Miss Marjoribanks. Oliphant Margaret

like any good sister, at the first idea. She watched Lucilla's movements and looks with a quite different kind of attention after this idea struck her, and made a rapid private calculation as to who Dr Marjoribanks's connections were, and what he would be likely to give his daughter; so that it is evident that Lucilla did not deceive herself, but that Mr Cavendish's attentions must have been marked indeed.

      This was the little cloud which arose, as we have said, no bigger than a man's hand, over Miss Marjoribanks's prosperous way. When the luncheon was over and they had all gone, Lucilla took a few minutes to think it over before she went out. It was not that she was unduly flattered by Mr Cavendish's attentions, as might have happened to an inexperienced young woman; for Lucilla, with her attractions and genius, had not reached the mature age of nineteen without receiving the natural homage of mankind on several clearly-defined occasions. But then the present case had various features peculiar to itself, which prevented Lucilla from crushing it in the bud, as she had meant to do with her cousin's ill-fated passion. She had to consider, in the first place, her mission in Carlingford, which was more important than anything else; but though Miss Marjoribanks had vowed herself to the reorganisation of society in her native town, she had not by any means vowed that it was absolutely as Miss Marjoribanks that she was to accomplish that renovation. And then there was something in the very idea of being M.P. for Carlingford which moved the mind of Lucilla. It was a perfectly ideal position for a woman of her views, and seemed to offer the very field that was necessary for her ambition. This was the reason, of all others, which made her less careful to prevent Mr Cavendish from "saying the words" than she had been with Tom. To be sure, it would be a trial to leave the drawing-room after it had just been furnished so entirely to her liking – not to say to her complexion; but still it was a sacrifice which might be made. It was in this way that Miss Marjoribanks prepared herself for the possible modifications which circumstances might impose. She did not make any rash resolution to resist a change which, on the whole, might possibly be "for the best," but prepared herself to take everything into consideration, and possibly to draw from it a superior good: in short, she looked upon the matter as a superior mind, trained in sound principles of political economy, might be expected to look upon the possible vicissitudes of fortune, with an enlightened regard to the uses of all things, and to the comparative values on either side.

      Barbara Lake, as it happened, was out walking at the very moment when Miss Marjoribanks sat down to consider this question. She had gone to the School of Design to meet Rose, with an amiability very unusual in her. Rose had made such progress, after leaving Mount Pleasant, under her father's care, and by the help of that fine feeling for art which has been mentioned in the earlier part of this history, that the charge of the female pupils in the School of Design had been confided to her, with a tiny little salary, which served Mr Lake as an excuse for keeping his favourite little daughter with him. Nothing could be supposed more unlike Barbara than her younger sister, who just came up to her shoulder, and was twice as serviceable and active and "nice," according to the testimony of all the children. Barbara had led her father a hard life, poor man! the time that Rose was at Mount Pleasant; but now that his assistant had come back again, the poor drawing-master had recovered all his old spirits. She was just coming out of the School of Design, with her portfolio under her arm, when Barbara met her. There were not many pupils, it is true, but still there were enough to worry poor Rose, who was not an imposing personage, and who was daily wounded by the discovery that after all there are but a limited number of persons in this world, especially in the poorer classes of the community, and under the age of sixteen, who have a feeling for art. It was utterly inconceivable to the young teacher how her girls could be so clever as to find out each a different way of putting the sublime features of the Belveder Apollo out of drawing, and she was still revolving this difficult problem when her sister joined her. Barbara, for her part, was occupied with thoughts of a hero much more interesting than he of Olympus. She was flushed and eager, and looking very handsome under her shabby bonnet; and her anxiety to have a confidante was so great that she made a dart at Rose, and grasped her by the arm under which she was carrying her portfolio, to the great discomposure of the young artist. She asked, with a little anxiety, "What is the matter? is there anything wrong at home?" and made a rapid movement to get to the other side.

      "Oh, Rose," said Barbara, panting with haste and agitation, "only fancy; I have just seen him. I met him right in front of Masters's, and he took off his hat to me. I feel in such a way – I can scarcely speak."

      "Met – who?" said Rose – for she was imperfect in her grammar, like most people in a moment of emergency; and, besides, she shared to some extent Miss Marjoribanks's reluctance to shock the prejudices of society, and was disturbed by the idea that somebody might pass and see Barbara in her present state of excitement, and perhaps attribute it to its true cause.

      "Oh, you stupid little thing!" said Barbara, giving her "a shake" by her disengaged arm. "I tell you, him! – the gentleman I met at Lucilla Marjoribanks's. He looked as if he was quite delighted to see me again; and I am sure he turned round to see where I was going. He couldn't speak to me, you know, the first time; though indeed I shouldn't be the least surprised if he had followed – at a distance, you know, only to see where I live," said Barbara, turning round and searching into the distance with her eager eyes. But there was nobody to be seen in the street, except some of Rose's pupils lingering along in the sunshine, and very probably exchanging similar confidences. Barbara turned back again with a touch of disappointment. "I am quite sure he will find out before long; and don't forget I said so," she added, with a little nod of her head.

      "I don't see what it matters if he found out directly," said Rose. "Papa would not let anybody come to our house that he did not approve of; and then, you know, he will never have anything to say to people who are patronising. I don't want to hear any more about your fine gentleman. If you were worried as I am, you would think much more of getting home than of anybody bowing to you in the street. One of the gentlemen from Marlborough House once took off his hat to me," said Rose, with a certain solemnity. "Of course I was pleased; but then I knew it was my design he was thinking of – my Honiton flounce, you know. I suppose this other one must have thought you had a pretty voice."

      This time, however, it was an angry shake that Barbara gave to her sister. "I wish you would not be such a goose," she said; "who cares about your Honiton flounce? He took off his hat because – because he admired me, I suppose – and then it was a great deal more than just taking off his hat. He gave me such a look! Papa has no sense, though I suppose you will blaze up when I say so. He ought to think of us a little. As for patronising, I should soon change that, I can tell you. But then papa thinks of nothing but paying his bills and keeping out of debt, as he says – as if everybody was not in debt; and how do you suppose we are ever to get settled in life? It would be far more sensible to spend a little more, and go into society a little, and do us justice. Only think all that that old Doctor is doing for Lucilla; and there are four of us when the little ones grow up," said Barbara, in a tone of injury. "I should like to know what papa is thinking of? If mamma had not died when she did – "

      "It was not poor mamma's fault," said Rose. "I dare say she would have lived if she could for all our sakes. But then you have always taken a false view of our position, Barbara. We are a family of artists," said the little mistress of the School of Design. She had pretty eyes, very dewy and clear, and they woke up under the excitement of this proud claim. "When papa is appreciated as he deserves, and when Willie has made a name" said Rose, with modest confidence, "things will be different. But the true strength of our position is that we are a family of artists. We are everybody's equal, and we are nobody's equal. We have a rank of our own. If you would only remember this, you would not grudge anything to Lucilla Marjoribanks; and then I am sure she has been very kind to you."

      "Oh, bother!" said the unfeeling Barbara. "You do nothing but encourage papa with your nonsense. And I should like to know what right Lucilla Marjoribanks has to be kind to me? If I am not as good as she, it is a very strange thing. I should never take the trouble to think about him if it was not that Lucilla believes he is paying her attention – that is the great fun. It would be delicious to take him from her, and make game of her and her kindness. Goodness! there he is again. I felt sure that he would try to find out the house."

      And Barbara crimsoned higher than ever, and held Rose fast by the arm, and called her attention by the most visible