London's Heart: A Novel. Farjeon Benjamin Leopold

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Название London's Heart: A Novel
Автор произведения Farjeon Benjamin Leopold
Жанр Зарубежная классика
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Издательство Зарубежная классика
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to you than life! The tick of the clock then isn't like the tick of the clock at any other time. It seems to bring a warning to you, like; it sounds so solemn, that it brings a creeping feeling on you, and you're almost too frightened to look over your shoulder. That night we could have heard a pin drop, everything was so quiet. Polly was so still that I put my face close to hers on the pillow to catch her breathing, and I was laying like that when she opened her eyes quite wide. It gave me a dreadful turn, for I didn't know what was going to happen. But she opened her eyes for good, thank God! 'Where's father?' she asked. I couldn't have heard her, she said it so soft, if my face hadn't been close to hers, and if my heart hadn't been in my ears. 'Where's father?' she asked. I motioned to Lily, and she woke Jim; and Polly moved her thin little hand towards him and smiled. She wanted to put her hand on his neck, but she was that weak she couldn't. So Jim, with the tears running down his face, but making believe to laugh as if they was having a game together, puts his face quite close to hers, and kisses her, and from that moment Polly mended; and father and her they romp together in the morning as they used to do, and pretend more than ever, I think."

      Here Mrs. Podmore wipes her eyes, and asks the old man to forgive her for being such a gossip. "I've come to ask you, as you're going to stay in, to tell Jim, if he comes home before I'm back, that I won't be gone long."

      "I'll tell him; and perhaps, Mrs. Podmore, you wouldn't mind my asking your husband if he would go to the music-hall, and bring Lily home. I can't leave my daughter, you see, and Alf's not here, and I don't like the idea of Lily walking through the streets by herself."

      "Ask him and welcome," says Mrs. Podmore; "but, love your heart Mr. Wheels, Jim'll be that sleepy when he comes upstairs that I don't think he's to be trusted. He can hardly see hisself home when he's done work, he's that worked off his legs; and he's worse on Saturday than on any other night. How he manages to tumble through the streets is more than I can tell; it's a mercy he ain't run over. He always waits in the passage for me to come and help him up, and when he is up, he tumbles down dead beat. That's why I asked you to tell him about my being out, you being nearest the street-door. To be sure Jim is a little brighter sometimes than others, and he may be so to-night."

      The old man clings to this hope, and nods to Mrs. Podmore, who hurries out of the house. Then the old man falls to counting the seconds until Mr. Podmore makes his appearance. He has not long to wait. In a short time he hears the street-door opened and slammed-to. "That's Mr. Podmore," says the old man, starting from his chair and listening anxiously; "I hope he's not too tired to go."

      Mr. Podmore seems to be not only too tired to go, but too tired to come. When he has slammed the street-door, he leans against it, and dozes. He has no need to close his eyes, for they were closed when he opened the door. He remains in this position for a few moments, then shuffles along the passage. Coming to the stairs, he sits upon the lowest step, and yields to the soft-sleeping murmurs which are overpowering him. Rousing himself, he sets himself in motion again, and begins to ascend the stairs, dragging his feet wearily, and falls asleep again before he arrives at the landing. In this way he reaches the old man, who is waiting to speak to him, and who is already tormented by the fear that this is not one of Mr. Podmore's bright nights.

      Mr. Podmore is followed by a dog-a rough, yellow Scotch terrier-every hair in whose body bristles with watchfulness. It is a small dog, viciously faithful, and as it waits patiently and intelligently upon its master's movements, observing every motion with its watchful grey eyes, it declares clearly, "Here am I, wide awake, and armed at all points. Touch him if you dare with any but a friendly hand! Address him at your peril in any but a friendly voice! I'm on guard, faithful and true, and I can distinguish friends from foes. I can smell them." No signs of impatience are visible in the dog's demeanour at Mr. Podmore's slow progress upstairs. It follows its master's footsteps with serious attention, watches while he dozes, pricks up its ears as he sets himself in motion again, and now stands on the landing before the old man with its nose close to its master's legs.

      "Good-evening, Mr. Podmore," says the old man.

      "Good-evening."

      He blinks at the light which the old man holds in his hands, closes his eyes, and shows so decided a disposition to lean against nothing, that the old man has to save him from falling. This arouses him for a moment, and seeing the door open, he staggers into the room, and sinks into a chair. He is a well-made man, thirty years of age perhaps, and belongs unmistakably to the working classes-to one of the most perilously-worked of the working-classes. He carries a blue-cotton pocket-handkerchief containing an empty basin and plate which has held his dinner, and his hands and face are black with dirt. As he sits in the chair, having fallen rather heavily into it, the dog stretches itself under the seat, with its nose between its master's legs. You can see nothing of it but the tip of its nose and its two watchful grey eyes, steady and clear and humid, on the look-out for squalls.

      "Where's my wife?" murmurs Mr. Podmore drowsily.

      "She asked me to tell you," replies the old man, regarding Mr. Podmore doubtfully, "that she's gone to see her sister's child, who is ill. She'll be back soon."

      "All right," says Mr. Podmore, upon whose ears the old man's gentle voice falls so soothingly that the soft sleep-murmurs take more complete possession of him; he sways forward in his chair, and is on the point of falling to the ground on his face, when he recovers himself by a sudden convulsive movement.

      "Hush!" says the old man, casting an apprehensive look towards the bed. "Don't make a noise."

      "Never fear," murmurs Mr. Podmore. "I have enough-noise-every day-to last me-my life-time."

      He does not say this all at once, but breaks off two or three times to doze. Seeing him in this condition, the old man relinquishes his intention of asking him to go for Lily; his great anxiety now is to get rid of the tired-out man. But Mr. Podmore, overpowered by exhaustion, and wooed by the quiet that prevails, is so desperately bent upon falling into a deep sleep, that the old man has much difficulty in arousing him.

      "Come, come," he urges, "rouse yourself, Mr. Podmore. Don't you think you would be more comfortable in bed?"

      "I'm comfortable-enough," says Mr. Podmore, leaning his head on the old man's breast; "if you'll-let me be. I'm dead-beat. Where's my-precious-little Pollypod?"

      "Up-stairs. Waiting for you. I want to take you to her."

      Mr. Podmore rises unresistingly, and they stagger up-stairs to his apartment on the third floor. The dog follows them. A candle is alight in the wash-bowl, and Pollypod is in bed, asleep. The dog, satisfied that a safe haven is reached, leaps upon the bed, and after licking Pollypod's face, curls itself at the foot of the bed, following its master's movements now with lazily-watchful eyes. Mr. Podmore clings to the old man, who assists him on to the bed, and determines to wait until the tired-out man is asleep. Mr. Podmore, nestling close to Pollypod, thinks it necessary to enter into an explanation before his senses entirely desert him, and he mingles his apologies with expressions of endearment towards his child.

      "You see, Mr. Wheels," he murmurs, at intervals, "When a man's-a pointsman-(my little darling!) – and has to be at it-fourteen and sixteen and eighteen-hours a day-he ain't accountable-for hisself. The company says-he is-and the public says-he is; but I'm-a pointsman-and I know-better. (Don't I, Pollypod!) I've been on duty-now-since five o'clock-this morning-and I'm dead-beat. (Dead-beat, Pollypod!) What'd the public-say to that-if they knew it? I'm dead-beat-and I ain't accountable-for myself. (Am I, my pretty?) I wish the public-and the company-'d try it theirselves, – for a month. (To-morrow's Sunday, Pollypod, thanks be!) Last week-there was a-a accident-on our line-you saw it-in the papers. One woman-was killed-and others was-shook. The papers had articles on it-and the pointsman-who was dead-beat-was took in custody-and the coroner-said-said – "

      But what the coroner said is not repeated on the present occasion, for Mr. Podmore falls into utter unconsciousness, and being undoubtedly as dead-beat as it is in the power of mortal to be, sleeps the deepest of deep sleeps. While the faithful dog, cozily coiled up on the bed, blinks and blinks at the candle, in a state of uncertainty as to whether a lurid star which gleams in the long dull wick is friend or foe.

      CHAPTER II

      IN WHICH DRIBBLE JUNIOR DISCOURSES ON CO-OPERATION

      The