Название | Merkland: or, Self Sacrifice |
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Автор произведения | Oliphant Margaret |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn |
The Tower was a gray, old, stately place, defiant alike of storm and siege, with deep embrasures on its walls meant for no child’s play, and a court-yard that had rung to martial music centuries ago, in the days of the unhappy Stuarts. Deep woods stretched round it, tinted with autumn’s fantastic wealth of coloring. The Oran ran so close to the strong, heavy, battlemented wall, that in the old warlike days, it had been the castle-moat, but the drawbridge was gone, and there was peaceful access now, by a light bridge of oak. A boat lay on the stream, moored to an over-hanging rock, by which Mrs. Catherine herself was wont to make the brief passage of the Oran. It was a favorite toy of Anne’s also, in her happier moods, but she was too heavy of heart to heed it now.
“Mrs. Catherine is in the library, Miss Anne,” said Mrs. Euphan Morison, the portly, active housekeeper, whose medical propensities so frequently annoyed her mistress; and threading the dark passages familiarly, Anne passed on alone.
“Mrs. Catherine is in the library, Miss Anne,” repeated a dark, thin, elfin-like girl, who sat on the sill of a deep window, reading, and hiding her book beneath the stocking which she ought to have been knitting, as she threw furtive glances to the door of the housekeeper’s especial sanctum: “but there’s gentlemen with her. It’s a business day.”
“I suppose you may admit me, Jacky,” said Anne. “Mrs. Catherine expects me.”
“Mr. Walter Foreman’s in, Miss Anne,” said Jacky.
“And what then?” said Anne, smiling.
“And Mr. Ferguson, the factor from Strathoran,” said the girl, gravely, taking up, with a look of abstraction, some dropt loops in her neglected stocking.
“Then I will go to the drawing-room,” said Anne. “Tell me, Jacky, when Mrs. Catherine is disengaged.”
“And Miss Anne,” said Jacky, starting, as Anne was about to pass on, “the young lady’s coming.”
“So I have heard,” said Anne.
“And she’s to get the mid-chamber,” said Jacky, “and the chairs have come out of the big room in the west tower. You never saw them, Miss Anne. Will you come?” And Jacky jerked her thin, angular frame off her seat, and threw down book and stocking.
“What have you been reading, Jacky?” said Anne.
The sharp, dark face owned an involuntary flush, and the furtive eyes glanced back to the housekeeper’s closed door. “It was only the Faery Queen.”
“The Faery Queen! Jacky, these are strange studies for you.”
“There’s no harm in it,” muttered the girl, angrily.
“I did not say there was,” said Anne; “and you need not transfix me with those sharp eyes of yours, because I wondered. But, Jacky, your mother would not be pleased with this.”
“It’s not the chief end of woman to work stockings,” murmured the girl.
“No, surely,” said Anne; “nor yet to read poems. Come, Jacky, let me see the mid-chamber.”
Jacky seized the book, deposited it in a dark niche below the window, and glided away before Anne up the broad stone stairs, to the room which the united skill of the household had been decking for a bower to little Alice Aytoun. The mid-chamber, as its name imports, occupied the front of the building, between the two round towers, that rose grimly with their dark turrets on either side. It was a room of good proportions, with two deep windows, looking out on the windings of the Oran, and commanding a view of the little town, seated on the point where the river poured itself into the sea. The country looked rich and gay in its russet coloring, and here and there you could see the harvest labourers in a half-reaped field – for the harvests were late beneath the northern sky of Strathoran. A little way below, the unpretending house of Merkland stood, peacefully among its trees; on the left hand, the plain church and substantial Manse basked in the sunbeams; and the broad sea, flashing beneath the light, belted its blue breadths around the landscape. Anne stood at the window, and looked out, as in a dream; dim, misty, spectral visions floating before her, in which were ever mingling her unhappy wandering brother, and the unconscious girl who should look forth on that same scene to-night.
“It’s not so much here,” said Jacky, glancing round, and looking complacently on a great bunch of dahlias and hollyhocks, rudely inserted in an uncouth china vase. “The room’s just as it always is, except the flowers – will you come in here, Miss Anne?”
Anne followed, thinking little of the arrangements which she came to superintend. The room they entered was small and rounded, occupying as it did, a corner of the eastern tower. Its deep-set window was toward the sunrising – towards the hills, too, and the sea – and Anne paused upon the threshold, in wonder at the unwonted preparations made for this youthful visitor. In one end of the room stood a great wardrobe of richly-carved oak. There was an ancient piano, also, and little tables laden with well-chosen books, and the antique chairs looked richly sober in their renovation, heightening the air of olden romance which hung about this lady’s bower. The blooming plants in the window were the only things new, and pertaining to the immediate present. Graceful and pure in its antique delicacy, the small apartment was a bower indeed.
“But Mrs. Catherine,” said Jacky, “would let me put no flowers here – only a big branch of barberries that I slipped in myself.”
The branch of barberries was, indeed, projecting fantastically from the rich frame of the mirror on the wall.
“I think you may let Mrs. Catherine have the whole merit of this, Jacky,” said Anne, taking it down; “and do you have a ramble through the garden, and find something more fragrant than those sunflowers. You will get some roses yet – run, Jacky. Mrs. Catherine – ”
“Is troubled with undutiful bairns,” said the lady herself entering the room. “Wherefore did you not come to me, Anne, and me in urgent need of counsel? And wherefore did you not open the door, you elf, Jacky, unless you be indeed a changeling, as I have always thought you, and were feared for learned words? Come down with me this moment, Anne! You can fiddle about these trifling things when there is no serious matters in hand. I am saying, Come with me!”
Mrs. Catherine Douglas was tall and stately, with a firm step, and a clear voice, strong constitutioned, and strong spirited. In appearance she embodied those complexional peculiarities which gave to the fabled founder of her house his far-famed name – black hair, streaked with silver, the characteristic pale complexion, and strongly-marked features, harmonising perfectly in the hue – she was dark-grey. It seemed her purpose, too, to increase the effect by her dress. At all times and seasons, Mrs. Catherine’s rich, rustling, silken garments were grey, of that peculiar dark-grey which is formed by throwing across the sable warp a slender waft of white. In winter, a shawl of the finest texture, but of the simple black and white shepherd’s check, completed her costume. In summer, its soft, fine folds hung over her chair. No rejoicing, and no sorrow, changed Mrs. Catherine’s characteristic dress. The lustrous silken garment, the fine woollen shawl, the cap of old and costly lace remained unchanged for years.
“It is a new vocation for me, child,” said Mrs. Catherine, as Anne followed her down stairs, “to set myself to the adorning of rooms; but when my serving-women must have their divers notions concerning them, I should put to my own hand, unless I had wanted the stranger to be terrified with the aspect of my house – which I do not, for – Look back, child, is that elf Jacky behind you with her sharp eyes. But I have matters more important on my hand to-day.”
They reached the library door as Mrs. Catherine