A Veldt Official: A Novel of Circumstance. Mitford Bertram

while a couple of Hottentot boys, who have emerged from a squalid shanty by the roadside, are busy outspanning. “We shall have to send over passengers and mails in the box.”

      “Oh heavens!” faintly ejaculates the distressed fair one; “I can never do it!”

      “Oh yes you can!” says Roden, who has assisted her to alight. “It’s perfectly safe if you sit still and keep your head. Don’t be in the least afraid; I’ll see you across all right.”

      She gives him a grateful glance, and answers that she will try. Seen as she stands up she is a good-looking woman of about thirty, with light brown hair and blue eyes. She is rather above the middle height, and there is a piteous look in her white and travel-worn face, half expressive of a consciousness of looking her worst, half of the mingled apprehension and discomfort born of the situation.

      “Go on up to the box, lady and gentlemen,” says Henry, the post driver. “I’ll bring along your traps, and send ’em over with the mail-bags.”

      Roden recognises that if he is to get his charge, for such she has now become, to cross at all, the less time she has to think about it the better; wherefore he seconds this proposition, and accordingly they get under way.

      The bed of the river is some sixty feet deep by nearly twice that distance in width, and, like that of most South African streams, in ordinary weather is threaded by a comparative trickle. Such rivers, however, after a few hours of heavy rain, or even one of those deluging thunder showers which are at certain times of the year of frequent and momentous occurrence, are wont to roll down in a furious, raging flood, and that with scant warning, if any; and now the bottom of this one is covered with at least ten feet of foaming, swirling water, coming down with a velocity and power against which the strongest of swimmers would stand not the ghost of a chance.

      High in mid-air, looking like the mere gossamer thread of a spider’s web spanning the abyss, is a rope of galvanised iron, and swung on this, dependent on a couple of pulleys, is the “box.” It is literally a box, a low-sided, flat concern, seven feet long, and just wide enough for a human being to sit in, and when it is remembered that occupants of this, for it will carry two at a time, are under the strictest necessity of keeping carefully in the centre, under pain of capsizal, and must also lower their heads to avoid the rope, it follows that, to a nervous person, the process of being swung out over a very abyss of boiling, seething waters, and gradually hauled across to the other side, is an ordeal which verges upon the terrific. And, as if to enhance the effect, the spot chosen for this particular apparatus to be hung is the highest point of the steep, well-nigh precipitous bank; the real reason being, of course, that such point is the clearest from which to work it.

      “I had better take the lady across first,” suggests Roden to his other travelling companion. The latter nods, and proceeds to fill a fresh pipe with the utmost unconcern, an example followed by a brace of stolid-faced Boer transport-riders, who stand watching the proceeding with characteristic phlegm. Two grinning Kaffirs stand prepared to work the rope.

      But at sight of the rolling flood, whirling its load of tree-trunks and driftwood right beneath her feet, the frightened woman utters a piteous cry and draws back. She would rather wait for days, she protests, than be swung in mid-air over that horrible river. What if anything were to give way; what if the box or even the iron rope were to break, for instance! “There isn’t a chance of anything of the sort,” urges her self-constituted protector; “I’ve been over far shakier concerns than this. Come now, jump in. We have only to sit opposite each other, and talk, and they’ll have us over in a twinkling. Only be careful and sit well in the middle, and keep perfectly still.”

      He makes as though he would help her in, but she shrinks back in terror, then turns a wild stare upon him and upon the river, then sways, staggers, and would fall but that he has caught her. She has swooned.

      “Now, mister, now’s your time,” says the other man. “If you feel equal to taking her across, now’s the time to do it. Don’t try to bring her round. She’ll go easier that way.”

      The idea is a good one. Roden, prompt to act, takes his seat in the “box,” which is drawn up upon the bank, and the post driver having now come up, the two men raise the limp form of the unconscious woman, and place it so that she lies, her head and back resting against him as though they were tobogganing. In this attitude he has her under perfect control, even should she regain consciousness during the transit.

      “Ready!” he says. “Lower away now!”

      Their shout having met with a response on the other side, the two Kaffirs carefully launch the box, and, with a whirring, creaking accompaniment of the pulleys, down it goes, to stop suddenly as it reaches the utmost droop of the iron cord on which it runs. Then those on the other side start hauling, and slowly and laboriously it ascends. Still Roden’s charge remains blissfully unconscious. Ten yards – five – the bank is nearly reached – when – there is a snap, a jerk; and with a suddenness and velocity which nearly overbalances it, away goes the thing back again over the centre of the stream. The hauling line has given way. The box with its human freight hangs helplessly over the seething, roaring abyss.

      The volley of curses attendant upon this mishap having subsided, those on the further bank are heard in loud discussion as to what shall be done next. The simplest plan will be to haul the box back again, but Roden does not want this. Having embarked on the enterprise, he feels an obligation to carry it through; and then as the situation strikes him, he laughs queerly over the absurdity and unexpectedness of the same. Here he is, swung in mid-air like a bale of goods in a crate, hanging above a furious torrent, supporting the unconscious form of a fair stranger, who leans against him as heavily as if she belonged to him. Yes, the situation is ridiculous, and supremely uncomfortable; for he is cramped and dead tired, and it is beginning to get dark.

      “Heave a fresh line!” he shouts. “I’ll catch it if you throw straight.”

      “All right, mister,” answers the voice from the bank. “But you be darn careful not to move from the middle. Now —Pas op!”

      The line whistles out into the air. Roden, keeping a careful watch upon his balance, catches it deftly, for it has been noosed. Then, planting his feet firmly against the end plank, to do which necessitates that he shall lie almost flat and still preserve the balance both of himself and his charge, he shouts to them to haul away.

      In vain. In his constrained position he cannot support the tension. It is a case of letting go or being dragged bodily from the receptacle. So he sings out to them to slacken out again, and the box drops back to the centre of the iron rope. The only thing to be done now is to be hauled back, where those on the bank he has just left can fasten the line securely to its bolt.

      No sooner is this done than his charge shows signs of returning consciousness.

      “Where am I?” she ejaculates, wildly striving to sit up, an effort which, did he not forcibly repress, would result in their prompt capsizal.

      “Sit still! sit still! We shall be across directly!” he says.

      But as the box shoots down and dangles motionless for a moment above the centre of the flood, then moves forward in jerky tugs as it is hauled to the opposite side, the terrified woman gives vent to a series of hysterical shrieks, struggling wildly to tear herself from his grasp, so utterly lost are all her capabilities of reason in the mad frenzy of her terror. It is a perilous moment, for now darkness has set in, and the bellowing, seething rush of the great flood adds an indescribable element of horror to the situation.

      “Sit still, and don’t be so idiotically foolish. Do you hear?” he shouts angrily into her ear as he realises that her frantic struggles almost succeed. “You are perfectly safe; but if you go on at this rate you will upset us both.”

      The loud, almost brutal tone is entirely successful. It turns her thoughts into a new channel, and seems to quiet her. Then, before she has time to relapse, the bank is reached, and the box, grasped by half-a-dozen pairs of hands, is dragged up into safety.

      “Better take her up to the hotel, mister,” says one of the men who is working the box apparatus.

      The whitewashed walls of a house standing back