The Message. Tracy Louis

us,” he said, and drew in the dinghy’s painter until he was able to secure the gourd.

      He was on his knees when he lifted it in both hands and turned it round to ascertain what it was that had so upset his stout friend. In reviewing his first impressions subsequently, he arrived at the conclusion that close familiarity with the features of the West African negro must have blunted his mind to the true significance of the hideous face that scowled at him from the rounded surface of the calabash. He paid heed only to the excellence of the artist – none to the message of undying hatred of every good impulse in mankind that was conveyed by the frowning brows, the cruel mouth, the beady, snake–like eyes peeping through narrow slits cut in the outer rind. Were not the lineaments those of a pure negro, he would have imagined that some long–forgotten doyen of the Satsuma school had amused himself by concentrating in a human face all that is grotesque and horrible in the Japanese notion of a demon. But there was no doubting the identity of the racial type depicted. Warden could even name the very tribe that supplied the model. A curious crinkled ring that had formed round the gourd near the upper part of its egg–shaped circumference suggested the quoit–shaped ivory ornament worn by the men of Oku. Oku used to be a plague spot in West Africa. It is little better to–day, but its virus is dissipated by British rule.

      Warden’s kindling glance soon detected other important details. The raised ring, and certain rough protuberances that might have borne a crude likeness to a man’s face when the gourd was in its natural state, were utilized with almost uncanny ingenuity to lend high relief to the carving. Indeed, the surface had been but slightly scored with the artist’s knife. Half–lowered eyelids, a suggestion of parted lips and broad nostrils, some deep creases across the brutish forehead, and a sinister droop to each corner of the mouth – these deft touches revealed at once the sculptor’s restraint and power. The black skin was simulated by a smooth and shining lacquer, the ivory ring by a scraping of the rind that laid bare the yellow pith. No characteristic was over–accentuated. The work offered a rare instance of the art that conceals art.

      And Warden felt that none but an artist worthy to rank with the elect could have conceived and carried out this study of some fierce negro despot. That it was a genuine portrait he did not doubt for a moment. It seemed to him that in its creation hate and fear had gone hand in hand with marvelous craftsmanship. The man who exercised such cunning on the inferior material provided by a rough–coated calabash was not only inspired by the pride of conscious power but meant to leave an imperishable record of a savage tyrant in his worst aspect. A great Italian painter, limning his idea of the Last Judgment, gratified his spite by placing all his enemies among the legion of the lost. This unknown master had taken a more subtle revenge. It was possible that the black chief, had he seen it, would have admired his counterfeit presentment. It demanded a more cultured intelligence than Oku society conferred to enable him to appreciate how plainly an evil soul leered from out a dreadful mask.

      In no respect was the truth of the image more convincing than in the treatment of the eyes. A minute mosaic of chalcedony was used to portray white and iris and cornea. Small pieces of clear crystal formed the pupils, and the rays of light glinted from their depths with an effect that was appalling in its realism. Thus might the eyes of a cobra sparkle with vindictive fire. They exercised a diabolical mesmerism. Warden, rapt in his admiration of a genuine work of art, remained wholly unconscious of their spell till he heard a faint gasp of horror from the girl.

      He turned and looked at her in quick dismay. All the roses had fled from her cheeks, leaving her wan indeed. Her own fine eyes were distended with fright. She, like Peter Evans, gave no heed to the consummate skill of the designer. She was fascinated at once by that basilisk glare. It thrilled her to the core, threatened her with immeasurable wrongs, menaced her with the spite of a demon.

      “This is the most wonderful thing of its kind I have ever seen,” said Warden eagerly.

      Though he was not yet awakened to the magnetic influence exercised by the vile visage he could not fail to note the girl’s consternation. He thought to reassure her by pointing out the marvelous craft displayed in its contriving.

      “It is amazing in every sense,” he went on, bringing the gourd nearer for her inspection. “Although the calabash is of a variety unknown in West Africa, the face gives a perfect likeness of an Oku chief. There is a man in Oku now who might have sat to the sculptor, though he is far from possessing the power, the tremendous strength, of the original. Yet it seems to me to be very old. I cannot, for the life of me – ”

      A loud crash interrupted him. Chris, removing the remains of the feast, had gazed for an instant at the astounding object in Warden’s hands. The boy backed away, and tripped over a coil of rope, with disastrous result to the crockery he was carrying.

      Warden’s voice, no less than the laugh with which he greeted Chris’s discomfiture, restored the poise of the girl’s wits.

      “You obtained that for me, did you not?” she cried with a curious agitation.

      “Yes, of course,” said he.

      “Then give it to me, please.”

      He was certainly surprised, but passed the gourd to her without further comment. She half averted her eyes, took it unhesitatingly, and tried to pitch it into the water. For its size, it was astonishingly light. Were it as heavy as she imagined, it must have dropped into the Solent several yards from the vessel. As it was, it flew unexpectedly high, struck a rope, and fell back on deck, whence it bounded, with the irregular bounce of a Rugby football, right into Warden’s hands again.

      “That was a mad trick,” he said almost angrily.

      “Oh, please, throw it away,” she pleaded.

      “Throw away a rare and valuable curio! Why?”

      “Because it will bring you nothing but ruin and misery. Can you not see its awful meaning? Throw it away, I implore you!”

      “But that would be a crime, the act of a Vandal. It may be the chiefest treasure of a connoisseur’s collection. Would you have me ape some fanatic Mussulman hammering to atoms a statue by Phidias?”

      “There is no beauty in that monstrous thing. It is – bewitched.”

      “Oh really, Miss Dane – we are in England, in the twentieth century.”

      He laughed indulgently, with the air of an elder brother who had forgiven her for an exhibition of pettish temper. He held out the calabash at arm’s length and viewed it critically. He saw immediately that the crown inside the ring was misplaced.

      “Hello!” he muttered, “you did some damage, then!”

      Closer inspection revealed that the fall had loosened a tightly fitting lid hitherto concealed by the varnish used as a preservative. He removed it, and peered within.

      “A document!” he announced elatedly. “Perhaps, after all, your unaccountable frenzy was a blessing in disguise. Now, Miss Dane, we may learn what you termed its ‘awful meaning.’ But, for pity’s sake, don’t yield to impulse and rend the manuscript. You have cracked his chiefship’s skull – I pray you spare his brains.”

       CHAPTER III

      WHEREIN A STRONG MAN YIELDS TO CIRCUMSTANCES

      Curiosity, most potent of the primal instincts, conquered the girl’s fear. As it happened, Warden was still kneeling. He sat back on his heels, rested the calabash against his knees, and withdrew a strip of dried skin from its cunningly devised hiding–place. It was so curled and withered that it crackled beneath his fingers when he tried to unfold it. Quite without premeditation, he had placed the calabash in such wise that the negro’s features were hidden, and this fact alone seemed to give his companion confidence.

      “What is it?” she asked, watching his efforts to persuade the twisted scroll to remain open.

      “Parchment, and uncommonly tough and leathery at that.”

      He did not look up. A queer notion was forming in his mind, and he was unwishful to meet her eyes just then.

      “It looks very old,” she said.

      “A really respectable