      "Those young natives? Really, I have not observed them."

      "Now, there, I do not believe you," said Garda; "you have observed them, you observe everything. You say that to put them down – why should you put them down? You are very imperious, why should you be imperious?" And she looked at him, not vexed but frankly curious.

      "Imperious," said Winthrop; "what extraordinary words you use? I am not imperious, as you call it, with you."

      "No; but you would be if it were allowable," said the girl, nodding her head shrewdly. "Fortunately it isn't."

      "Make the experiment – allow it; I might do better than you think."

      "There is room for improvement, certainly," she answered, laughing. They had reached the end of the orange aisle, she passed under the green archway (which proved to be quite high enough), and went out into the sunshine beyond, calling "Carlos Mateo? Carlos, dear?" Then, in Spanish, "Angel of my heart, come to me."

      The old garden had long been left untended. It was large, but seemed larger even than it was, because it had wandered out into the forest, and wild growths from there had come back with it; these had jumped boldly across the once well-guarded boundaries and overrun the cultivated verdure with their lawless green; oleanders were lost in thickets, fig-trees, pomegranates, and guavas were bound together in a tangle of vines; flower beds had become miniature jungles in which the descendants of the high-born blossoms that had once held sway there had forgotten their manners in the crowd of lusty plebeian plants that jostled against them. Even the saw-palmetto had pushed his way in from the barrens, and now clogged the paths with his rough red legs, holding up his stiff fans in the very faces of the lilies, who, being southern lilies, longed for the sun. A few paths had been kept open, however, round the great rose-tree, the pride of the place, a patriarch fifteen feet high, its branches covered with beautiful tea-roses, whose petals of soft creamy hue were touched at the edges with an exquisite pink. A little space of garden beds in comparative order encircled this tree; here, too, on the right, opened out the sweet-orange grove.

      This grove was by no means in good condition, many of its trees were ancient, some were dead; still, work had been done there, and the attempt, such as it was, had been persisted in, though never effectually. The persistence had been due to the will of Mrs. Thorne, the ineffectualness to the will of old Pablo. His mistress, by a system of serene determination, had been able to triumph, to a certain extent, over the ancient and well-organized contrariness of this old man – a dumb opposition whose existence she never in the least recognized, though its force she well knew. Each season the obstinate old servant began by disapproving regularly of everything she ordered; next, he carried out her orders slowly, and with as many delays as possible – this not so much from any reasonable objection to her ideas as from his general principles of resistance, founded upon family pride. For Pablo, who was Raquel's husband – a bent little negro of advanced age – could never forget that "Marse Edgar's wife" was but an interloper after all, an importation from New England, and not "ob de fambly c'nection," not even of southern birth. The memory of majestic "Old Madam," Edgar Thorne's Spanish aunt, kept her "Young Miss" still in the estimation of the two old slaves, though "Ole Miss" had now been for a number of years safely in her coquina tomb – "let us hope enjoying rest and peace – as that poor little Mistress Thorne will now enjoy them too, at last," as an old friend of the family, Mrs. Betty Carew, had remarked with much feeling, though some ambiguity of phrase (the latter quite unintentional), the day after the funeral.

      "Young Miss 'lows dese yere's yappul-trees," Pablo said to Raquel, with a fine scorn, as he dug objectingly round their roots. "An' 'lowing it, 'lowing it, Raquel, she orders accordin'!"

      But the southern trees had lived, and had even, some of them, thrived a little under the unwonted northern methods applied to them; Mrs. Thorne, therefore, was able to rise above old Pablo's disapprovals – a feat, indeed, which she had been obliged to perform almost daily, and with regard to many other things than oranges, ever since her first arrival at East Angels, seventeen years before.

      This lady now seated herself on a bench under the rose-tree. She had tied on, over her neat little widow's cap, the broad-brimmed palmetto hat which she usually wore in the garden; this hat had fallen slightly back, and now its broad yellow brim, standing out in a circle round her small face, looked not unlike the dull nimbus with which the heads of the stiff, sweet little angels in the early Italian paintings are weighted down. The clergyman, Mr. Moore, stood beside her.

      The Rev. Middleton Moore, rector of St. Philip and St. James's, Gracias-á-Dios, was a tall gentleman, with narrow, slightly stooping shoulders, long thin hands, a long smooth face, and thin dry brown hair which always looked long (though it was not), because it grew from the top of his head down to his ears in straight flat smoothness, the ends being there cut across horizontally. His features were delicately moulded. His long feet were slender and well-shaped. There was a charming expression of purity and goodness in his small, mild blue eyes. He was attired in clerical black, all save his hat, which was brown – a low-crowned, brown straw hat adorned with a brown ribbon. Mrs. Penelope Moore, his wife, profound as was her appreciation of the dignity of his position as rector of the parish, could yet never quite resist the temptation of getting for him, now and then, a straw hat, and a straw hat, too, which was not black; to her sense a straw hat was youth, and to her sense the rector was young. It was in a straw hat that she had first beheld and admired him as the handsomest, as well as the most perfect, of men; and so in a straw hat she still occasionally sent him forth, gazing at the back view of it and him, from the rickety windows of her Gothic rectory, with much satisfaction, as he went down the path towards the gate on his way to some of the gentle Gracias entertainments. For of course he wore it only on such light, unofficial occasions.

      Dr. Kirby, meanwhile, was making the circuit of the orange grove. He stopped and peered up sidewise into each tree, his head now on one shoulder, now on the other; then he came back, his hands and pockets filled with oranges, which he offered to all; seating himself on the low curb of an old well, he began to peel one with the little silver knife which he kept for the purpose, doing it so deftly that not a drop of the juice escaped, and looking on calmly meanwhile as the other bird, Carlos Mateo, went through his dance for the entertainment of the assembled company. Carlos Mateo was a tall gray crane of aged and severe aspect; at Garda's call he had come forward with long, dignified steps and stalked twice round the little open space before the rose-tree, following her with grave exactitude as she walked before him. She then called him to a path bordered with low bushes, and here, after a moment, the company beheld him jumping slowly up and down, aiding himself with his wings, sometimes rising several feet above the ground, and sometimes only hopping on his long thin legs; he advanced in this manner down the path to its end, and then back again, Garda walking in front, and raising her hand as he rose and fell, as though beating time. Nothing could have been more comical than the solemnity of the old fellow as he went through