Название | Where the Path Breaks |
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Автор произведения | Williamson Charles Norris |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn |
The Belgians remained in the lodging-house only long enough to unpack a few things. They then went out together to see New York, and visit an agency which had been recommended to them. But Denin shut himself up as he had longed impatiently to do, in the tiny back room he had engaged, on the top floor of a dreary house. There he took from the cheap bag bought in Rotterdam – his one piece of luggage – the oddly assorted pages of manuscript which made up a thick packet. With the moment that he began to read, the stained walls and the dirty window with a fire-escape outside vanished as if some genie had rubbed a lamp.
The story was of a soldier and his love for a girl who did not greatly care for him. She married him rather than send him away empty-hearted to the front, cold with disappointment, when it was in her power to arm him with happiness. They parted on the day of the wedding. The soldier went to France and was killed in his first fight. The girl grieved because it had not been possible to love the man with her whole heart, and because he had had no time (so she believed) to taste the joy she had sacrificed herself to give. But the man, going into battle and afterwards dying on the battlefield, was divinely happy and content. He saw clearly that his love for her had been the great thing in his life, its crown and its completion; that the thought of her as his wife was worth being born for; that it made death only a night full of stars with a promise of sunrise. The story did not end with the ending of the soldier’s life. The part before his death was no more than a prelude. The real story was of the power of love upon the spirit of a man after his passing, and his wish that the adored woman left behind might know the vital influence of a few hours’ happiness in shaping a soul to face eternity. The book was supposed to be written in the first person, by the man, and was in four parts. The first told of the courtship and marrying; the second, of the man’s going away from his wife-of-an-hour, to the front, and his fall on the battlefield; the third described the regret of the girl that she had not been able to give more, and her resolve to atone by denying herself love if it came to her in future; the fourth, the dead soldier’s attempt to make her feel the truth; that she was free of obligation because those few last hours had been a gift of joy never to be taken from his soul.
Denin had dashed down a title on the first page of his manuscript before beginning the book. There had seemed to him only one name for it: “The War Wedding.” Now that he came to read it all over, he still had the feeling that something in him more powerful than himself had done the writing; and suddenly he began to wish intensely that Barbara might see the testament of his heart.
He wished this not because he was proud of his work, or thought it superlatively good, but because he hoped that it might comfort her. She had been strangely reserved with him, invariably baffling, almost mysterious, during the latter half of their acquaintance, yet he had felt that he knew the truth of her nature, deep down under the girlish concealments. He had believed her tender-hearted. If she had not been so, why had she married him? And he thought that a girl of her strong character and sensitive spirit might be stabbed with remorse sometimes after gathering the flower of happiness for herself so near a new-made grave. He could not bear to think that Barbara might torture her conscience for his sake. He wanted her to be happy, wanted it more than anything else now. Not that he was naturally a marvel of unselfishness, but that he loved Barbara Fay better than he had ever loved himself. If this story which he had written – like, yet unlike, her own story – should happen to fall into Barbara’s hands, she might find consolation through all the coming years, because of certain thoughts from the man’s point of view, thoughts that would almost surely be new to her. And what joy for Denin, even lying in the gulf of forgetfulness, if his hand could reach out from the shadows to give her a thornless white rose of peace!
He wondered eagerly if he could find a publisher in New York – a publisher who produced books in England as well as America – to accept his manuscript.
Now that the wish was born, it seemed too good to be true that anything could come of it. Still, he determined to try, and try at once. Full of excitement he went out into a noisy street, and bought several newspapers and magazines. There were a number of publishers’ advertisements in them all, some with familiar names, but one he had known ever since he was old enough to read books. It was a name of importance in the publishing world, but there was no harm in aiming high. He had brought the manuscript out with him, because he could not bear to leave it alone in a strange house. Now he decided to take the parcel to the publisher himself. Nothing would have induced him to trust it to the post.
CHAPTER V
Four-thirty in the afternoon was Eversedge Sibley’s hour for leaving his office. If he had cared about escaping earlier he could easily have got away, for since his father’s death he stood at the head of the old publishing house; but to him business was the romance, poetry, and adventure of life. He passionately loved the champ and roar of the printing-presses as many people love a Wagner opera. There were never two days alike. Something new was always happening. Yet just because he was young for his “job,” and knew that he was a man of moods and temperament, he forced himself to be bound by certain rules. One of these rules was, even if he chose to linger a few minutes after four-thirty, that no caller need hope to be admitted. That was a favorite regulation of Sibley’s. It made him feel that, after all, he was very methodical. One afternoon, however, he did a worse thing than break this rule. He went back from the elevator, the whole length of the corridor to the outer office, simply to enquire about a man he had met at the lift door.
They almost collided as the man was stepping out and as Sibley was about to step in. But he did not step in. He let the lift shoot down without him, while he paused to stare after the man.
“Strange-looking customer!” he thought.
Sibley himself was a particularly immaculate person. Being somewhat of the Latin type, black eyed and olive skinned, he was shamefacedly afraid of looking picturesque. He dressed, therefore, as precisely as a fashion-plate. The man who had got out of the lift might have bought his clothes at a junk-shop, and a foreign junk-shop at that. They were not clothes a gentleman could wear – yet Sibley received a swift impression that a gentleman was wearing them at that moment: a remarkably tall fellow, so thin that his bones looked somehow too big for him.
He walked past Sibley with no more than a glance, yet it was partly the glance which impelled Sibley to stop short and gaze at the back of a badly made tweed coat, the worst sort of a “reach-me-down” coat.
The quick mind of the publisher was addicted to similes. (He had once written a book himself, under a nom de guerre. It had failed.) The thought sprang to his mind that the glance was like the sudden opening of a dingy box, which let out a flash of secret jewels.
In spite of his shocking clothes, the man had the air and bearing of a soldier. Sibley noticed this, in criticizing the straight back, and it aroused his curiosity more than ever in connection with the scarred face.
Any one who got out at the tenth floor of the Sibley building must want to see Eversedge Sibley or one of his partners, so evidently this person intended to ask for some member of the firm. He looked the last man on earth to be a budding author; yet Eversedge Sibley had caught sight of a paper-wrapped roll of manuscript. One who was not of the publishing or editorial world might have mistaken it for something else; but no manuscript would disguise itself from eyes so trained to fear and avoid it.
“Looks more like a heavy-weight champion invalided after a desperate scrap, than a writer; or like Samson betrayed by Delilah,” thought Sibley, rather pleased with the fancy.
He put out his hand to touch the bell for the lift to come up again, but did not touch it. Instead, he turned and walked back along the marble-walled corridor to the door of the reception room. The tall man had just arrived and was talking to a wisp of a creature facetiously known in the office as “the chucker out.”
“Mr.