A Top-Floor Idyl. Van Schaick George

her rather hard to paint, because it's difficult for her to keep still. Keeps on asking indignantly why I put blue on her nose, and reaching out for the box of chocolates. I told her last time I couldn't paint her with one cheek all bulged out with pralinés. It made her laugh, and I lost fifteen minutes before I could quiet her down."

      He worked hard for another ten minutes, during which I considered that he was rather severe on the young lady, or else had idealized her, which is not a habit of his. To me she looks kindly and not a bit unintelligent, a rather fine specimen of the robustious modern young woman. Gordon picked up his brushes.

      "That'll do," he said. "The light is changing. Now what the devil do you want? Awfully glad to see you."

      My friend is a good listener. I told him about Frances Dupont, giving him a brief account of her story and explaining that Frieda and I wanted to find something for her to do.

      "Of course," I finally said, "I suppose that you are going away very soon to spend the rest of this hot summer in the country. Otherwise, I would have asked if you couldn't make use of her for a model, at least till we can find something else."

      "I'm not going away yet," he answered, "and I emphatically cannot employ her, or, at any rate, I won't, which comes to the same thing. Hitherto I have kept my serenity of mind unimpaired by the simple process of fighting shy of females in distress. There are lots of models who can be depended on to keep their mouths shut and not bother a fellow. My interest is in my picture and nothing else, and I refuse to have it diverted by the economical problems of ladies on their uppers. If you want a check, I'll give it to you for her, not on her account, but because you're the best, old, weak-minded idiot in this burg and I'm glad to help you out, however silly your quixotic ideas may be. Wait a minute, I'll write one out for you."

      "No," I answered, "I've just sold two stories and got some advance royalty on my novel. I'd come and ask you for money, if I needed it, urgently. I might have to, some day. But this poor thing's worrying herself to death and that's what I want to remedy at once, if possible. A little occupation would give her something else to think about. If I tell her that she will have to pose in silence, that it's a part of the work she's engaged for, she won't say a word. She's an intelligent woman."

      "Why doesn't Frieda employ her?" he asked.

      "Because she's no slender, ethereal sprite. Doesn't have anything of the woodland nymph about her, that's why. Besides, Frieda's doing an Orion with a covey of Pleiades scattering before him, at present."

      "I have nothing for the Winter Academy, just now," said Gordon, appearing to relent a little. "Strangely enough, Miss Van Rossum doesn't care to have her portrait exhibited. If I really found a remarkable type, I'd like to do a mother and child. If you really think this Mrs. Dupont will keep still and is willing to earn a few weeks of bread and cheese by the silence of her tongue and some ability to sit quietly in a chair without getting the fidgets, I shouldn't mind trying her. But, of course, she'd have to come up to specifications. I'll have to look at her first. Have you spoken to her about it?"

      "Not a word," I answered, "I didn't want to see her disappointed."

      "Of course, it's a foolish thing to do," he said, "but you're so anxious about it that I'll see whether it can be managed. She's just heard of her husband's death, has she? Well, she won't be thinking of other men for a while and won't expect to be made love to. Take up your hat, and we'll go over to that nursery of yours. I'll look her over."

      If I hadn't known him so well, I should have been provoked at his speaking as if the woman had been some second-hand terrier I wanted to dispose of. We took the elevator and were shot down to the ground floor.

      "Mind you," he warned me, "it's ten to one that I'll discover something that will make this errand useless. The mere fact of a woman's having a broken-down voice and a baby doesn't necessarily qualify her to pose as a mother. The woods are full of them. You've probably endowed her with good looks that exist only in your imagination."

      To this I made no answer. The mere fact of his having consented to investigate was already a distinct triumph for me. Twenty minutes later we were climbing up the stairs of what he called my zoological boarding-house.

      On the second landing, he stopped abruptly and listened. Then he turned to me with a corner of his mouth twisted in the beginning of one of his sarcastic grins.

      "Who's that playing your piano?" he asked.

      "I – I fancy it must be Mrs. Dupont," I answered. "You see, she's very much alone, and my door was open, and I suppose she saw the thing and walked in, not knowing that I should return so soon."

      "Oh! You needn't look so sheepish," he told me. "You look as if a policeman had caught you with a jimmy in your hip-pocket. My dear old boy, I hope she isn't the straw that's going to break your back, you old Bactrian camel! The little wagons they use for the carrying of dynamite in New York, wherewith to soften its tough old heart and permit the laying of foundations, are painted red and marked explosives. Were I the world's czar, I should have every woman labelled the same way. They're dangerous things."

      Gordon is somewhat apt to mix his metaphors, a thing rather natural to one who seeks to wed his wit with a pose of scepticism. Really simple language, clothing ordinary common sense, is inadequate for a scoffer; also, I am afraid, for a man who writes about mules and virtuous dogs.

      I think we both instinctively stepped more lightly in ascending the remaining stairs. She was playing very softly. It was a dreamy thing with recurring little sobs of notes. For a moment we stopped again; I think it had appealed to us. Then I went in, accompanied by Gordon, and she ceased at once, startled and coloring a little.

      "I am so glad you were diverting yourself with the old piano," I told her. "I hope you will always use it when I am out, and – and perhaps once in a while when I am in. My mother used to play such things; she wasn't always happy. I beg to present my friend Gordon McGrath, who is a great painter. He's awfully fond of Frieda."

      This, I think, was a canny and effective introduction. Any friend of Frieda's must be very welcome to her.

      "Madame," said Gordon, after she had proffered her hand, "won't you oblige us by sitting down. You have been caught in the act and deserve the penalty of being humbly begged to play that over again."

      She looked at me, uncertainly.

      "It would give me ever so much pleasure," I assured her.

      At once she sat again and touched the keys. I know so little of music that my opinions in regard to it are utterly worthless, but I knew at once that she was no marvelous pianist. No, she was only a woman with a soul for harmony, which found soft and tender expression on my mother's old Steinway. Gordon, I noted, sat down in my worst chair, with an elbow on his knee, his chin resting on the closed knuckles. It was evident that he was watching her, studying her every motion, the faint swaying of her shapely head, the wandering of her hands over the keyboard. Once, she stopped very suddenly and listened.

      "I beg your pardon," she said, "I thought it was Baby."

      She went on, reassured, to an ending that came very soon. It left in me a desire for more, but I could not ask her to continue. She had brought a tiny bit of herself into the room, but she belonged body and soul to the mite in the other.

      "I am ever so much obliged to you," I said, as she rose.

      "Madame," said Gordon, "it was indeed a treat."

      "I am very glad you liked it," she said very simply, "and – and now I must go back."

      She smiled, faintly, and inclined her head. We had both risen and thanked her again. She passed out of the room and, once she had regained her own, I heard her faint, husky voice.

      "It's mother's own wee lamb!" it said.

      Gordon picked up one of my cigarettes, looked at it, put it down, and took one of his own from his case. Then, he went and stood in front of my open window, looking out, with his hands stuffed deeply in his trousers pockets. I maintained a discreet silence.

      "Come over here," he ordered, brusquely, as is often his way, and I complied, holding on to my calabash and filling it from my pouch.

      "Dave," he said, very low, that his