Rodman the Keeper: Southern Sketches. Woolson Constance Fenimore

the great heavens!" said Keith.

      His face was pallid and rigid, and there was a ghastly cut across his forehead, the work of the sharp-edged rock. The next moment he was on board, brought the boat round just in time, and helped in Carrington, whose right arm was injured.

      "You have saved our lives, señora," he said abruptly.

      "By Jove, yes," said Carrington. "We could not have stood it long, and night was coming." Then they gave all their attention to the hazardous start.

      Sister St. Luke remained unconscious of the fact that she had done anything remarkable. Her black gown was spoiled, which was a pity, and she knew of a balm which was easily compounded and which would heal their bruises. Did they think Melvyna had come back to the house yet? And did they know that all her dishes were broken – yes, even the cups with the red flowers on the border? Then she grew timorous again, and hid her face from the sight of the waves.

      Keith said not a word, but sailed the boat, and it was a wild and dangerous voyage they made, tacking up and down in the gayly painted little craft, that seemed like a toy on that angry water. Once Carrington took the little Sister's hand in his, and pressed his lips fervently upon it. She had never had her hand kissed before, and looked at him, then at the place, with a vague surprise, which soon faded, however, into the old fear of the wind. It was night when at last they reached the lighthouse; but during the last two tacks they had a light from the window to guide them; and when nearly in they saw the lantern shining out from the shattered windows of the tower in a fitful, surprised sort of way, for Melvyna had returned, and, with the true spirit of a Yankee, had immediately gone to work at the ruins.

      The only sign of emotion she gave was to Keith. "I saw it all," she said. "That child went right out after you, in that terrible wind, as natural and as quiet as if she was only going across the room. And she so timid a fly could frighten her! Mark my words, Mr. Keith, the good Lord helped her to do it! And I'll go to that new mission chapel over in the town every Sunday after this, as sure's my name is Sawyer!" She ceased abruptly, and, going into her kitchen, slammed the door behind her. Emotion with Melvyna took the form of roughness.

      Sister St. Luke went joyfully back to her convent the next day, for Pedro, when he returned, brought the letter, written, as Keith had directed, in the style of an affectionate invitation. The little nun wept for happiness when she read it. "You see how they love me – love me as I love them," she repeated with innocent triumph again and again.

      "It is all we can do," said Keith. "She could not be happy anywhere else, and with the money behind her she will not be neglected. Besides, I really believe they do love her. The sending her up here was probably the result of some outside dictation."

      Carrington, however, was dissatisfied. "A pretty return we make for our saved lives!" he said. "I hate ingratitude." For Carrington was half disposed now to fall in love with his preserver.

      But Keith stood firm.

      "Addios," said the little Sister, as Pedro's boat received her. Her face had lighted so with joy and glad anticipation that they hardly knew her. "I wish you could to the convent go with me," she said earnestly to the two young men. "I am sure you would like it." Then, as the boat turned the point, "I am sure you would like it," she called back, crossing her hands on her breast. "It is very heavenly there – very heavenly."

      That was the last they saw of her.

      Carrington sent down the next winter from New York a large silver crucifix, superbly embossed and ornamented. It was placed on the high altar of the convent, and much admired and reverenced by all the nuns. Sister St. Luke admired it too. She spoke of the island occasionally, but she did not tell the story of the rescue. She never thought of it. Therefore, in the matter of the crucifix, the belief was that a special grace had touched the young man's heart. And prayers were ordered for him. Sister St. Luke tended her doves, and at the hour of meditation paced to and fro between the lime-tree and the bush of white roses. When she was thirty years old her cup was full, for then she was permitted to take lessons and play a little upon the old organ.

      Melvyna went every Sunday to the bare, struggling little Presbyterian mission over in the town, and she remains to this day a Sawyer.

      But Keith remembered. He bares his head silently in reverence to all womanhood, and curbs his cynicism as best he can, for the sake of the little Sister – the sweet little Sister St. Luke.

      MISS ELISABETHA

      In yonder homestead, wreathed with bounteous vines,

      A lonely woman dwells, whose wandering feet

      Pause oft amid one chamber's calm retreat,

      Where an old mirror from its quaint frame shines.

      And here, soft wrought in memory's vague designs,

      Dim semblances her wistful gaze will greet

      Of lost ones that inthrall phantasmally sweet

      The mirror's luminous quietude enshrines.

      But unto her these dubious forms that pass

      With shadowy majesty or dreamy grace,

      Wear nothing of ghostliness in mien or guise.

      The only ghost that haunts this glimmering glass

      Carries the sad reality in its face

      Of her own haggard cheeks and desolate eyes!

EDGAR FAWCETT.

      OVERLOOKING the tide-water river stands an old house, gleaming white in the soft moonlight; the fragrance of tropic flowers floats out to sea on the land-breeze, coming at sunset over the pine-barrens to take the place of the ocean winds that have blown all day long, bringing in the salt freshness to do battle with the hot shafts of the sun and conquer them. The side of the house toward the river shows stone arches, door-less, opening into a hall; beyond is a large room, lighted by two candles placed on an old-fashioned piano; and full in their yellow radiance sits Miss Elisabetha, playing, with clear, measured touch, an old-time minuet. The light falls upon her face, with its sharp, high-curved features, pale-blue eyes, and the three thin curls of blonde hair on each side. She is not young, our Elisabetha: the tall, spare form, stiffly erect, the little wisp of hair behind ceremoniously braided and adorned with a high comb, the long, thin hands, with the tell-tale wrist-bones prominent as she plays, and the fine network of wrinkles over her pellucid, colorless cheeks, tell this. But the boy who listens sees it not; to him she is a St. Cecilia, and the gates of heaven open as she plays. He leans his head against the piano, and his thoughts are lost in melody; they do not take the form of words, but sway to and fro with the swell and the ebb of the music. If you should ask him, he could not express what he feels, for his is no analytical mind; attempt to explain it to him, and very likely he would fall asleep before your eyes. Miss Elisabetha plays well – in a prim, old-fashioned way, but yet well; the ancient piano has lost its strength, but its tones are still sweet, and the mistress humors its failings. She tunes it herself, protects its strings from the sea-damps, dusts it carefully, and has embroidered for it a cover in cross-stitch, yellow tulips growing in straight rows out of a blue ground – an heirloom pattern brought from Holland. Yet entire happiness can not be ours in this world, and Miss Elisabetha sometimes catches herself thinking how delightful it would be to use E flat once more; but the piano's E flat is hopelessly gone.

      "Is not that enough for this evening, Theodore?" said Miss Elisabetha, closing the manuscript music-book, whose delicate little pen-and-ink notes were fading away with age.

      "Oh, no, dear aunt; sing for me, please, 'The Proud Ladye.'"

      And so the piano sounded forth again in a prim melody, and the thin voice began the ballad of the knight, who, scorned by his lady-love, went to the wars with her veil bound on his heart; he dies on the field, but a dove bears back the veil to the Proud Ladye, who straightway falls "a-weeping and a-weeping till she weeps her life away." The boy who listens is a slender stripling, with brown eyes, and a mass of brown curls tossed back from a broad, low forehead; he has the outlines of a Greek, and a dark, silken fringe just borders his boyish mouth. He is dressed in a simple suit of dark-blue cotton jacket and trousers, the broad white collar turned down, revealing his