The Intriguers. Le Queux William

am sure it has been a tragic one.”

      And Corsini, departing from his usual mood of reticence, imparted to the old Frenchman the details of his career.

      His father, the elder Corsini, had been first violin at the Politeama Theatre in Florence, while comparatively a young man. He had quarrelled violently with the manager and been dismissed. Confident in his ability, he had come over to England to seek his fortune afresh. Here he had met and fallen violently in love with a young English girl, some few years his junior. She was a pianist by profession, in a small way. She attended at dances, played accompaniments at City dinners. Her income was a very meagre one. She was the product of one of the numerous schools that turn out such performers by the dozen.

      They married, and Corsini soon discovered that he was not the great man he imagined himself to be. Also, he was of a frail and weakly constitution. Ten years after his marriage he died of rapid consumption. Madame Corsini was left with two children on her hands.

      She was a devoted mother. Nello dwelt on this episode of their sad life with tears in his eyes. She worked hard for a miserable pittance; and then she was worn out with the strain. Nello and his sister, Anita, were left orphans. Nello had been taught the rudiments of the violin by his father; all the rest he had picked up himself.

      After his mother’s death the rest was a nightmare. He had done his best for himself and his sister. That best had landed them in this snow-laden street to-night.

      Papa Péron listened quietly to this young violinist’s recital, but he made little comment. Here was one of the numerous tragedies that were occurring every day in every populous city.

      He rose and shook hands with the two. “You have a lodging to go to, my poor children?” he asked anxiously.

      With a deep blush, Corsini assured him that they had a lodging to go to; he did not dare to give him the address. Dean Street was a comparatively aristocratic abode. Papa Péron’s humbly furnished room seemed a Paradise. And the piano was good – that must have been saved from the prosperous day – and was his own. No Soho landlady would provide such a piano as that.

      Péron shook them warmly by the hand. “You must come and see me to-morrow. I shall be in all the morning. I shall think things over between now and then. I am a poor man myself, but I may be able to help you with introductions. I must get you out of these miserable streets.”

      They walked home, wondering about Papa Péron. Who could he be? Anita inclined to the belief that he was a miser. Nello had his doubts.

      Still very hungry, they bought some sausages on their way home and devoured them before they went to bed. They still had a substantial balance on hand, according to the thrifty Anita.

      And the next morning, Nello was round at Dean Street to learn what Papa Péron had thought of in the meanwhile.

      CHAPTER II

      The old Frenchman had heard Corsini’s knock at the door. He stood at the entrance to his shabby sitting-room, the only article of furniture being the piano, his kind old lined face illumined with smiles.

      “Courage, my young friend. I did not sleep very well after the excitement of your visit. Inspiration came to me in the middle of the night. You see that letter?” He pointed to a small desk standing against the wall. “Go and see to whom it is addressed.”

      Nello obeyed him. His eyes sparkled as he read the name on the envelope. “Mr. Gay, the leader of the orchestra at the Parthenon.”

      Papa Péron nodded his leonine head, bristling with its snow-white locks. “A friend of mine. He is a composer as well as chef d’orchestre. I have corrected many of his proof sheets for a firm I work for.”

      Corsini pricked up his ears at this statement. He and his sister had been curious as to the old man’s profession. The mystery was solved. He was no miser, no millionaire, just a music publisher’s hack. And once, according to his own statement, he had been a famous pianist, with a renown equal to that of Bauquel.

      “I have asked him to give you the first vacancy in his orchestra. He will do it to oblige me, for I have helped him a little – given him some ideas. It is one of the best theatre orchestras in London. The pay, alas! will not be good, but it will take you out of those miserable streets. Go to his private address this morning; I am sure he will see you at once.”

      “How can I thank you?” began the young man; but Péron stopped him with an imperious wave of his long, thin hand.

      “Tut, tut, my child! I want no thanks. I have taken a fancy to you and that dear little sister of yours. Now, listen; I have another scheme on hand.”

      Rapidly the genial old man unfolded his plans.

      “In my room there are two beds. The landlady has a little attic to let, by no means a grand apartment, but it will serve for your sister. You can share my room. Three people can live almost as cheaply as two.” There was a knowing smile on the wrinkled face, as the genial Papa enunciated this profound economic truth. “Come and live here. You can practise on the violin while I play your accompaniments.”

      “But Monsieur, at the moment, we have no money,” stammered the embarrassed violinist. “Mr. Gay may not have a vacancy for some little time.”

      Papa Péron frowned ever so little. He did not easily brook contradiction. “You are making difficulties where none exist. You must lodge somewhere. My landlady only asks five shillings a week for the attic. You share my bedroom and sitting-room. As for the food, you will be my guests till you earn something. Do not say me nay,” he ended fiercely. “I am resolved that you shall play no more in those miserable gutters. It is finished. You come here to-night.”

      There was no resisting this imperious old man with the frail figure and the snow-white abundant hair. Nello promised that he and his sister would move into Dean Street that afternoon. In the meantime, he would take the letter of introduction to Mr. Gay, who had lodgings in Gower Street, no great distance.

      Mr. Gay was a fat, rubicund man with a somewhat faded and slatternly wife. He read Péron’s note and a genial smile lit up his massive face.

      “Good!” he cried heartily. “My old friend vouches for you, and you have come in the very nick of time. One of my men is leaving in a couple of days – got a better berth. You can take his place. But before we settle, you may as well give me a taste of your quality. We go in for rather high-class music at the Parthenon. Play me Gounod’s ‘Ave Maria,’ I always test a man with that.”

      He called to the slatternly woman who was crouching over the fire. “Ada, please go to the piano and play the accompaniment for this young man.”

      Mrs. Gay complied with the request. Nello played the beautiful piece with all his soul. Gay listened, attentively. When it was finished, he applauded loudly.

      “By Jove, you are great! Péron was right. He has not exaggerated. You have had no chance, eh?”

      Nello stammered that he had had no chances. He did not dare confess to this prosperous person, composer as well as conductor of an orchestra, that, lately, he had been playing in the streets for a living to pay for his miserable lodging and scanty food.

      They arranged terms with many apologies on the part of Mr. Gay.

      “It is an insult to a man of your talent to offer such a miserable pittance. But my hands are tied, and tied very strictly, I can tell you. Turn up at the Parthenon on Friday night; you will soon get something better. You can read music quickly?”

      Nello assured him on that point. He could read music as easily as his newspaper. The terms which Mr. Gay offered him were riches compared to the few coppers he had earned in the streets.

      That same afternoon he and the joyful Anita presented themselves in Dean Street, with their few belongings. Papa Péron furnished a royal supper and broached another bottle of the very excellent Chambertin.

      There was, however, still the question of clothes. Nello had nothing but what he stood up in, and the Parthenon was a very swagger theatre. Péron was equal to the emergency. He took the young man round to a neighbouring costumier’s, and secured a dress-suit on the