Furze the Cruel. Trevena John

and she could understand them. They were some of the things which made up the joy of life. There was so much that was "cruel hard"; but there were pleasures, such as fine raiment and fair-days, to be enjoyed before she went "down under."

      Thomasine was able to form mental pictures of scenes that were familiar. She could see the tor above the barn. It was easy to see also the long village on the side of the moor. She knew it all so well. She could see Ebenezer, the chapel where she heard sermons about hell. Pendoggat was sometimes the preacher, and he always insisted strongly upon the extremely high temperature of "down under." Thomasine very nearly thought. She almost associated the preacher with the place which was the subject of his discourse. That would have been a very considerable mental flight had she succeeded. It came to nothing, however. She went on remembering, not thinking. Pendoggat had tried to look at her in chapel. He could not look at any one with his eyes, but he had set his face towards her as though he believed she was in greater need than others of his warnings. He had walked close beside her out of chapel, and had remarked that it was a fine evening. Thomasine remembered she had been pleased, because he had drawn her attention towards a fact which she had not previously observed, namely, that it was a fine evening. Pendoggat was a man, not a creeping thing like Brightly, not a lump of animated whisky-moistened clay like Farmer Chegwidden. No one could make people uncomfortable like him. Eli Pezzack was a poor creature in comparison, although Thomasine didn't make the comparison because she couldn't. Pezzack could not make people feel they were already in torment. The minister frequently referred to another place which was called "up over." He reminded his listeners that they might attain to a place of milk and honey where the temperature was normal; and that was the reason why he was not much of a success as a minister. He seemed indeed to desire to deprive his congregations of their legitimate place of torment. What was the use of talking about "up over," which could not concern his listeners, when they might so easily be stimulated with details concerning the inevitable "down under"? Pezzack was a weak man. He refused to face his destiny, and he tried to prevent his congregations from facing theirs.

      Thomasine looked at the clock. It was time to lift the peat from the hearth and put on the coal. Chegwidden would soon be back from Lydford and want his supper. She admired the petticoat, rolled it up, and put it away in her work-basket.

      "Dear life!" she murmured. "Here be master, and nothing done."

      A horseman was in the court, and crossing it. The window was open. The rider was not Chegwidden. It was the master of Helmen Barton, his head down as usual, his eyes apparently fixed between his horse's ears; his head was inclined a little towards the house. Thomasine stood back and watched.

      A piece of gorse in full bloom came through the window, fell upon the stone floor, and bounded like a small beast. It jumped about on the smooth cement, and glided on its spines until it reached the dresser, and there remained motionless, with its stem, which had been bared of prickles, directed upwards towards the girl like a pointing finger. Pendoggat had gone on. His horse had not stopped, nor had the rider appeared to glance into the kitchen. Obviously there was some connection between Pendoggat, that piece of gorse, and herself, only Thomasine could not work it out. She picked it up. She could not have such a thing littering her tidy kitchen. The sprig was a smother of blossom, and she could see its tiny spears among the blooms, their points so keen that they were as invisible as the edge of a razor. She brought the blooms suddenly to her nose, and immediately one of the tiny spears pierced the skin and her strong blood burst through.

      "Scat the vuzz," said Thomasine.

      Iron-shod hoofs rattled again upon the stones, and the light of the window became darkened. Pendoggat had changed his mind and was back again. He tumbled from the saddle and stood there wagging his head as if deep in thought. Supposing she was wanted for something, the girl came forward. Pendoggat was close to the window, which was a low one. She did not know what he was looking at; not at her certainly; but he seemed to be searching for her, desiring her, sniffing at her like an animal.

      "Du'ye want master, sir? He'm to Lydford," said Thomasine.

      A drop of blood fell from her nose and splashed on the stone floor between them. She searched for a handkerchief and found she had not got one. There was nothing for it but to use the back of her hand, smearing the blood across her lips and chin. Pendoggat saw it all. He noticed everything, although he had his eyes on the window-sill.

      "You're a fine maid," he said.

      "Be I, sir?" said Thomasine, beginning to tremble. Pendoggat was her superior. He was the tenant of Helmen Barton, a commoner, the owner of sheep and bullocks, and married, or at least she supposed he was. She felt somehow it was not right he should say such a thing to her.

      "Going to chapel Sunday night?" he went on, with his head on one side, and his face as immobile as a mask.

      "Ees," murmured Thomasine, forgetting the "sir" somehow. The question was such a familiar one that she did not remember for the moment the standing of the speaker. This was the man who had drenched her with hell-fire from the pulpit.

      "How do ye come home? By the road or moor?"

      "The moor, if 'tis fine, sir. I walks with Willum."

      "Young Pugsley?"

      "Ees, sir."

      "You're too good for him. You're too fine a maid for that hind. You won't walk with him Sunday night. I'll see you home."

      "Ees, sir," was all Thomasine could say. She was only a farm-maid. She had to do as she was told.

      "Going to the fair?" he asked.

      The answer was as usual.

      "I'll meet you there. Take you for rides, and into the shows. Got your clothes ready?"

      The same soft word, which Thomasine made a dissyllable, and Boodles sang as an anthem, followed. Goose Fair was the greatest day in the girl's year, and to be treated there by a man with money was to glide along one of the four rivers of Paradise, only that was not the expression which occurred to Thomasine.

      Pendoggat reached in and took her hand. It was large with labour, and red with blood, but quite clean. He pulled her towards him. There was nobody in the court; only the unobservant chickens, pecking diligently. A cloud had settled upon the top of the tor, which was just visible above the barn, an angry cloud purple like a wound, as if the granite had pierced and wounded it. Thomasine wondered if it would be fine for Goose Fair.

      Her sleeve was loose. Pendoggat pressed his fingers under it, and paddled the soft flesh like a cat up to her elbow.

      "Don't ye, sir," pleaded Thomasine, feeling somehow this was not right.

      "You're a fine, lusty maid," he muttered.

      "'Tis time master was back from Lydford, I reckon," she murmured.

      "You're bloody."

      "'Twas that bit o' vuzz."

      He drew her closer, threw his arm clumsily round her neck, dragged her half through the window, kissing her savagely on the neck, lips, and chin, until his own lips were smeared with her blood, and he could taste it. She began to struggle. Then she cried out, and he let her go.

      "Good blood," he muttered, passing his tongue over his lips. "The strongest and best blood on Dartmoor."

      Then, he flung himself across his horse, as if he had been drunk, and rode out of the court.

      CHAPTER VI

      ABOUT VOCAL AND INSTRUMENTAL MUSIC

      There was a concert in Brentor village in aid of that hungry creature the Church, which resembles so many tin- and copper-mines, inasmuch as much more money goes into it than ever comes out. Brentor is overdone with churches. There is one in the village, and the little one on the tor outside. Maids like to be married on the tor. They think it gives them a good start in life, but that idea is owing to tradition, which connects Brentor with the worship of Baal. The transition from Paganism to Christianity was gradual, and in many cases the old gods were merely painted up and made to look like new. The statue of Jove was bereft of its thunderbolt, given a bunch of keys, and called Peter; the goddess of love became a madonna; the sun-temple was turned into a church. Where the original idea was lost sight of a legend was invented; such as that of