Vision House. Williamson Charles Norris

but not less original; a black bowl, half full of water bright and pale green as aquamarines, on the surface of which floated three pink pond-lilies. The bowl stood on the star's dressing-table, and, switching on the electric lights, a gleam as of drowned emeralds sparkled under the lilies. Marise cried out in delight, and ran to look for a card. This time he would reveal himself! (She knew it was "he," and that it was the same man who had sent the table.) But no. There was neither card nor note. Messenger boys had brought the bowl. They had driven up in a taxi. If only Marise had dreamed of receiving a second gift from the same source, she would have watched – or even employed a detective. She was so excited and curious that she feared for her acting that night.

      With the bowl and the lilies had come a large jar of crystals for tinting the water: green, glittering lumps, like precious stones from Aladdin's Cave, and that was precisely the label on the jar of jewels: "Aladdin's Cave." Marise was childishly thrilled. When Belloc peeped in, she showed her treasures, and learned that "Aladdin's Cave" was the name chosen by a queer artist, new, but famous already for his exhibition-shop in a cellar of that Bohemian haunt known as Greenwich Village.

      Next morning the girl went there in a taxi: and when she had bought exotic enamels, and transparent vases filled with synthetic sapphires, she told "Aladdin" about the bowl. Like Herté, he shook his head. He was but another man who "could not go beyond a District messenger boy."

      The stage door-keeper was now warned to find out what he could, if another anonymous gift appeared. Also, Céline was sent early to the theatre. Marise could not, however, quite bring herself to engage a detective. She was tempted to do so, and urged by her mother, who had visions of a mysterious millionaire ready to take the place of Severance if the Englishman failed after all. But the girl felt that to set sleuth-hounds on its track would kill romance. It would, she told Mums, be like deliberately rubbing the bloom off hothouse grapes before you ate them. And as it turned out, she was glad she had listened to sentiment; for on the third night her only offerings were chocolates and flowers ticketed conspicuously with their givers' names.

      This was like a too abrupt ending to a fairy tale. But, after all, it was only the end of a chapter. On the fourth night a long blue-and-silver box lay across two chairs in the dressing-room. It looked like a box from a smart dressmaker, though no dressmaker's name was visible. "Has Mademoiselle ordered anything?" Céline inquired, as she untied the ribbon-fastenings.

      No, Mademoiselle had ordered nothing that day – at least nothing for the theatre. She gave a little gasp as the Frenchwoman removed the box cover and a layer of silver-stencilled blue tissue paper. Underneath filmed a pale blue cloud which Marise snatched up and pronounced to be a "boudoir gown." It was made from a material which fashion names mousseline de soie one year and something else another. It was the blue of bluebells, banded with swansdown and embroidered with silver thistles. Altogether, it might have been created expressly for Miss Sorel by an admiring genius.

      "From Herté!" exclaimed Mums.

      But Marise knew better, and would pit her own "instinct" against her mother's any day. "No, from Him," she pronounced. "If this goes on much longer without my finding out who He is, I shall simply perish."

      And it did go on: not night after night, but stopping, and beginning again just as she thought the giver's invention exhausted or his pockets empty. It went on for ten days, until Marise had received, in addition to the three first gifts, an ancient Italian mirror in a carved silver frame; an exquisite wax doll, modelled and dressed to represent herself as "Dolores" in the third act of "The Spring Song," and an old Sèvres box filled with crystallised violets – evidently his favoured flower.

      "He must be rich, or else he's poor, and so in love that he's absolutely beggaring himself for you," said Mrs. Sorel.

      Marise volunteered no opinion. But secretly she preferred the second hypothesis. She was used to rich men; but no girl is ever really used to Romance. The mystery thrilled and delighted her, and bored Severance to distraction. He realised that, if he said to the girl what he had to say while this spell was upon her, she might let him go with hardly a pang, instead of clinging to him at almost any price. So he did not say it. He waited, and sent several cables to his mother's half-brother, Constantine Ionides, one of the richest bankers in Europe. In the first of these telegrams he stated that he had influenza, and might not be allowed to travel for several weeks, but, as soon as he could, he would return to London. This, because he had come to a certain understanding with his half-uncle before undertaking the American "mission," and because Mr. Ionides unluckily knew that the unimportant mission was now wound up.

      At the end of ten days the girl decided upon a desperate step, for she felt that "Dolores" as well as Marise Sorel was beginning to suffer from curiosity deferred. She forgot to take a cue on the night of the doll; and at home, after she had been in bed an hour, she suddenly sat up and switched on the light. On a table within reach of her hand were paper and envelopes, and a gold fountain-pen given her by Severance. Quickly she wrote out a paragraph which she had composed in the sleepless hours; and without a word to Mums (sure to disapprove) she gave it very early next morning to Céline with instructions.

      That evening, in some of the New York papers, and the following day in all those which had "personal" columns, her paragraph appeared. "Dolores thanks the anonymous friend who has sent her six charming gifts in ten days, and begs that he or she will make an appointment to call at her hotel as soon as possible, in order that Dolores may express her pleasure and gratitude by word of mouth."

      When Marise read this appeal in print her heart beat in her throat, and she was dreadfully afraid that her mother or Severance might happen to glance down that column. But she was even more afraid that the person to whom it was addressed might not.

      CHAPTER VI

      ON SUNDAY AT THREE

      "Oh, by the way, Miss Marks," said Marise, "you needn't trouble to read my letters this morning. I – er – slept badly, and I'm up at such an unearthly hour, I might as well go through them myself."

      She spoke from the doorway between her bedroom and the salon, where Miss Marks, her secretary, was taking off gloves and hat before getting to work; and she had on the boudoir gown of mousseline de soie and swansdown sent by the Great Unknown a week ago. This was the first time she had worn it, and Miss Marks's eyes sent forth a flash which might mean admiration or jealousy, or both. Marise diagnosed the emotion as jealousy. If she were right, she was sorry for the girl, who, though handsome, could not compare with her, and who, though very intelligent, was only a stenographer, at about twenty-five: two years older than she, who was already a brilliant star!

      This thought was but a flash, brief as the flash in the secretary's eyes, for instantly the mind of Marise turned to the letters. Thank goodness she was in time! Another three minutes, and she might have been too late. Miss Marks would by then have begun her first task of the day: opening letters and sorting them, placing requests for autographs and photos in one pile, pleas for money in a second, demands for advice or help about going on the stage in a third, and so on. Who could tell if the one envelope whose contents no eye but Marise Sorel's should see mightn't lie at the very top?

      As a matter of fact, it did not lie at the top. It was nearer the bottom, and long before she found it Marise had begun to fear that it didn't exist.

      The trying part was that the envelopes told her nothing. She had to cut or tear open each one, unless she recognised the handwriting of the address, and could then throw it aside till later. She went through the business curled up on a sofa, sitting on one foot, which showed among snowdrifts of swansdown. It was a stockingless foot, thrust into a silver mule lined with blue velvet; and her skin was satin smooth and creamy pink as the inside of a conch shell. Miss Marks noticed this, and noticed also how long and thick was the plait of yellow-brown hair that dangled over the sofa-back, its curling end within a few inches of the floor. She smiled faintly as she saw how fast her employer worked, and how she tossed the letters aside after a fevered glance at each. Marise was quite right. Miss Marks was very intelligent! She knew, almost as well as if she had been told the whole story, just why Miss Sorel had got up at so "unearthly an hour" this morning.

      "Ah, now she's found the one she didn't want me to see!" the dark girl said to herself, as the face of Marise turned suddenly pink, and bent over a