The Angel of Pain. Benson Edward Frederic

at croquet the other day, and in the middle of the game volunteered the information that she had not moved the ball she croquetted.”

      “She always would,” said his mother gently. “Oh, Philip, good luck to your wooing, my dear!”

      There was a long pause; a sparrow in a prodigious bustle alighted on the edge of the fountain, and drank as if it had been a traveller straight from Sahara; the wind woke again in the flower-beds and gave a long, fragrant sigh; the sun-blinds of the drawing-room stirred as it wandered by them, and the pale purple petals of a grape-bunch cluster of wisteria fell on the crimson-striped canvas. The exquisiteness of this midsummer moment struck Philip with a sudden pang of delight, none the less keen because the love with which his soul was full was not yet certain or complete: the pause before completion was his.

      “Thank you, mother,” he said at last. “I shall know very soon, I shall ask her while she is here.”

      He got up as he spoke.

      “I can’t sit still any more,” he said. “Speaking of it has made me restless. I must go and do something violent. Perhaps I will take your advice and go for a row. They will not be here till nearly seven. Oh, by-the-way, Evelyn Dundas is coming, too. You will have someone to flirt with, mother.”

      “Dear, you say such dreadful things!” said Mrs. Home. “And if you say them while Lady Ellington is here, I shall feel so awkward.”

      “Well, Evelyn proposed to elope with you last time he was here,” said Philip. “I think I shall commission him to paint your portrait.”

      “Who wants the picture of an old woman like me?” said Mrs. Home. “But get him to do Madge’s.”

      Philip considered this.

      “That’s an idea,” he said. “He could paint her divinely. Really, mother – if ah! a big ‘if.’ Do you know, I’m rather uneasy about Evelyn.”

      “Why? I thought he was getting on so well.”

      “He is as far as painting goes. They think very highly of him. But the moment he gets a couple of hundred pounds he buys a motor-car or something, and next week his watch is in pawn. Now, when you are twenty-five, it is time to stop doing that.”

      “I know,” said Mrs. Home. “He is dreadful! Last time he was here he gave me a pearl-brooch that must have cost him fifty pounds.”

      “That was to induce you to run away with him,” remarked Philip. “That was quite understood, and I think you behaved rather badly in not doing so.”

      “Philip, you mustn’t!”

      “No, nor must you! And now I’m going on the river. If I get drowned it will be your fault for having suggested it.”

      “Ah, do be careful in those locks,” said Mrs. Home. “I get so nervous always when the water goes down and down.”

      “There’s more chance of getting drowned when it goes up and up,” said her son, kissing her on the forehead as he passed her chair.

      Philip Home at the age of thirty-one was, perhaps, as successful a man of his age as any in the financial world. His father, the head of one of the big South African houses, had died some five years before, and since then the burden of a very large and prosperous house had rested almost entirely on his shoulders, which physically as well as morally were broad. But he combined in an extraordinary degree the dash and initiative of youth with a cool-headedness and sobriety of judgment which, in general is not achieved until something of the fire of the other is lost, and his management was both brilliant and safe. Yet, as must always happen, the habit of mind necessary to the successful conduct of large financial interests, which among other ingredients is made up of incessant watchfulness and a certain hardness in judging and acting, had, it must be confessed, somewhat tinged his whole character, and the world in general was right in its estimate of him as a man who was rather brusque and unsympathetic, a man with an iron hand who did not always even remember to put on the velvet glove. This was a perfectly just conclusion as far as the world in general, that is to say, the world of mere acquaintances, was concerned, and Philip’s fine collection of prints was considered to be regarded by him as an investment rather than a joy. They made the same judgment about his garden, thinking that the rarity of plants was a quality more highly-prized by him than their beauty. But where the world in general did him an injustice was that they did not allow for a circle which, though small, was far more intimate and vastly more competent to form the true estimate of the man than they, the circle of friends. These were four in number – his mother, Madge Ellington, namely – and the two men to whom allusion has already been made, namely – the Hermit and Evelyn Dundas. They saw, all four of them, a perfectly different Philip to him who somewhat elbowed his way through the uninteresting ranks of acquaintances, or sat, detached from the real essential man, in his orderly office, harsh-faced, unsmiling and absorbed. And this essential Philip in his own sanctum, where only these four ever came, was, indeed, a very lovable and eager personage; and though the world did not know it, his prints really hung there, and in the windows his flowers blossomed. But few were admitted there, and those only not on business.

      So this very efficient person, if we rate efficiency, as seems to be the fashion, by the amount of income-tax annually harvested by the State, left the shade of the house and his mother sitting there, whistled for the two fox-terriers that lay dozing in the shade and went off towards the river. The smile which he wore when in his sanctum of intimates still lingered on his face as he passed down the stone steps to the croquet lawn below, but then it faded. Nor did the gardener who was mowing the lawn smile.

      “I gave orders it was to be mown yesterday morning,” said Philip; “and it is only half done yet. Did you receive those orders or not?”

      The man, a huge young Hercules, touched his cap.

      “Yes, sir; at least – ”

      “There is no ‘at least,’” said Philip. “If you can’t do as you are told you will have to go.”

      And he whistled – that Philip who was a parody of himself – to the dogs, and went on.

      But before he had got down to the river the official Philip had dispersed, mistlike, in the glorious golden blaze of the summer afternoon, and the man his mother knew (she would scarcely, indeed, have recognised the other) had taken his place again, and as he rowed lazily down the river he gave himself up to mere receptivity of the full-blown beauty that was shed broadcast on sky and land and water. The spring had long been backward and wet, but now the pitiless rains of April bore a glorious and iridescent fruit. Brimful ran the stream from bank to bank, one sheet of untarnished crystal, reflecting the luminous turquoise of the sky. To his right stretched meadows all golden with the flowering of the buttercup; and cattle, knee-deep in the feathery foliage, grazed contentedly, or stood in the shallows of the river to drink, breathing out long soft breaths of kine-fragrance. Between the fields stood elms, stalwart towers of innumerable leaf, and a little way below the red roofs of Pangbourne nestled among red and white flowering thorns. One such tree, a cascade of crimson blossom, grew near the river brink, and Philip paused on his oars a moment as he passed, for the sprays of colour were outlined by the vivid blue of the sky, and on either side stretched the incredible gold of the buttercups. No artist dared have painted that, yet how simple and how triumphantly successful! To the left the sun was just sinking beneath the high lines of wooded hills, and already the tide of clear warm shadow was beginning to advance across the stream. In the woods that covered the hills every shade of green, from the pale milkiness of young beech to the dark velvet of the oak, were mingled together, and glowed as if lit from within with the flakes of sunlight that filtered through the leaves. But that divine restfulness of various green was, somehow less to Philip’s mind than the shouting colours of the sunlit fields. For the tides of life, the strong, sweeping currents of vitality, of love, of the work without which the active brain grows hungry and starves, were dashing in headstrong race within him, and rest and tranquility and soft brooding over what has been seemed to him a poor substitute for the eager harvesting of youth. His sickle was in his hand, and he pressed eagerly forward through the ripening corn of life that fell in swathes to his sweeping strokes.

      The little party who were assembling at his house