The Four Corners. Blanchard Amy Ella

I reckon she's done forgot it."

      "Don't say done forgot; that sounds like Mitty and Unc' Landy."

      Jean hung her head. She was used to these chidings from her eldest sister. She had a curious babyish way of speaking, not being easily able to make the sounds of th or qu. "I know it isn't crite right," she said, "but I forget sometimes."

      Nan put her arms around her. "Of course you do. We all forget some things sometimes. Come with me and let us hunt up Jack. I'll venture to say she's in some mischief."

      She was not far wrong in her conjectures, for after a half hour's diligent searching, Jack was found. She had discovered a can of white paint, supplied by Aunt Sarah for the betterment of the front fence which Landy had proudly commenced to adorn with a shining coat of whiteness. He had been called away when he had made but little progress and Jack had taken up the job with great glee. She was in the height of her enjoyment, daubing on great masses of white which dribbled down the palings wastefully. The child herself was smeared from hair ribbon to shoe-strings and was a sight to behold.

      "Jack Corner!" exclaimed Nan. "You dreadful child! Just look at you, and, oh, dear, how you are wasting paint. It won't begin to be enough to finish the fence the way you have been using it. Unc' Landy will give you Jesse."

      "Some one's always giving me Jesse," complained Jack. "You all keep saying Unc' Landy has so much to do and I am only helping him."

      "Pretty help, using up the paint and ruining your clothes. March yourself straight into the house, miss." Nan took hold of Jack's shoulder which was twitched away, and with a vicious fling of the dripping brush directly at Nan, Jack turned and fled.

      "She is the most trying child," said Nan, deftly dodging the brush, though not without receiving some drops upon her frock. "I declare, there isn't a day when she doesn't do something dreadful."

      "She just fought she was helping," put in Jean, always ready to defend her twin by imputing worthy motives to her performances.

      "Maybe she did, but it's pretty poor help," said Nan, stooping to pick a plantain leaf with which to wipe off the worst spots from her skirt. "Aunt Sarah was so good as to buy the paint. I know she went without something to do it, and now for Jack to do her so mean as to play this scurvy trick is too bad. I'm all done out with Jack. It's lucky we found her when we did or there wouldn't have been even as much paint as there is. I must go tell Unc' Landy at once. Maybe he can scrape off some of this before it dries. Help indeed! It gives him double work." Her last words were spoken to thin air, for Jean had hurried off to comfort Jack and Nan was left to break the news to Unc' Landy.

      CHAPTER III

      NAN'S SECRET

      When Nan opened her eyes the next morning it was with a consciousness that something pleasantly exciting was to happen, and she lost no time in hurrying down-stairs and, after breakfast, in getting through her prescribed duties with more than usual haste. Her mother smiled to see that she was so eager and businesslike and that her moodiness of the day before had departed, while Aunt Sarah said: "I hope your fancy will not lead you to try the tune the old cow died of to-day, Nannie."

      Nan smiled but made no reply. What matter if Aunt Sarah did cast slurs upon her musical attempts? There were persons in the world who took them seriously, and she felt a thrill of satisfaction as she thought of the soft white hair and blue eyes of her fairy godmother.

      It was with some difficulty that she was able to reach the sunset tree without being seen. Jack, in penitential mood, and Jean looking for sympathy, followed her everywhere, and it was not till she had robbed a rose bush of its red berry-like seeds and had constructed a wonderful set of dishes, a lamp, and a whole family of people from the berries, that the reward of her ingenuity came to her in the delight of the children over these novel toys and in their content with a corner of the porch for a playroom. After seeing them well established, Nan set off.

      "I've dusted the living-room, made my bed, picked up after Jack, and I believe that is all," she told herself. "There's Phil coming, I am thankful to say, so Mary Lee will not tag me." She paid no heed to the question, "Where are you going?" which Mary Lee called after her, but kept on till the barn hid her from sight. She hoped she had not kept her friend waiting and that she would not become impatient and leave, for it was after ten. But as she came up to the tree she saw the sombre little figure sitting quietly there. "I was so afraid you couldn't wait," said Nan breathlessly. "The children were so tiresome and wanted all sorts of things done for them so I couldn't get away before."

      "There's plenty of time," replied her friend. "Sit down and cool off; you've come too fast in the hot sun. Tell me about the children."

      "Jean is a dear, and Jack can be perfectly fascinating when she chooses. They are the twins, you know. Jack's name is Jacqueline. Aunt Sarah says she was mixed together with more original sin than any of us, and if there hadn't been a lot of angel used in her make up she doesn't know what would become of her. She is simply dear this morning, but yesterday afternoon!" And Nan gave an account of Jack's muddle with the paint.

      Her companion laughed. "She must keep you in hot water," she said. "Tell me about Mary Lee."

      "Oh, do you know there is a Mary Lee?" said Nan in surprise. "But of course everybody knows us. She is named for our mother, and I am named for papa's sister Nancy Weston who died. We called Jack and Jean after papa. His name was John and Jean is the French for John, only we give it the Scotch pronunciation. Papa was always called Jack and so Jacqueline is called that."

      "Yes, I know – I mean I see," returned her companion. "Come, now, shall we go on? Are you ready to be conducted to the place of your desires? You must go blindfolded."

      "How lovely! That makes it so deliciously mysterious. I hope I shall not fall and bump my nose."

      "I'll take care that you do not. Let me tie this ever your eyes." She drew a soft silken scarf from a bag she held, and made it fast over Nan's eyes. "Can you see?" she asked.

      "No, indeed, I can't. Not the leastest little bit."

      "Now give me your hands. There, I'll put them around my waist and you will walk just behind me."

      Their way was made very cautiously and slowly and at last Nan set foot upon a board floor. "Now I can lead you," said her guide. "One step up, please."

      Nan was led along the floor for some distance making one sharp turn, and then was gently forced to a seat. "There," said her guide. "Sit here perfectly still till you hear a bell ring; then you may untie your scarf, but you must not leave the room till I come for you."

      Nan sat very still. Presently she heard a light footstep cross the floor, then a door closed and after a few minutes a bell in the distance tinkled softly. Up went her hands and the scarf was withdrawn in a jiffy. She found herself sitting before an open piano. On each side of her were set lighted candles in tall brass candlesticks. Into the room no gleam of daylight made its way. In the shadowy corners were sheeted chairs and sofas and on the wall were covered pictures. Nan recognized the place at once. It was the drawing-room of her grandmother's house and over the mantel must be the very portrait she had once gazed upon with such delight. Now it was screened from view. "I just wonder who in the world she is," exclaimed Nan thinking of her guide. "I'd like to know how she got in here and all about it. Perhaps she is some of our kinsfolk who has come down here to look after something for grandmother. I'm going to ask her."

      Having made this decision, she turned her attention to the piano. In spite of long disuse it gave forth mellow and delightful tones as she touched it softly. It seemed very big and important after the little melodeon, but soon the girl gained confidence and became absorbed in writing down her little song which she did note by note, calling each aloud. "I am not sure that it is just right," she said as she concluded her task, "but it is as right as I can make it."

      She arose from her seat and tiptoed around the room, lifting the covers from the shrouded furniture and getting glimpses of dim brocade and silky plush. Then she went back to the piano. All was so still in the house that Nan felt the absolute freedom of one without an audience. She touched the keys gently at first, but, gaining confidence and inspiration, went on playing by ear snatches of this and that, becoming perfectly absorbed in the happiness of making